Although it is impossible to depict a true representation of reality, and arguably unethical to claim that you have done so, I have come to appreciate the power of sound and images when conveying a sense of authenticity about the world around us.
During this course, we have looked at the emotionally charged images of photojournalist, Eve Arnold. As opposed to the glamorised images of celebrities at the time, Arnold managed to capture the unseen authenticity and rawness of these characters, often highlighting their masked struggle whilst also representing them with dignity. In the photo below we see Marilyn Monroe learning her lines on the set of The Misfits (Huston, 1961), which lies in stark contrast to the beaming smile and bold outfits we associate her with. In the second image, we see a faceless, retired actress who resides in aged care, resting her head on her withered hands, almost as if she was wistfully reflecting on her past. These are two of many images in which Arnold redefines what it is to be famous; a title gained through passion, determination, and years of hard work. She avoids depicting her subjects as superficial objects and instead captures them at moments where their most authentic, often strained or challenged, self is visible.
Looking back at the rain sequence from Outside the Box, I am reminded of the way images and sound can convey a sense of authenticity. Although the aim was to present a positive depiction of community work, we thought it was important to reflect the challenges and sometimes unattractive aspects of volunteering. We watch a volunteer work alone in a dimly lit shed and another struggling to carry food boxes to a van as we see and hear rain pour over the site. The use of diegetic sound and patient editing creates an authentic image of the reality these individuals face.
This sequence, however, wasn’t created to paint an ugly picture of volunteering, but instead, encourage viewers to appreciate the work that goes on behind the scenes. It prompts us to ask ourselves why people sacrifice their time for such work, a question which is addressed in the third act where the new life and hope of spring is introduced, revealing the true fruits of their labour; social connection.
References:
Spong, R 2020, Week 1: Getting started/Eve Arnold and the photo essay, Real to Reel, RMIT University