Brief 4 Interview…

As a part of our audio documentary, we have thought to include experts interviews to give a more variety and tone of voices. Bianca went off and interview Nic McKenzie and Louis Rocketeer/ B.Deep, the two music recorder artists. Patrick in the other hand, had set up a meeting for an interview with Dr. Lawrence Harvey at the SIAL studio (Spatial Information Architecture Laboratory) in the Design Hub. So both Patrick and I met up with Lawrence, walking through overwhelming “couple” of hallways and down the stairs until we reached the studio.

So many crucial information have been obtained by Patrick as the interviewer and me holding the mic. We have gotten to know Dr. Lawrence more as well as he introduced us to the inside of SIAL Pod, sound systems and its gear. Especially when he played us an audio of Spatial Sound travelling through 14 speakers surrounding the three of us in the centre of the room. Awesome!

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Inside the SIAL Pod

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Studio with the surrounding speakers and where we interviewed Lawrence

 

Brief 4 in progress…

Looking through various and heaps of articles for our research, I have found several interesting timeline for audio technologies and informations throughout the evolution.

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From these researches, Bianca, Patrick and I put the whole information into the script for the audio recording.

Adding to our minutes, we’ve met in week 11 to finish off our script and went into the studio. Patrick had taken care of borrowing the recorder and the mics and setting them all up and ready for recording. Bianca, having the nicest voice gave her narration in a great and successful speech. It was quite a long day after having a second take for Bianca’s narration and Patrick downloading all the voice notes and ready for editing. But I’m happy and relieved that we have made progress in this project with both Patrick and Bianca being helpful teammates. This is a photo of the sound-proof studio we went to do our recordings:

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Genre(mixes)

Reading Log #10  

Genres are what categorises different films in different belongings. It refers to the kind or type. This mode of categories also helps describe and analyse films rather than evaluate them. Film conventions therefore shape the viewers’ expectations of what belongs to specific genres. Though, movies are like music in terms of genre which can be remixed. Just like music remixes that we’ve explored in our week 11 Lectorial, great unique movies are not of an original idea but a mixture of great inspirations that are then created into one extraordinary piece.

Would we expect that a film starring Sandra Bullock is a romantic comedy? Or those starring Bruce Willis is an action or rather a gangster film?

When we observe a shot in a film with an advanced, futuristic technology or an experiment in a laboratory, would we infer that the film we are watching is belonging to the sci-fi genre?

Consequently, each genre or subgenres has specific conventions whether it is its style, subject matter, music, or even its actors. Vampire films for example, is a subgenre of horror or a thriller category. Though, a genre may not stay that genre and evolve overtime in history. Twilight, being one of the first vampire with romantic conventions are a mixture of genres and had influence other filmmakers, such as the vampire diaries show or A Girl Walks Home Alone at Night (2014). This movie by Ana Lily Amirpour has some similar conventions to the Indonesian horror films, with the ghost or vampire wandering alone at night and hunt for its prey being that it is Iranian with similar culture to the Indonesian Muslim culture. Rizal Mantovani’s Kuntilanak (2006) has the ghost wandering only during the night-time like the girl in Amirpour’s movie, with its arousal of shock, disgust and repel or horrify. But unlike other vampire movies, A Girl Walks Home Alone at Night is the first Iranian Vampire Western ever made with a mash-up of genre, archetype and iconography.

The Satirical New & Old iPhone

One of the first assessments in our popular culture course started off as blogging and v-logs. Also relating to week 12 lectorial here. Focusing my idea on social networking and smartphone technologies, I did my video log based on a satire written in the past as a high school activity:

I love my IPhone 4s.

Its plain white colour, silver bitten apple logo on its back, its long touchable screen and soft slippery textured round button below its screen I have pressed 12 trillion times… Maybe more. Continue reading

Blog o’clock; Technology & Media Materialism

Here are some of the ideas that Daniel discuss in our week 12 lectorial (Yayy! last lectorial of the semester):

  • Technological determinism is a valid way of looking at the world
  • Humanity is in charge of its own future
  • Innovation and progress is hindered by scientific regulation
  • Machines are becoming too intuitive/intelligent
  • Dust has negligible matter, but it has great power

Focusing on dust and its negligible matter, technological inventions has been assembled with these materials taken from our earth. Hence, it has great power in the world of technological determination and innovations, encouraging us the reliance to these resources. “…allowed dust to do the work: a temporal, slow compiling by the non-human particles as a work of art installed at the museum, ‘a purposeful inactivity'” (Parikka 2013). Obsession with resources, with what we take from the earth not only significantly build a constant progression but we also need to think about the people who literally obtain these resources from the mine. They are the ones breathing the dust into their lungs, having to live with the consequences of their own health. These people may have been the ones collecting materials for the consumers’ media materialism such as having an iPhone, computers and etc. Likewise, our planet itself is affected while geologists study and examine how the planet works and our impact on it. We’ve all heard of the global political issue; the climate change, the ‘dying planet’. See dust is only wall few materials but as obsession with collecting these resources occur, it has an enormous power in the impact of our earth and on us as ones living within.

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Another one…

There comes a final assessment in the popular culture course and there comes another annotated bibliography like the one we did in media 1 project brief 4. The references I am using are the articles read for my group presentation on feminism in music videos, an article of the Simpsons and on social media. Writing 1,500 words summary for three references is definitely not an easy one. Let alone this assessment worths 50% of the whole course. But I guess being in the habit of “critically analysing” texts is crucial for the rest of your life unless you don’t mind being somewhat unreliable. Though I’m grateful having learned this skill, while it helps to investigate and study the artefacts of popular culture across times in which I am looking forward to.

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A Whole New World

This weekend I went to ACMI Gallery after watching a kids 3D movie, Monster in Paris. Being a mentor in RMIT foundation studies mentoring program, I had to stick with this movie. But on the plus side, my fellow mentors and I get to discover the history of motion pictures in the exhibition. I’ve found the huge transparent “first” lucite television interesting, the first video game with that simplistic tennis simulator appealing and how we’ve managed to have the Thomas Edison peepholes at some point in history is somewhat outlandish. Though what had hauled me the most is the arrival of film, while observing how the invention of colour TV greatly impact film industries and the cinema. Films have been evolving as a result of the constant discoveries of past filmmakers and the invention of technologies. Like the Lumière brothers who invented a new photographic technology to project films into screen, George Méliès discovered yet another cinematic technique of special effects, adding significance to the film productions. Speaking of projections I did a mini abstract, black and white video using one of the exhibits just to see how cool it looks.

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