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Cut versus Shot

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June 6, 2016

Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, .

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June 6, 2016

Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311.

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June 6, 2016

Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235.

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June 6, 2016

Suhr, C, Willerslev, R 2013, Transcultural Montage, Berghahn Books, USA, pp. 159- 163.

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June 6, 2016

Bazin, Andre, “The Evolution of the Language of Cinema”, “The Virtues and Limitations of Montage”, What Is Cinema?, University of California Press, 1967, translated by Hugh Gray

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June 6, 2016June 7, 2016

The 30 Degree Rule, Light Film School http://www.lightsfilmschool.com/blog/the-30-degree-rule/128/

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June 6, 2016

180 Degree Rule and Other Shot Sequence Tips, Light Film School http://www.lightsfilmschool.com/blog/180-degree-rule-video-tutorial/

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June 6, 2016

Renee, V, 2013, Understanding the Hidden Editing in Hitchcock’s ‘Rope’, No Film School, October 4, 2013 http://nofilmschool.com/2013/10/understanding-hidden-editing-in-hitchcocks-rope

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June 6, 2016

Murch, Walter, 1995, “The Rule of Six”, In the blink of an eye: A perspective on film editing, Silman-James Press, 1995, p 17 – 20 http://www.tlu.ee/~rajaleid/Basic_Editing_MA_2014/readings/In-the-Blink-of-An-Eye.pdf

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June 6, 2016

Reisz, Karel, and Gavin Millar. The Technique of Film Editing. New York: Hastings House, 1968. Print.

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June 6, 2016

Bowen, Christopher J., and Roy Thompson. Grammar of the Edit. N.p.: Focal, 2013. Print.

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June 6, 2016

Goodman, Robert M., and Patrick J. McGrath. Editing Digital Video:. New York: McGraw-Hill, 2003. Print.

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June 6, 2016

Chandler, Gael. Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know. Studio City, CA: M. Wiese Productions, 2009. Print.

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June 6, 2016

Dancyger, Ken. The Technique of Film and Video Editing: History, Theory, and Practice. Boston: Focal, 2002. Print.

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June 6, 2016

Crittenden, Roger. Film and Video Editing. Florence, US: Routledge, 2003. ProQuest ebrary. Web. 20 March 2016.

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June 6, 2016

BARON, CYNTHIA. “Acting Choices/filmic Choices: Rethinking Montage and Performance”.Journal of Film and Video 59.2 (2007): 32–40.

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June 6, 2016

Newton, Dale, and John Gaspard. Digital Filmmaking 101: An Essential Guide to Producing Low-budget Movies. Studio City, CA: Michael Wiese Productions, 2007. Print.

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June 6, 2016

Videomaker, Inc. The Videomaker Guide to Video Production. 4th ed. Elsevier/Focal Press, 2008. Web.

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June 6, 2016

Harwood, Julie D. The Construction of Meaning in Hollywood and Music Video Editing Aesthetics: A Comparison between the Pre-Television and Music Television Generations. Order No. MQ52462 University of Windsor (Canada), 1998 Ann ArborProQuest. 20 Mar. 2016

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June 6, 2016

Murch, Walter. In the Blink of an Eye: A Perspective on Film Editing. Los Angeles, CA: Silman-James, 2001. Print.

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June 6, 2016

Eisenstein, Sergei, and Jay Leyda. Film Form; Essays in Film Theory. New York: Harcourt, Brace, 1949. Print.

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June 6, 2016

Burch, Noël. Theory of Film Practice. New York: Praeger, 1973.

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June 6, 2016

Orpen, Valerie. Film Editing: The Art of the Expressive. London: Wallflower, 2003. Print.

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June 6, 2016

Smooth Cutting – The Ideal (Film Editing), What-When-How, The-Crankshaft Publishing http://what-when-how.com/film-editing/smooth-cuttingthe-ideal-film-editing/

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June 6, 2016June 6, 2016

Hollywood’s History of Faking it : The evolution of Green Screen Editing, Film maker IQ http://filmmakeriq.com/lessons/hollywoods-history-of-faking-it-the-evolution-of-greenscreen-compositing/

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June 6, 2016

Sound in Film making, The Language of Films, Pacific Cinematheque http://thecinematheque.ca/education/wp-content/uploads/2012/02/LanguageofFilm07.pdf

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June 6, 2016June 6, 2016

Gates Chris, When Editing a Horror Movie or a Triller, Timing is Key, Video Maker, October 2014 https://www.videomaker.com/article/c3/17056-when-editing-a-horror-movie-or-thriller-timing-is-key

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June 6, 2016June 6, 2016

Schager, Nick, Editing is Key to the Drama and Comedy of The World’s End, A.V. Club, Jan, 2014 http://www.avclub.com/article/editing-is-key-to-the-drama-and-comedy-of-the-worl-200786

