Tagged: network

Between a thing and a concept

musicfortorching:

Actor-Network Theory “can more technically be described as a “material-semiotic” method. This  means that it maps relations that are simultaneously material (between  things) and semiotic (between concepts). It assumes that many relations are both material  and semiotic. For example, the interactions in a school involve  children, teachers, their ideas, and technologies (such as tables,  chairs, computers and stationery). Together these form a single network.
Actor-network theory tries to explain how material–semiotic networks  come together to act as a whole (for example, a school is both a network  and an actor that hangs together, and for certain purposes acts  as a single entity). As a part of this it may look at explicit  strategies for relating different elements together into a network so  that they form an apparently coherent whole.
According to actor-network theory, such actor-networks are potentially transient, existing in a constant making and re-making.  This means that relations need to be repeatedly “performed” or the  network will dissolve. (The teachers need to come to work each day, and  the computers need to keep on running.) They also assume that networks  of relations are not intrinsically coherent, and may indeed contain  conflicts (there may be adversarial relations between teachers/children,  or computer software may be incompatible). Social relations, in other  words, are only ever in process, and must be performed continuously.” - Wiki.
More at Actor-Network Theory and Communication Networks: Toward Convergence by Felix Stalder.

Actor-Network Theory “can more technically be described as a “material-semiotic” method. This means that it maps relations that are simultaneously material (between things) and semiotic (between concepts). It assumes that many relations are both material and semiotic. For example, the interactions in a school involve children, teachers, their ideas, and technologies (such as tables, chairs, computers and stationery). Together these form a single network.

Actor-network theory tries to explain how material–semiotic networks come together to act as a whole (for example, a school is both a network and an actor that hangs together, and for certain purposes acts as a single entity). As a part of this it may look at explicit strategies for relating different elements together into a network so that they form an apparently coherent whole.

According to actor-network theory, such actor-networks are potentially transient, existing in a constant making and re-making. This means that relations need to be repeatedly “performed” or the network will dissolve. (The teachers need to come to work each day, and the computers need to keep on running.) They also assume that networks of relations are not intrinsically coherent, and may indeed contain conflicts (there may be adversarial relations between teachers/children, or computer software may be incompatible). Social relations, in other words, are only ever in process, and must be performed continuously.” – Wiki.

More at Actor-Network Theory and Communication Networks: Toward Convergence by Felix Stalder

Hubs

Notes from week nine symposium and tutorial

  1. The center of our own network/our relationship to the network vs the network actually having a centre
  2. Networks are dynamic – always growing
  3. ‘Dynamic’ as a way of thinking and learning: open to change, admitting when we’re wrong – this is not a popular way of thinking
  4. Global networks and how cities fit in to this network –> creative industries
  5. Creative knowledge workers
  6. Creative economy
  7. Networks: centralised (hierarchical) vs scalefree?
  8. Heritage media
  9. There’s no centre for the internet – if something goes downs, the rest of the internet won’t go down as in TV or radio or newspapers.
  10. Hubs – defined by how many ties link in and out
  11. The importance of the strength of weak ties – friends don’t get you jobs but acquaintances do
  12. 6 degrees of separation
  13. The internet is not virtual – bandwidth pollution and carbon footprint
  14. Developing countries leapfrogging heritage/industrial media and getting straight to wireless, eg Nokie interface translation
  15. The mechanics of scarcity, eg, retail shelf sapce, TV only having 24 hours of broadcast time a day
  16. Venture capitalism
  17. 80:20 rule
  18. Internet infrastructure is finite

Why Today’s Inventors Need to Read More Science Fiction

“Fiction allows you to live more lives in the space-time of one lifetime than you would normally be able to.”

MIT researchers Dan Novy and Sophia Brueckner argue that the mind-bending worlds of authors such as Philip K. Dick and Arthur C. Clarke can help us not just come up with ideas for new gadgets, but anticipate their consequences.

How will police use a gun that immobilizes its target but does not kill? What would people do with a device that could provide them with any mood they desire? What are the consequences of a massive, instant global communications network?

Such questions are relevant to many technologies on the market today, but their first iterations appeared not in lab prototypes but in the pages of science fiction.

The Fluid Interfaces group’s “Flexpad” (MIT)

This fall, MIT Media Lab researchers Dan Novy and Sophia Brueckner are teaching “Science Fiction to Science Fabrication,” aka “Pulp to Prototype,” a course that mines these “fantastic imaginings of the future” for analysis of our very real present.

Read more here.

Links, pictures, TEDs… sharing is caring

“The same mathematics of networks that governs the interactions of molecules in a cell, neurons in a brain, and species in an ecosystem can be used to understand the complex interconnections between people, the emergence of group identity, and the paths along which information, norms, and behavior spread from person to person to person.”

— James Fowler answering the question “If you only had a single statement to pass on to others summarizing the most vital lesson to be drawn from your work, what would it be?” inStarting Over, SEED, Aprill 22, 2011.

CREATIVE NETWORKING BLOG
CREATIVE NETWORKING BLOG

T H E STRENGTH O F WEAK TIES

Th e argument asserts that our acquaintances (weak ties) are less
likely to be socially involved with one another than are our close
friends (strong ties).Thus the set of people made u p of any individual and his or her acquaintances comprises a low-density network (one in which many of the possible relational lines are absent) whereas the set consisting of the same individual and his or her close friends will be densely knit (many of the possible lines are present).

The hidden influence of social networks: Nicholas Christakis on TED.com

Manuel Lima: The Power of Networks. Mapping an increasingly complex world | TED

The Power of Networks — Animated by RSA

And moreeee:

☞ Nicholas Christakis: How social networks predict epidemics, TED video, June 2010
☞ Minority rules: Scientists discover tipping point for the spread of ideas
☞ The ‘rich club’ that rules your brain
☞ Eshel Ben-Jacob, Learning from Bacteria about Social Networks, Google Tech Talk, Sept 30, 2011 Video
☞ Genes and social networks: new research links genes to friendship networks
☞ Manuel Castells, Network Theories of Power – video lecture, USCAnnenberg
☞ Networks tag on Lapidarium