REFLECTION

Having spent the last 12 weeks learning the nuances of community radio and all the required planning that has to go in to making an hour long segment cohesive and interesting, I feel that I have come out of Room With A View (R.W.A.V) with a stronger enthusiasm and skip set for competently running a radio program.

 

Enrolling in to R.M.I.T University, radio production and feature documentaries were amongst some of the seminal reasons for joining the Media cohort.

 

I am grateful to have been given the opportunity to work with Kyla Brettle (Radio’s New Wave) and Bruce Berryman (R.W.A.V) in order to refine my audio production skills. Having learnt a lot of invaluable experience from these two monitors, I am certain that I have made the right choice in universities and humbled for the lessons they have taught me.

 

R.W.A.V has offered me the experience to pursue a serious passion of mine and has affirmed my dreams of one day presenting on radio at either a local or national level.

 

Learning how to operate a console and program in all the required sponsorship announcements, music and stingers has been one of the highlights of the semester. This experience has allowed me to not only become confident in my skills, but enabled me to grow to now be able to handle multiple microphones, levels and user inputs to broadcast a more complex and engaging show that captivates audiences.

 

Coupling this technical aspect, was the requirement to source and secure interviewees for the programs. This condition of R.W.A.V forced me to break out of my comfort zone and pursue ideas that I not only found engaging, but ones that the listener would find enthralling too. Having to source, secure and flesh out concepts, then send them to the station manager for approval – enabled me to get a better idea of my audience and the type of material that the station liked. It also helped me on a personal level as I was made to become extroverted and confident in my skills as a researcher and presenter to not only connect with the interviewee, but also present a strong piece.

 

Working with Aisha, Amalia, Bek and Laura has been an absolute pleasure and has enabled me to connect with a broad range of people that I normally thought I wouldn’t have. They have been a solid team and have helped me become more confident in my Media skills, whilst also helping me grow as an individual. They have been reliable and trustworthy and have not only pulled their weight, but pushed everyone to strive further and do better.

 

The studio hasn’t been an easy ride though. Having to constantly think of material, script narrations, program consoles, choose appropriate music and edit audio – I haven’t had a chance to relax for the last semester. This isn’t to say it hasn’t been enjoyable! I think that R.W.A.V has given me a great insight into radio.

 

The highlight for the whole Studio was the feature piece that our group worked on. Getting the opportunity to create a piece that we can be proud of is a huge achievement by all. I am personally humbled to have had the opportunity to create a social justice piece that could potentially spark change to an industry that is in dire need of a shake up. I am also emphatically grateful to have had the chance to interview some incredible people that are making a positive influence in the world and that have made me think about greater issues than I normally would have.

The feature piece took a lot of work to complete with countless kilometres traveled to record ambient sounds and interview & then the countless hours scouting music and foley sounds to complement the dialogue. This is only compounded by the time required to mix and edit the whole piece.

I am very happy with everyones efforts and even more pleased with how the piece turned out. I think that we, as a group, worked well on the feature and have an audio piece that we can comfortably hang our hats on.

 

I am grateful for all the experiences and opportunities that R.W.A.V has granted me throughout the semester and cannot wait to get back on air and have another session in the studio – being a part of the community radio secure that helps sculpt melbounre.

Déjà Vu

The horror from our last R.W.A.V remains etched into the collective memory of our group. The show itself ran relatively smoothly, however we had a last minute cancellation from one of our interviewees that threw our planning and scripting in to disarray.

 

Knowing how good things always come around twice, we were fortunate enough to have the same predicament again this time around. Having planned for an interviewee, we were to find out only yesterday that they would no longer be able to come in to the studio for the interview.

 

A quick alternative was offered to the interviewee and thankfully it times in with everyones schedule.

 

We will be conducting a phone interview with the interviewee which means our planning still gets to stay in place and no scripting has to get binned.

 

thank yeezus!

The Listen Collective

26-5-16

 

After weeks of attempting to get in contact with the social collective at the forefront of womens rights in the music industry – The Listen Collective – we finally managed to lock down an interview with one of their volunteers.

 

Interviewing Rachel Cox proved to be a pivotal part of our feature, as she offered some interesting perspectives on our topic and enabled us to take a more in depth analysis of the frameworks of the music industry.

 

We decided to record the phone interview directly through the console at the 3RRR studios, so there wouldn’t be a double handling of recording devices and to reduce noise in the interview. This proved to be ideal, as we were able to grab the audio straight off the desk and begin working it in to our feature straight away.