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June 6, 2016

Daseler Graham, Cutter’s Way: The Mysterious Art of Film Editing, Bright Lights Film Journal, October 2012. http://brightlightsfilm.com/cutters-way-the-mysterious-art-of-film-editing-the-mysterious-art-of-film-editing/#.V1U905N96fW

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June 6, 2016

Robinson, Citizen Kane: Editing Techniques Add to The Film’s Mystery, Film Analysis at the University of Florida, 2014 https://ufilmanalysis7308.wordpress.com/2014/02/08/citizen-kane-editing-techniques-add-to-the-films-mystery/

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June 6, 2016

Reisez, Karel, “The History of Editing”, Technique of Film Editing, 1958, Focal Press Limited, 1996 Edition, p. 15 – 40

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June 6, 2016

Wendy Apple, 2014, The Cutting Edge: The Magic of Movie Editing, distributed by British Broadcasting Corporation (BBC) and Warner Home Video in UK and USA respectively.

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June 6, 2016June 6, 2016

Scoma, Joey, 2016, “Cuts and Transitions 101”, “Editing: Creating the Oh F*** Moment”, “ProTip: Editing to the Eyes” “LAPL Panel Series – Editing”, Playlist – Editing, Rocket Jump Film School < https://www.youtube.com/playlist?list=PLw_JAmvzR_MBxjGDjDClxy29vdQFec1P2 >

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June 6, 2016June 6, 2016

Hess, John, The History of Cutting – The Birth of Cinema and Continuity Editing, Filmmaker IQ, January 20, 2014
 https://vimeo.com/86462452

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June 6, 2016

Brodwell, David, Thompson, Kristin, “The Relation of Shot to Shot : Editing – Continuity Editing”, Film Art – An Introduction, Ninth Edition, University of Wisconsin, p 236 – 249

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June 6, 2016

Katz, Steven, “Elements of The Continuity Style”, “The Moving Camera”, Shot by Shot, Michael Wiese Production, June 1991, p 121 – 158, 279 – 336

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June 6, 2016June 6, 2016

Renee, V, 2015, A Closer Look at the Hidden Editing Techniques used in ‘Birdman’, No Film School, October 16, 2015 http://nofilmschool.com/2015/10/a-closer-look-hidden-editing-techniques-in-birdman

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June 6, 2016

Feneley Dustin, “Post Production: Editing”, Short and Sweet: the Art of Short Narrative Film, Issue 53, Screen Education, Focus on Filmmaking

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June 6, 2016June 7, 2016

Berliner Todd, Cohen Dale, The Illusion of Continuity: Active Perception and the Classical Editing System, Journal of Film and Video, University of Illinois, 2011

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June 6, 2016

Moura, G. 2014 ‘Types of Transitions’, Elements of Cinema, Los Angeles USA, retrieved 22 March 2016.


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June 6, 2016

TV Tropes, 2016 Kuleshov Effect, retrieved 24 March 2016

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June 6, 2016

Zettl, H. 2001’The Four-dimensional field: Time’, Sight, Sound, Motion: Applied Media Aesthetics, Wadsworth, Boston USA

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June 6, 2016

Underwood, G. 1998 Eye Guidance in Reading and Scene Perception, University of Nottingham, London UK  

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June 6, 2016

Pudovkin, V.I. (trans Montagu, I.) 1954 ‘The Film Scenario and Its Theory’, Film Technique and Film Acting, Vision Press, London UK

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June 6, 2016

Pudovkin, V.I. (trans Montagu, I.) 1954 ‘Methods of Treatment of the Material’, Film Technique and Film Acting, Vision Press, London UK

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June 6, 2016

Proferes, N. 2008 ‘Introduction to Film Language and Grammar’, Film Directing Fundamentals: See Your Film Before Shooting, Focal Press, Oxford UK

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June 6, 2016

Pearlman, K. 2009 ‘Chapter 9: Style’, Cutting Rhythms: Shaping the Film Edit, Focal Press, Oxford UK  

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June 6, 2016

Pearlman, K. 2009 ‘Chapter 1: Rhythmic Intuition’, Cutting Rhythms: Shaping the Film Edit, Focal Press, Oxford UK

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June 6, 2016

Murch, W. 1995 In the Blink of an Eye, Siman-James Press, CA USA  

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June 6, 2016

Munsterberg, H. 1970 The Film: A Psychological Study, Dover Publications, Mineola USA

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June 6, 2016

Miller, T. & Stam, R. 2004 A Companion to Film Theory, Blackwell Publishing, Carlton: Melbourne.

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June 6, 2016

Mercado, G. 2010 The Filmmaker’s Eye. Focal Press, Burlington US.

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June 6, 2016

McCloud, S. 1993 ‘Chapter 3: Blood in the Gutters’, Understanding Comics: The Invisible Art, Tundra USA, pp. 60-93.

