Category: Other thoughts

Between a thing and a concept

musicfortorching:

Actor-Network Theory “can more technically be described as a “material-semiotic” method. This  means that it maps relations that are simultaneously material (between  things) and semiotic (between concepts). It assumes that many relations are both material  and semiotic. For example, the interactions in a school involve  children, teachers, their ideas, and technologies (such as tables,  chairs, computers and stationery). Together these form a single network.
Actor-network theory tries to explain how material–semiotic networks  come together to act as a whole (for example, a school is both a network  and an actor that hangs together, and for certain purposes acts  as a single entity). As a part of this it may look at explicit  strategies for relating different elements together into a network so  that they form an apparently coherent whole.
According to actor-network theory, such actor-networks are potentially transient, existing in a constant making and re-making.  This means that relations need to be repeatedly “performed” or the  network will dissolve. (The teachers need to come to work each day, and  the computers need to keep on running.) They also assume that networks  of relations are not intrinsically coherent, and may indeed contain  conflicts (there may be adversarial relations between teachers/children,  or computer software may be incompatible). Social relations, in other  words, are only ever in process, and must be performed continuously.” - Wiki.
More at Actor-Network Theory and Communication Networks: Toward Convergence by Felix Stalder.

Actor-Network Theory “can more technically be described as a “material-semiotic” method. This means that it maps relations that are simultaneously material (between things) and semiotic (between concepts). It assumes that many relations are both material and semiotic. For example, the interactions in a school involve children, teachers, their ideas, and technologies (such as tables, chairs, computers and stationery). Together these form a single network.

Actor-network theory tries to explain how material–semiotic networks come together to act as a whole (for example, a school is both a network and an actor that hangs together, and for certain purposes acts as a single entity). As a part of this it may look at explicit strategies for relating different elements together into a network so that they form an apparently coherent whole.

According to actor-network theory, such actor-networks are potentially transient, existing in a constant making and re-making. This means that relations need to be repeatedly “performed” or the network will dissolve. (The teachers need to come to work each day, and the computers need to keep on running.) They also assume that networks of relations are not intrinsically coherent, and may indeed contain conflicts (there may be adversarial relations between teachers/children, or computer software may be incompatible). Social relations, in other words, are only ever in process, and must be performed continuously.” – Wiki.

More at Actor-Network Theory and Communication Networks: Toward Convergence by Felix Stalder

Long tail, weak ties

Okay, say you’re working somewhere in middleish management.
Your boss asks you to recommend someone for a position.
Two people come to mind – one is your best friend, the other is a mate from uni who you see once or twice a year.
Hire your best friend and things could be great – lunch buddies etc. But what if you end up spending so much time together at work that you never hang out otherwise?
What if she gets promoted quicker than you? How will that affect the dynamic?
What if she gets along with your boss better than you do?
Now, take the other one….
You’re not the best of friends anyway.
If things go south between you on a personal level it’s not going to really bother you THAT much.
On the other hand, things might work out well and you end up becoming better friends than you ever were.

Acquaintances get you jobs better than friends because there’s less at stake.
**Interviewed source