 

Hoping to have the feature finished by Monday (ahead of out live to air) this meant that the weekend would be filled editing the piece and getting it polished by the R.W.A.V show.

 

Here’s to hoping.

R.W.A.V II

Having planned and locked down most of our interviewee’s, we headed to the 3RRR studios to get a final practice // run through before we present next week.

 

The songs have been picked. The scripts have been written. The run sheet is planned.

 

I am confident in our groups planning and I believe that this round of R.W.A.V will far exceed our previous attempt. We have our feature well on the way, which will definitely engage audiences and spark a genuine interest in our program. We have also picked two different local organisations to interview which are both left of centre and quite ingenious.

 

I just hope all this planning pays off.

ROUGH CUT // FIGHT

Having been informed by Sam that he would like to hear a rough copy of our final feature and play it to the class for critical analysis, I came into the Monday lecture apprehensive to play the rough cut.

 

Having only started to edit the feature in the days prior, I only had approx. 1 minutes worth of audio completed, with the rest still in fragments and out of order.

 

After playing it to the group, it was greeted with relatively positive views and opened up a few questions which ultimately sparked the group to delve deeper in our edit to highlight more poignant points in the final edit.

 

The feature also managed to spark a fairly full on discussion pertaining to the policing of drugs at music festivals, with the class quite evenly divided on the matter.

 

After playing our feature and organising the dates in which the class would meet to get the presentation organised, we took off and headed to the 3RRR studios to practice ahead of our final live to air for the semester.

EDIT

Having gained most of the material for our feature, aside from the interview with the Listen Collective, it has come time to start editing the piece together – to have a rough cut ready for this coming Monday.

 

This process will take some time as we have over 1.5 hours worth of recorded interviews with both Bruce Thomas and Carolyn Worth, as well as all the ambient sounds and music.

 

Already we have made a 1 minute intro to the piece, that just needs to be re-dubed with a female narration and then we can begin to work on the body of the piece.

 

The process is beginning to feel a little like this though…

 

Almost There

2nd Last Week.

 

In todays lecture/tutorial Sam cam around and touched base with all the groups about our upcoming feature which are due in 2 weeks time and also to get a rough roster for the R.W.A.V panel happening after the semester ends.

 

It was good to get in contact with Sam about our feature, as he gave us a contact for the Listen Collective – a group of non-binary individuals who’s aim is to bring equality into the live music scene. Our aim is to contact one of its members, conduct an interview and insert their perspective into our finished feature piece.

 

 

Live To Air II – SONGS

Having switched roles from our first live to air – I will now be the online producer. This roles is pretty broad, but includes the choice of songs for the live to air as well as all the relevant online delivery of our program.

 

The songs I have picked for our second live to air are:

 

1) https://www.youtube.com/watch?v=86ybKWq3MWI

2) https://stewartwalker.bandcamp.com/track/slowdance

 

The choice of songs relate quite well to the trajectory of our live to air. Although some of the songs would be considered to be quite ‘alternative’ or ‘weird’, I believe that they will interweave perfectly with the content we have to deliver for our live to air.

COP SHOP

Having organised most of the relevant interviews for our feature, it came time to head out and interview Bruce Thomas – Senior Investigator at Ballarat Police Station.

 

We chose bruce as an interviewee as he is one of the senior police members who head out to Rainbow Serpent each year to police the festival – the same festival which harboured 4 sexual assaults in 2016.

 

The interview went relatively well, although Bruce and I did clash on our opinions of the way in which drugs are policed and looked upon in our society towards the end.

 

I was able to grab some great material off Bruce that would be able to be used in our feature and that would add a counterpoint to the opinions already made by Carolyn Worth from C.A.S.A.

Assessment Overview

Having been out of the classroom for almost a month, due to public holidays and our live to air, it was good to finally head back and discuss the relevant material we would need to complete all assessment tasks for R.W.A.V.

 

Having focussed a lot of my attention towards the live to air and the interviews pertaining to the feature, I have managed to both overlook and neglect a few areas of assessments that need to be addressed – namely this blog and the online delivery on ROAR.

 

Having Sam walk us through precisely what we would be assessed on and the types of content & standard that both he and Bruce would be looking for has enabled me to gain a clearer perspective on what needs to be done before the end of semester (which is only 3 weeks away).

 

I am hopeful that I will be able to address all the relevant criteria and produce content that both reflects and addresses all the hard work I have put in this semester and what is expected of me.