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June 6, 2016

Kuleshov, L. (trans. Levaco, R.) 1974 ‘Art of the Cinema’, Kuleshov on Film: Writings of Lev Kuleshov, University of California Press, London UK

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June 6, 2016

Fairservice, D. 2001 ‘Cinema and Psychology’, Film Editing: History, Theory and Practice: Looking at the Invisible, Manchester University Press, NY USA.  

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June 6, 2016

Eisenstein, S. (trans & ed Leyda, J.) 1949 ‘Methods of Montage’, Film Form: Essays in Film Theory, Harvest, London UK

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June 6, 2016

Eisenstein, S. (trans & ed Leyda, J.) 1949 ‘A Dialectic Approach to Film Form’, Film Form: Essays in Film Theory, Harvest, London UK

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June 6, 2016

Dmytryk, E. 1984 On Film Editing, Focal Press, MA USA

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June 6, 2016

Bordwell, D. & Thompson, K., 2013 ‘The Relation of Shot to Shot Editing’, Film Art: An Introduction, McGraw-Hill Education, NY US

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June 6, 2016

Eisenstein, S 1988, “The Dramaturgy of Film Form (The Dialectical Approach to Film Form)” in Taylor, R (ed.), The Eisenstein Reader, London: BF, pp. 93-110.

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June 6, 2016

Isenhour, JP 1975, “The effects of context and order in film editing” in AV Communication Review Volume 23, Issue 1, pp.69-80.

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June 6, 2016

Harrah, D 1954, “Aesthetics of the Film: The Pudovkin-Arnheim-Eisenstein Theory” in The Journal of Aesthetics and Art Criticism Vol. 13, No. 2.

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June 6, 2016

Harbord, J 2015, “The Potency of Film Editing: Rose Hobart Stop Return” in Contemporary Theatre Review, 25:1, pp. 68-72.

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June 6, 2016

Crisp, CG 1987, “The Rediscovery of editing in the French Cinema” in Histoire & Mesure Vol. 2, Issue 3, Varia, pp. 199-214.

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June 6, 2016

Carroll, N 1979, “Toward a Theory of Film Editing*”, Millennium Film Journal (ARCHIVE), , no. 3, pp. 79-99

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June 6, 2016

Cardullo, B 2001, “André Bazin on Film Technique: Two Seminal Essays”, Film Criticism, vol. 25, no. 2, pp. 40-62.

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June 6, 2016

Butler, A 2012, “Some Early Film Theorists” in Film Studies, e-book, accessed 20 March 2016,

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June 6, 2016

Bordwell, D 1993, “Seizing the spectator: film theory in the silent era” in The Cinema of Eisenstein, Harvard University Press, Cambridge, Mass., pp. 112-120

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June 6, 2016

Brown, B 2013, “Cinematic Continuity” in Cinematography : Theory and Practice : Image Making for Cinematographers and Directors, e-book, accessed 25 March 2016,

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June 6, 2016

Winkler, Fabian & McMullen, Shannon. Continuity and Montage, Image of Nature Summer Program, 2011. (access from http://www.gardensandmachines.com/Summerprogram/wp-content/uploads/2011/07/editing_techniques.pdf)

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June 6, 2016

The Speilberg Oner- One Take, One Shot 2014, Online Video, Zhou, T, Available at: https://vimeo.com/94628727, 21 Mar. 2016

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June 6, 2016

Smith, Tim J. “The Attentional Theory Of Cinematic Continuity”. Projections 6.1 (2012): (pp. 186 – 195)

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June 6, 2016

Retchless, B. “Why Film Editing Works”. Www1.icsi.berkeley.edu. N.p., 2016. Web. 20 Mar. 2016.

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June 6, 2016

Radev, Vlady. “Speed Ramping – How And When To Use It?”. 4K Shooters. N.p., 2015. Web. 21 Mar. 2016.

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June 6, 2016

Off Centre: MAD MAX’s Headroom. (2016). [Blog] Observations on Film Art. Available at: http://www.davidbordwell.net/blog/category/technique-editing/, 19 Mar. 2016.

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June 6, 2016

Moura, Gabe. “Types Of Transitions”. Elementsofcinema.com, 2014. Web. 18 Mar. 2016.

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June 6, 2016

Kennedy, M. “Temple Of The Seven Golden Camels: The 180 Rule And When To Break It”. Sevencamels.blogspot.com.au. N.p., 2016. Web. 20 Mar. 2016.

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June 6, 2016

Jonsambull, ”Spatial & Temporal Editing”, 2012. Web. 18 Mar. 2016.

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June 6, 2016

Katz, Steven D. Film Directing Shot By Shot. Studio City, CA: Michael Wiese Productions in conjunction with Focal Press, 1991. Print. (pp. 3 – 22)

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June 6, 2016

Dupaix, Air. “Film110 / Continuity Editing”. Film110.pbworks.com. N.p., 2016. Web. 18 Mar. 2016.

