Semester 1 2024 has officially wrapped up and as it has flown past, it holds its specialities amongst not only my class, but the whole media cohort in their dramatic and inspiring pieces in a short amount of time. In this semester, my studio was held under Bradley Dixon in Beyond a Joke, Beyond a Genre, where we learnt many comedic techniques to obtain laughter, guidance in story building narratives, meeting new people and working with them to create something incredible and overall, a fun, hilarious experience like no other.
After classes finished at the start of June, my studio’s screening was exhibited under the ‘And Scene Film Festival’ in the capitol theatre and it was just very cool to see. Wouldn’t it be insane for a film you’ve been working on for several weeks amongst hours amongst hard work, and we get to experience it in a historic cinema, it was very amusing to see not only my groups work but everybody else too. I hope that my screened work in ‘Trip Up’ not only presented laughter to the crowd but also represented the key aspects of what the studio is referring too but also what we believed was so special about it. I think that my groups work was cinematically so unique thanks to K’s brilliance in his cinematography, i wanted everyone’s costumes to prove they had meaning to define their character. For example, my character, Kevin, wears all black and white in the middle with his singlet, he is an outcast compared to everyone else, he is dressed completely different like his personality, expressing darkness and weirdness. This is what the studio is all about, expressing meanings of comedy that are not so apparent to the genre, its more than a genre, there are meanings behind the teaching of it and it goes out of the norm and its unpredictable, its surprising.
If my group was to continue working on our piece, it would be a much more refined, clean cut film. If we had a little more time, the editing would not be rushed, our title card could look a little more colourful, we could experiment with colour a little bit more, especially the tunnel scene, we were all big fans of ‘giallo’ type settings but we just ran out of time to refine it. I think we could promote this piece into a film festival, i think maybe one thing i would change is the idea of maybe shooting a little bit more, just to make the story flow, giving the characters more realism, experimenting with visual comedy a little bit more, i would happily walk into the ocean again, fully clothed.
In my studio, there were standouts across the board, not one disappointed, we all worked extremely hard and we all got it on point which really surprised me but i knew we were all hard workers and it was really a fun passion to work on a comedic set. I think that ‘Operation: Superstar’ addressed the key ideas of the studio greatly due to their genre hybridisation. Its not always about normal comedies, they can have hidden meanings, they don’t even need to be comedic, this group worked so well because they implemented this coming of age effect in their narrative that disguised its comedic sides with this genre and every time a little gag came in, it outclassed the narrative to make it flow so much better which is why comedy is so powerful. Another groups work that stuck with me was ‘Situation Tragedy’, another hybridisation. This group was so unique because it took a serious situation into a satire. They created a show inside of a show and the ability to make a true crime a true laughter was so amusing to me because nobody was expecting to go the route it did. This is why it was so different and how each character had their moment to shine was really layered and powerful.
A different studio that stood with me was ‘Visual Blueprint’. This studio follows the art of film symmetry and i found it very interesting to watch not by force but by curiosity because i wanted to see what these guys made and how they followed their class. One work that stood out to me was ‘3 Strikes’. I found that i was not only in a Wes Anderson movie which centre framing but each shot had something so unique about it, it was so satisfying to watch. The colour grading was very stylistic with colour and shadows as well and i could tell everyone involved had a lot of fun making this look as good as it could be. I found it also very interesting how at the start of the piece, it hooked me in and felt so different as each shot went on but followed one principle: Symmetry.