June 6, 2016 Winkler, Fabian & McMullen, Shannon. Continuity and Montage, Image of Nature Summer Program, 2011. (access from http://www.gardensandmachines.com/Summerprogram/wp-content/uploads/2011/07/editing_techniques.pdf) Continue reading →
June 6, 2016 The Speilberg Oner- One Take, One Shot 2014, Online Video, Zhou, T, Available at: https://vimeo.com/94628727, 21 Mar. 2016 Continue reading →
June 6, 2016 Smith, Tim J. “The Attentional Theory Of Cinematic Continuity”. Projections 6.1 (2012): (pp. 186 – 195) Continue reading →
June 6, 2016 Retchless, B. “Why Film Editing Works”. Www1.icsi.berkeley.edu. N.p., 2016. Web. 20 Mar. 2016. Continue reading →
June 6, 2016 Radev, Vlady. “Speed Ramping – How And When To Use It?”. 4K Shooters. N.p., 2015. Web. 21 Mar. 2016. Continue reading →
June 6, 2016 Off Centre: MAD MAX’s Headroom. (2016). [Blog] Observations on Film Art. Available at: http://www.davidbordwell.net/blog/category/technique-editing/, 19 Mar. 2016. Continue reading →
June 6, 2016 Moura, Gabe. “Types Of Transitions”. Elementsofcinema.com, 2014. Web. 18 Mar. 2016. Continue reading →
June 6, 2016 Kennedy, M. “Temple Of The Seven Golden Camels: The 180 Rule And When To Break It”. Sevencamels.blogspot.com.au. N.p., 2016. Web. 20 Mar. 2016. Continue reading →
June 6, 2016 Katz, Steven D. Film Directing Shot By Shot. Studio City, CA: Michael Wiese Productions in conjunction with Focal Press, 1991. Print. (pp. 3 – 22) Continue reading →
June 6, 2016 Dupaix, Air. “Film110 / Continuity Editing”. Film110.pbworks.com. N.p., 2016. Web. 18 Mar. 2016. Continue reading →
June 6, 2016 Cassidy, Kyle. “Cutting On Action”. Videomaker.com. N.p., 2016. Web. 24 Mar. 2016. Continue reading →
June 6, 2016 Boyd, Nicola. “Walter Murch And The ‘Rule Of Six’ – Film Editing – Video & Filmmaker Magazine”. Video & Filmmaker magazine. N.p., 2014. Web. 16 Mar. 2016. Continue reading →
June 6, 2016 Bordwell, D 1984, ‘Jump Cuts and Blind Spots’, Wide Angle, vol. 6, pp 4- 11. Continue reading →
June 6, 2016 Betancourt, M 2016, Beyond Spatial Montage: Windowing, or the Cinematic Displacement of Time, Motion and Space, 1st Edn, Routledge, New York NY, pp. 57- 62. Continue reading →