In this week’s class, We discuss Lamb’s article “Narrative Form and the British Television Studios 1955-1963” (2014). And get to know how British television studios between 1955 and 1963 utilized physical set design to influence different narrative formats. By analyzing the spatial layout and resource utilization of studios, the article delved into the biases formed in the production of single plays and series.

The article first points out how the design of television studios shapes the production methods of single plays and series, emphasizing the constraints of physical space on creative freedom. Lamb notes in the article that the utilization of studio space directly impacts the aesthetic of television narrative, and this layout and utilization of space are directly related to the visual presentation and narrative depth of television dramas. Reflecting on this, we can consider how spatial configuration constrains and provides opportunities for innovative expression. For example, how fixed cameras and limited space restrict the dynamism of series and audience experience. The article also discusses the relationship between technology and aesthetics, exploring how the allocation of technical resources in the production of single plays and series either facilitates or hinders stylistic innovation. The production of “Armchair Theatre” enhances visual storytelling through dynamic camera techniques and complex sets, where the interaction between the camera and sets adds spatiality to the performance (Lamb, 2014).

Furthermore, the article explores how the differences between single plays and series are institutionalized and culturalized, leading to biases. Single plays are often valued for their unique entertainment form and higher artistic value, while series are often seen as more commercialized. Investigating how these biases influence creators’ choices and television station scheduling strategies is a topic worthy of further exploration.

In summary, the physical production conditions of television dramas reflect cultural and aesthetic values. As cultural products, television dramas’ production practices reveal societal values and expectations. By studying the design and utilization of television studios, we can understand how broadcasting institutions shape specific cultural products and audience experiences through technology and spatial configuration.

Reference:

Lamb B (2014) ‘Narrative Form and the British Television Studio 1955-1963’, Historical journal of film, radio and television, 34(3): 357-368.