Film Light – Reflection 10
In exercise 9, we created a scene called “Emmaline nightmare”. We used a red colour gel on a fresenel lamp… read more
In exercise 9, we created a scene called “Emmaline nightmare”. We used a red colour gel on a fresenel lamp… read more
We watched some clips in class and I wanted to talk about one of them. Ascenseur pour l’echafaud (1958) Lift… read more
I choose to reflect on Conor, Julie and Teresa’ presentation as they were experimenting with dual contrasting colours which shares… read more
exercise 16, we experimented with a Night Interior to create a night scene with a small table lamp. However, the… read more
In exercise 5 and 8, I notice that exposure matters a lot to the shooting. Overexposure can be very distracting…. read more
Reflection 4 https://www.mediafactory.org.au/xinyan-wang/2019/08/23/film-light-reflection-4/ Reflection 5 https://www.mediafactory.org.au/xinyan-wang/2019/08/30/film-light-reflection-5/ Reflection 6 https://www.mediafactory.org.au/xinyan-wang/2019/08/30/film-light-reflection-6/ Scene analysis https://www.mediafactory.org.au/xinyan-wang/2019/08/31/film-light-scene-analysis/
https://v.youku.com/v_show/id_XMTk1NjIxNTAw.html This is a scene in the film which is directed by Wong Karwai called “In The Mood For Love”. In… read more
On this Tuesday’s class, we had a look at the three point lighting and practiced to build up one which… read more
On last Thursday’s class in week 5, we run a simple shooting which everyone took a role and worked collaboratively… read more
Kelvin degree was introduced in terms of colour temperature. Tungsten light is set to 3200k which is redder and warmer… read more