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June 6, 2016

Cassidy, Kyle. “Cutting On Action”. Videomaker.com. N.p., 2016. Web. 24 Mar. 2016.

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June 6, 2016

Boyd, Nicola. “Walter Murch And The ‘Rule Of Six’ – Film Editing – Video & Filmmaker Magazine”. Video & Filmmaker magazine. N.p., 2014. Web. 16 Mar. 2016.

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June 6, 2016

Bordwell, D 1984, ‘Jump Cuts and Blind Spots’, Wide Angle, vol. 6, pp 4- 11.

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June 6, 2016

Betancourt, M 2016, Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion and Space, 1st Edn, Routledge, New York NY, pp. 57- 62.

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June 6, 2016

Hayward, Susan.. Cinema Studies: The Key Concepts. Taylor & Francis, 2006. 17 March 2016.

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June 6, 2016

Rosenberg, John. The Healthy Edit: Creative Editing Techniques for Perfecting Your Movie. Focal Press, 2011. Web.

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June 6, 2016

Dmytryk, Edward. On Film Editing: An Introduction to the Art of Film Construction. Boston: Focal, 1984. Print.

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June 6, 2016

Author Not Available, Eye on the Oscars: The Nominees: Editing/The Analysis: And the Winners Were …, Variety; Feb 9, 2004-Feb 15, 2004; 393, 12; International Index to Performing Arts Full Text

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June 6, 2016

Pearlman, Karen, and Safari Books Online (Firm). Cutting Rhythms: Shaping the Film Edit. Burlington, MA.: Focal Press, 2009.

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June 6, 2016

Author Not Available, Film Editor Margaret Booth Dies (News) (Obituary), Hollywood Reporter, Nov 1, 2002, Vol.375(46), p.6(2)

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June 6, 2016

Wright, Julia (2009). Making the cut: Female Editors and Representation in the Film and Media Industry, UCLA Centre for the Study of Women, UCLA

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June 6, 2016

Williams, L.R 1993, Fantastic Voyages, The media and theory Sight and Sound; Jan 1, 1993; 3, 1; Screen Studies Collection pg. 36

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June 6, 2016

Strauss, M 2007, Scorsese’s right-hand woman, Playback : Canada’s Broadcast and Production Journal, Aug 6, 2007, p.3

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June 6, 2016

Shafto, S & Andrew, D (2000), Ut picture cinema: The strange adventure of Jean-Luc Godard

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June 6, 2016

Robertson, Joseph F., The Magic of Film Editing. Tab Books, 1984.

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June 6, 2016

Oldham, Gabriella, First Cut: Conversations with Film Editors. University of California Press, 1992.

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June 6, 2016

Geraghty, C 2007, Now a major motion picture: Film adaptations of literature and drama, Genre and beyond: a film studies series, pp. 33

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June 6, 2016

Pudovkin, Vsevolod I. Film Technique and Film Acting: The Cinema Writings of V.i. Pudovkin. New York: Lear, 1949. Print.

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June 5, 2016

Mobbs, D. 2006 “The Kuleshov Effect: The Influence Of Contextual Framing On Emotional Attributions”. Social Cognitive and Affective Neuroscience 1.2: pp95-106

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June 5, 2016

Reed, K. (2005). WALTER MURCH. DV, 13(3), 12.

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  • Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, .
  • Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311.
  • Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235.
  • Suhr, C, Willerslev, R 2013, Transcultural Montage, Berghahn Books, USA, pp. 159- 163.
  • Bazin, Andre, “The Evolution of the Language of Cinema”, “The Virtues and Limitations of Montage”, What Is Cinema?, University of California Press, 1967, translated by Hugh Gray

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  • ryantaylor on Winkler, Fabian & McMullen, Shannon. Continuity and Montage, Image of Nature Summer Program, 2011. (access from http://www.gardensandmachines.com/Summerprogram/wp-content/uploads/2011/07/editing_techniques.pdf)
  • ryantaylor on Zhou, T 2014, The Spielberg Oner- One Take, One Shot, Online Video, Accessed 21/03/2016, .
  • ryantaylor on Zettl, H 2012, Sight, Sound, Motion: Applied Media Aesthetics, 7th Edn, Wadsworth Cengage Learning, Boston MA, pp. 303- 311.
  • ryantaylor on Wang, B, Kaplan, E A 2004, Trauma and Cinema: Cross- Cultural Explorations, Hong Kong University Press, Aberdeen, Hong Kong, pp. 230- 235.
  • ryantaylor on Kennedy, M. “Temple Of The Seven Golden Camels: The 180 Rule And When To Break It”. Sevencamels.blogspot.com.au. N.p., 2016. Web. 20 Mar. 2016.

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