Week 1 Reflection

Going into this studio, I had preconceived notions about multi-camera production, primarily associating it with sitcoms. While I was familiar with the studio setting and multi-camera format, I lacked a deeper understanding of how these shows were filmed. Krampner (1991) discusses the three-camera setup and how its not only cost-effective and time-efficient, but also revolutionised television with the use of different angles and perspectives. Although modern talk shows have evolved, I was surprised by how many foundational systems remain because they continue to be effective.

Watching the behind-the-scenes footage of the Super Bowl halftime show was eye-opening. The level of planning and synchronisation with the rhythm of the music fascinated me, especially as someone with a background in music theory and an interest in how audio enhances film and TV. Seeing the crew work together so seamlessly was inspiring and made me eager to step into the studio.

I was surprised by how quickly we were introduced to the studio environment. Though initially overwhelming, learning the rules and crew roles in a hands-on way helped us engage with multi-camera production immediately. I took on the roles of audio operator and assistant director, and after a few rounds, I felt excited to contribute to our filmed segments. What I enjoyed most was the teamwork—coordinating with others to ensure a smooth and visually engaging production.

One of the biggest lessons was understanding the instinctual decision-making required in live media. Every role involves quick thinking—choosing the best camera angle based on dialogue and reactions, deciding the right moment to cut, and selecting the most effective transitions. Since live media lacks post-production editing, everything happens in real-time, encouraging experimentation and the ability to anticipate the edit before it unfolds. This aspect excites me, and I look forward to further developing my skills in this studio.

Reference/s:

• Krampner, J. (1991, July 29). Myths and Mysteries Surround the Pioneering of 3-Camera TV Broadcasting. Los Angeles Times.