1. What is the ‘controlling idea’ (Robert McKee) of your portrait?

My subject, Ayse Sakar, is obsessed with fairy tales. The focus will be on why she loves these tales and how they have evolved her as a person.

2.  How is your portrait film structured?

Interview with mix of archives fairytale footage

3. What do you want your audience to make of your interviewee?

I want the audience to see how truly inspired she is by fairytales. It has had a genuine impact on her life, they were not just stories to her and that is what I want the audience to see.

4. How is your portrait being narrated?

I recorded her voice on a microphone to use as a voice over the archived footage. Ayse Sakar will be the only speaker.

5. What role will the ‘found footage’ play in your portrait?

The found footage will be accompanying Ayse Sakar’s voice as she explains her favourite fairytale and will be mainly Peter pan and alice in Wonderland, those two being two of her all time favourites.

6. Does your portrait have a dramatic turning point?

No, it is more of a casual interview focusing on fairytales.

7. When does this turning point  in your portrait and why?

Not applicable.

8. How does your portrait gather and maintain momentum?

The questions are engaging and her excitement is maintained throughout the portrait.

9. Where will your portrait’s dramatic tension come from?

Not applicable

10. Does the portrait have a climax and/or resolution?

No. It is a portrait focusing on fairytales and the subjects love for them.