Happens IN CLASS this week. Over and out.

Happens IN CLASS this week. Over and out.
This is one of the reflective scale lists produced in the classes. The reflective scales are part of the documentation package for the final film.
This is a check list of what you need to get the bonus’ on offer for the final project:
PROJECT DOCUMENTATION BONUS CHECKLIST
All of these must be included, on paper, to receive the documentation bonus.
PROTOTYPE PRESENTATION BONUS
Remember for your first, individual, K-films you used a FTP program to upload them to themediastudents.net web server? For the final projects you do the same thing, but the location is slightly different. When you log in to the server using FTP please go to the im1 folder, and inside that open the projects folder (not the 2014 folder you used for your individual projects). This is where your projects go.
To get the 5% bonus for project documentation you need to submit (on dead tree, aka paper):
Relations. A film image by itself says a lot, but in many other ways it is quite mute. That Vine clip of a coffee cup, playing as it does with the autofocus and autoexposure of the iPhone’s camera, shows a particular cup and saucer and spoon with particular qualities. It is all description (notice the texture, hue, and light on the surface of the saucer, it’s tone, shape and the shadow). But it doesn’t ‘say’ much – it isn’t really yet narrating anything, it’s simply a coffee cup, saucer, and spoon. Add a title, and make that a part of the work (in this case “glow to orange”) and things change a bit. Now the title orientates the short clip with a little bit of direction and focus, it seems to be about simply the arrival of this particular orange, its intensity and appearing is perhaps more important than what it is, suggesting a certain sort of abstract relation to the thing, and the film. Perhaps it’s more poem than story?
Take that brief shot of a cup, saucer and spoon and if you placed it in relation to other shots, then things change dramatically. Surround it with other cups and I have a work, that at a minimum, I might take to be about cups. Or surround it with other things ‘appearing’ as brief intensities of colour, and I’m perhaps got a film that is thinking about colour (perhaps in the spirit of the Delauney’s.
Relations between therefore carry great force to change what we understand the shot to be about.
This week’s theme begins to consider what sorts of relations there might be between other things, and how these might be filmed. These tasks invite poetic interpretation and an effort to think from something else’s point of view.
Technical
Apologies for any confusion as I’ve just looked at various documents and things are confusing. The film essay that is due shortly, the outline is located here, the actual description via a Google document, and you can submit it via a google form.
Relations. Literal ones this time. Things gain meaning for us because we place them in relation with each other, via us. When we do this what the thing is in itself becomes almost secondary to the ‘force’ of the relation. For example that bench out my window is a seat which has a particular relation to my body. When I sit on it I am aware that it is timber, made from a log, but it’s ‘woodenness’ or ‘timberness’ is not really what matters to me about the bench so much as its ‘benchness’. What it is in itself (wood, grain, cellulose, once a tree trunk, something living, food for termites and other insects) is reduced because it is placed and so understood in relations by and via me (my bench, a rustic bench, furniture, garden decoration).
The tasks this week invite you to think about yourself in regards to relations. What relations form you?
Technical
Relations, relations. They’re like family, you don’t get to choose them.
The theme of the semester is ‘relation’, as in relations and the relational. The first constrained task, which really consisted of two constrained tasks, square and round is primarily about composition and so is shape as a relation.
The second task, was light. Video and cinema is, at heart, about a relation to light (of a chemical surface that responds to light, or a CCD that is also built to respond to light).
The third task is about speed. What relations of speed are available available?
Speed
NOTE: for all of these the camera should be static.
Technical
Things to consider
A cliche is fast cutting = speed and slow cutting = slow. But can they be mixed? Why? Why not?
Quite a few people haven’t filled out the form that lets us find your blogs, please do this asap, the form is linked from the post about the first class. It’s also a worry about how illiterate about URL’s many of you are. Several of the URLs provided are to the class blog (which isn’t your blog), to an individual post within your blog, to the edit screen of an individual post in your blog. The URL of your blog is the top level URL to the default home screen of your blog, so it is usually http://www.mediafactory.org.au/firstname-lastname. Perhaps a few minutes explaining the structure of a URL is in order, not understanding the architecture of domain names and pathways is a bit like not realising that you put a +61 to call an Australian phone number from outside the country. Not going to change the world, but you’re going to be a bit of a Paris Hilton not knowing it.
If you’re name doesn’t appear in the blogroll for the integrated blog, then I don’t have a record of your name and blog. The form, as said, is from the post for the first class.
The theme of the semester is ‘relation’, as in relations and the relational. The first constrained task, which really consisted of two constrained tasks, square and round is primarily about composition and so is shape as a relation.
The second task, for making during the second week of semester, is light. This is about the relation of light in the image (for the image is, intrinsically and deeply, only about light), and light to itself (shadow).
Theme
Technical
Things to consider
Should things be the same shot scale (size in frame)? Why? If they vary, why? Are they everyday things or things that have some significance to you? Perhaps one film is personal stuff, another the kitchen? (And yes, this is an exercise in noticing.)
Welcome, bonjour, velkommen. New year, new semester, new subject. Some same old same old stuff.
By the end of this class you will need to have:
This is a constrained video brief. This means you do it as described.
Theme
Technical
Things to consider
Should things be the same shot scale (size in frame)? Why? If they vary, why? Are they everyday things or things that have some significance to you? Perhaps one film is personal stuff, another the kitchen? (And yes, this is an exercise in noticing.)