Today’s lecture focus more on how Korsakow addresses audiences. Korsakow is new emergence of storytelling tool so We still have so much thing to discover.

While audiences are viewing a Korsakow film, audiences might be confused because Korsakow describes in an unconventional way. Hannah considers the relationship between a video and another is more important than others. A good structure is easier for audience to understand the content. Adrian adds that Korsakow it is not about what you are doing right now, but it is about what you are thinking. SHOWING BUT NOT TELLING. You should pay more attention to how to show your idea to viewer rather than telling viewers that is what it is. Telling is killing your work. Sharing your own experience makes your work more interesting because audience would like to know more about the your thought rather than the things.

Adrian also suggests us not to be concerned about how to produce meanings in one single shot. The meanings are generated in the juxtaposition of shots because meanings do not exists internal shots but out of the shots. A montage sequence is constructed by a several of shots and the meanings of a montage is dependent on how filmmaker juxtapose the shots.

Hitchcock illustrates how the meanings are produced. Therefore, while making a Korsakow film, we should build it step by step rather than considering the entire meanings of the project. We make every single shot and bring it altogether for the meanings so I think the structure is very important to express our ideas. How we arrange the videos is influencing the project.