by Em Cox & Isabella Cook
“Life In Plastic” poetically juxtaposes human existence under capitalism with the life cycle of a plastic bag.
Documentary at its core, “Life in plastic” delves into the cognitive dissonance surrounding the purchase and use of single-use plastic, as well as the sense of paralysis often associated with depictions of ecological destruction in the media. It critiques the capitalistic structures and systems we depend on and participate in, which simultaneously destroy and oppress us. It condemns the consequential apathy we project towards political, social, and environmental change.
In the exploration of movement and stillness, both aesthetically and thematically, the film raises questions about the value we assign to our existence and the harm we may inadvertently cause. As we constantly strive to move with purpose, we question whether it is acceptable to be still and contemplate our mere existence. Must we always justify our existence through productivity, or can we find worth in simply being?
Just like the plastic bag, we, as humans, can become ensnared in our own illusions of freedom. While we may believe we are entitled to consume and dispose of plastic without considering the consequences, the film exposes the physical entrapment of plastic pollution on marine animals and the emotional and psychological entrapment we experience when trapped in unfulfilling jobs, relationships, or situations.
Plastic, as a manufactured commodity, represents a diverse array of types, forms, textures, sizes, purposes, and impacts. Yet, paradoxically, the homogenization of resources and fate leads all plastic to converge in the same place: garbage dumps, thrown together in bags. Plastic bags, designed for temporary use, persist as permanent fixtures in our environment, while human life, ephemeral by nature, can leave a lasting impact.
In its creation, we embarked on a collaborative and individual journey that revealed the advantages of this approach. The sense of fragmentation within the concept was enhanced, as we drew upon each other’s skills and talents, inspiring us to learn and experiment. This led to a creative and aesthetic blending of our styles, ultimately enriching the film.
Throughout the production, our shared focus remained on evoking emotions and provoking contemplation about the complexity of existence for the viewer. This unwavering dedication guided us in capturing and developing a piece that truly expressed our concepts. We recognized the value in embracing an experimental approach, allowing our work to be open to interpretation. As media creators, we discovered that not everything needs to be fully understood or clear-cut. There is beauty and complexity in leaving spaces for thought, inviting viewers to explore and engage with the work on their own terms.
“Life In Plastic” compels viewers to reflect upon the consequences of our actions. Ultimately, the work aims to provoke contemplation in what we leave behind.
What role are we playing in our own destruction?