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Asian Cinemas

Asian Horror – The Maid

19th October 2017YeeNok Chan Leave a Comment

“Film whose action, situated in the American West, is consistent with the atmosphere, the values, and the conditions of existence in the Far West between 1840 and 190.” – Jean Mitry Throughout the films that we had watched in this month,… Continue Reading →

Asian Cinemas

The Aesthetics of Japanese Cinema

27th September 2017YeeNok Chan 2 Comments

During this semester, we had watched three Japanese films made by different prominent directors, Yojimbo (1961) that directed by Akira Kurosawa, Spirited Away (2001), an Anime film written by Hayao Miyazaki, and Hana-bi (1997), a painstaking artwork of Takeshi Kitano, where three of them,… Continue Reading →

Asian Cinemas

Gender Role in Asian Cinema

6th September 2017YeeNok Chan 2 Comments

In ancient China, there is a saying that, “A woman who lacks talent is virtuous”, whilst, the Bible also tells us that,”Wives, be in subjection unto your own husbands, as unto the Lord.” (Ephesians 5:22), where this scripture was originated from Israel, the Middle… Continue Reading →

Asian Cinemas

Transnational Cinema

8th August 2017YeeNok Chan Leave a Comment

To me, transnational film in Asia refers to films that has a globally successfulness across other Asian countries and the Western world, or had been widely recognised by not only their countries’ diaspora, but also the general public. As well as, those films… Continue Reading →

Asian Cinemas Ang Lee, Bollywood, Crouching Tiger, CTHD, Hidden Dragon, Om Shanti Om, reincarnation, Shahrukh Khan, Transnational, WuXia

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Creative Commons License This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. The views and opinions expressed here are those of the author's and in no way represent the views of RMIT University, the School of Media and Communication, or the Media program.

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