Landon Palmer’s article, “Engineering the ‘Sense of Being There’: Electronovision and the Invention of the Stage Performance Documentary,” delves into how electronic imaging technology has transformed the recording and presentation of stage performances through multi-camera setups and television techniques. This article provides not only a profound insight into historical technological developments but also sparked many reflections on my own media production practices.

The article emphasizes the importance of multi-camera techniques in the documentation of stage performances. Palmer points out that electronic imaging technology “breaks the traditional single viewpoint of stage performance recordings through the use of multi-camera setups and live switching” (Palmer, 2023). This technology not only enhances the audience’s immersion but also allows documentaries to present performance details more comprehensively. In my multi-camera productions, this concept reminds me to pay more attention to the coordination and switching between different cameras to capture various angles of the performance, thus enhancing the viewer’s experience.

Palmer also explores how technological innovation has driven the development of stage performance documentaries. Palmer describes how electronic imaging technology “brings live performances into cinemas through enhanced television technology” (Palmer, 2023). This innovation not only changes the way audiences watch but also encourages documentary filmmakers to explore new filming and presentation techniques. In modern media production, the rapid development of technology offers more possibilities. For example, the application of virtual reality (VR) and 360-degree camera technologies can immerse the audience more deeply into the performance. In my production practice, I should actively explore and apply these new technologies to create more immersive and interactive works.

This article made me reconsider the significance of  the “sense of being there” in documentary production. He points out that the “sense of being there” is achieved through multi-camera setups and audience engagement, making viewers feel as if they are present at the scene (Palmer, 2023). This concept is greatly inspiring for my documentary productions. In my practice, I should consider more about how to enhance the audience’s immersion through technological means and narrative strategies, making them active participants rather than passive viewers. For example, using interactive narrative techniques can increase audience engagement during the viewing process, thus enhancing their viewing experience.

Overall, Landon Palmer’s article not only provided me with rich historical and technical background knowledge but also ignited profound reflections on modern media production. By integrating the theories from the article with my practical production experience, I can better understand the importance of multi-camera setups and technological innovations and apply this knowledge in practice to create more attractive and impactful works.

References list：

Palmer L (2023) ‘Engineering the ‘Sense of Being there’: Electronovision and the Invention of the Stage Performance Documentary’, Historical Journal of film, Radio and Television, 43(4): 1157-1182.