Concept I will develop into treatment:
An infatuated teenage boy decides to ask out a beautiful girl in his class who he has been pining over for months but saddens when he discovers that she is moving overseas to study abroad, only to discover whilst creepily peering through her front living rooms window one night that she is actually part of a set of identical triplets, and the boy forgets all about the girl he was ‘obsessed’ with.
[Concept sentence 1]
Character: Infatuated teenage boy.
Goal: Ask out the beautiful girl he is pining over.
Obstacle: Discovers she is moving overseas.
Twist: Reveals that she is an identical triplet, and the boy is a creep who is only cares about exterior beauty.
~
A quiet, young girl’s ballet themed birthday party is threatened when nobody shows up which causes an outrage in her loud, overbearing parents who by messaging all the parents of the invited children, discover their daughter had uninvited all her peers so that instead she could sneak away to football tryouts that her parents had banned her from attending.
[Concept Sentence 2]
Character: A quiet, young girl.
Goal: To have a ballet themed birthday party.
Obstacle: Nobody turns up to her party.
Twist: She uninvited her peers because she wanted to go to football tryouts.
Reflection:
I started off imagining my film would be of the innocent romance genre, but with further thinking and concept sentence development, I have decided to make my film start off as a romance, which quickly turns to slightly sinister and eery undertones, which allows me to address themes that will help create depth for my concept. My idea tackle’s themes like the male gaze, and the masculine ideals of what a perfect woman is. This is seen through an innocent high school crush, which turns into an obsessive relationship when the boy realises there are two more girls who look identical to his first crush whom he doesn’t have to care about anymore. This ending demonstrates that his crush was merely a physical attraction based on superficiality and lust.
Writing my concept sentence was not a terribly difficult task as initially, I worked backwards to create my concept, where I started with a twist that I thought would be something slightly absurd that I could start with and work off. I truly think the twist is one of the most important factors of a short film, so I prefer to start here with a strange turn of events, then formulate my characters, their goal, and of course the obstacle that leads to the twist.
After completion of my film, I would hope that my concept sentence is strong enough to create a suspenseful, and intriguing description of what my film will contain. I think that when promoting the film and gaining awareness of the film, I would focus on misleading the audience with depicting the film as a dramatic romance genre and adding one small reveal or hint that something is off about the story to gain curiosity and anticipation from audiences.
After reading through the sentences of people in the class, it is very clear to me that the best concepts for short films are the shortest and simplest concept sentences. I feel that mine is not perfectly concise, but I am overall confident with my concept in turning it into a treatment. One concept sentence that stood out to me was by Tu Phi Ho, about a girl stuck in a forest which made for a very interesting short. I think it has very strong unity of space within the forest location and has a good unity of conflict as there is just one strong conflict that the protagonist must deal with and doesn’t become overcomplicated. A way to improve the sentence is to work on the unity of time, as being stuck in a forest for ‘months’ would be difficult to portray in a short film and might require smaller subplots and act turns to fill in the spaces.