THE SCENE IN CINEMA: Week 2

Unfortunately, I was unable to attend the class this Tuesday, so my analysis for the second week will entirely focus on the activities we did on Friday. This week, particularly the Friday class, largely focused on the use of shotgun microphones in filmmaking. While I had used a shotgun microphone for short film shooting previously, I hadn’t fully grasped its importance until Robin described it as the “unsung hero” of film production. This perfectly summed up the role of the shotgun microphone – often overlooked, yet crucial. Those handling the shotgun microphone are among the few in the crew who know the script, and their mistakes could potentially ruin an entire scene. It had never been a priority in my film studies, but it served as a good reminder that paying attention to these seemingly small details is crucial for producing a satisfying piece of film.

Like last week, we teamed up in a group, this time with different people. Although we didn’t film anything and it was more of an introduction to the shotgun microphone, it was an exciting session for me. I had never used a shotgun microphone by myself before, and when I used it with headphones on my head, I discovered that the direction of the microphone’s head impacts the clarity of the sound I was capturing. Additionally, the microphone was able to capture only the sound I wanted, eliminating any background noise, which further emphasized to me how crucial it is to movie production.

We also watched clips of scenes in a bar from two different pieces of work and compared the differences. The first clip, which is from Gossip Girl, was not my favorite for several reasons. I prefer fewer cuts in a scene, especially when two figures are having a deep conversation, but this clip was the polar opposite of that and felt a bit rushed. Additionally, the camera angles felt repetitive, which bored me quite a bit. The second clip was definitely more interesting for me. There were shots from far more angles than the previous one, making it less repetitive and more engaging to watch. By comparing these two clips, it became clear to me what I want and don’t want in my work. I could see myself referring back to the second clip every time I struggle with camera shots in a scene like that.

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