My group and I came up with the idea by sharing our photos, things we love, and our deepest fears. Turns out, we all feared death in some way or form. Yet, the exercise required the formation of a question and we ended up with “How should we face death?”
We figured that asking people about would make for some interesting material. We picked three people sitting outside the class, and asked them if they would like to participate. They agreed, but were still hesitant, so I tried to light the topic as much as I possibly could (we’re talking about death after all). It is very important for the interviewees to feel comfortable as that affects their entire performance on screen. Once they felt comfortable, they were challenged with figuring out their answers as some of them never thought about death to that extent. Another challenge was the lighting and audio quality. To find a place with good lighting meant compromising on good audio and vice versa. We decided to priorities lighting as film is a visual medium predominantly. I still had to use my flashlight to make the shot better, which was a fun experience.
Overall, I learned that a good project could be achieved if you had dedicated people working on it with you regardless of time and quality constraints, which fortunately was the case for my group. We were inexperienced and rushed throughout the whole experience, but we made it work with intensive discussion and planning beforehand.
As a person inexperienced in documentary, this week’s reading was important to understand. I never realised that documentary films are as creative and diverse as the cinematic ones. To me, documentary was confined into one particular form – expository. Furthermore, I’ve always thought documentaries are supposed to mirror our existing world. Instead, it’s the infinite recreation of our existing world.
-Anhar Al-Shameri