RESEARCH

I have searched some film lighting techniques online. Like putting real film lights outside windows instead of relying on natural light is always worth; a beautiful blue can be achieved with HMI lights and a digital camera set to tungsten balance; a beautiful “Matrix”- style green can be achieved by shooting with regular fluorescent lights with the camera set to tungsten balance; soft pools of light on actors’ faces can produce a very interesting look and so on, which I think it is useful to help with my project.