Category: Lecture notes

Schools change slower than scholarship

Sir Ken Robinson‘s TEDtalk and Paul Graham‘s Age of The Essay make some provoking points about traditional education and how they may not necessarily be the best fit for the extraordinary presence of human creativity. We humans are complex creatures, and this one size fits all approach doesn’t do the majority of learners any favours.

As a third year student (I changed degrees, long story) I feel like I’ve changed so completely since starting university, and this subject has opened up a whole side of reflection that has made me both proud of the ways in which I’ve changed, and excited for the changes that are bound to come. However, “the seeds of our miserable high school experiences were sown in 1892” and my high school education was the typical academic-based model: only one art subject was available for study in VCE, and yet three maths subjects and three English subjects were happily offered. I’ve always found expressing myself easier in writing than speaking, so English was an easy choice. But the compulsory mathematics subject saw a lot of tears and turmoil endured, and for what consequence? It’s the age old joke that we’ll never use algebra in real life.

It baffles me and to a point it actually enrages me that schools make maths, reading and writing more important than painting, drawing, singing and dancing, when we used painting, drawing, singing and dancing to express ourselves before we invented maths, reading and writing. I tend not to dwell on regrets, but I do often find myself wishing I concentrated on one or two real passions in high school instead of trying to be the well-rounded, ‘perfect’ student that my school asked us to strive for. Similarly, I am constantly torn between doing the uni work I’m forced to do as part of assessment, and the new book I bought because of something I found when doing a uni reading, or writing about another facet that isn’t marked as part of my degree.

I often also think that a lot of stress could have been, and could continue to be, avoided if highly visual or abstract learners were given the opportunity and freedom to learn the way that best suits them. In maths in particular I often made no progress and felt incredibly stupid, disheartened and like I was a failure. If only it was made clear to me that I was allowed to better at some subjects over others; that it wasn’t me that was broken, it was education structure.

There isn’t an institution on the planet that teaches children to dance everyday as it does mathematics. Why?

Robinson asserts that intelligence is diverse. “We think about the world in all the ways we experience it: we think visually, we think in sound, we think kinesthetically, we think in abstract terms, we think in movement.” I can’t help but feel somewhat disenfranchised at the education system. How many great minds have been medicated and great ideas have been quelled simply because they didn’t fit the mold? Jillian isn’t sick, she’s a dancer.

As of my post a couple of days ago, I’m trying to be brave. I’m prepared to be wrong in the interest of creating something original. Some days it has to be a constant reminder to myself and some days it comes easily.

Never stop spinning.

 

 

SYMPOSIUM TAKEOUT

Honestly I was surprised the question of why the concept of design fiction is relevant is still being asked. I actually wrote ‘this is outrageous’ in my notes… All media is, is creativity and imagination, surely.

To think about this week:

  1. Sense of play: not necessarily evidence-based; can make you reassess what counts as evidence
  2. Problems with no answers: any ‘solution’ will create a new problem, eg asylum seeker policy, climate change policy; we need to be able to think through possibilities and imagine futures.
  3. Design as a completely future-oriented subject: design is about changing things for the future.
  4. The traditional model of repeating what we did yesterday is irrelevant: however obviously grounding in current practices is important for doing an speculative thinking.
  5. It’s also important to look BACK: history is a creative wellspring; are we living in a remixed culture?
  6. Context is important for success: eg, 12 second video was three years too early, Vine now a great success; perhaps being ‘before your time’ is not necessarily a good thing.
  7. Everything has agency, everything is an actor, everything can assume change on the environment.

Lecture week 3 – takeaway ideas and what I’ve been thinking about this week

  • Structure emerges through practice
  • Blog as an opportunity to learn about your own deep patterns
  • It’s not broken just because it’s uncomfortable
  • Need to recognise that we liked the scaffolding of being told what to do and doing, eg VCE
  • You have to ride a bike to learn how to ride a bike
  • Knowledge is constructed –> knowledge is not the same as information
  • Make it relevant
  • Education is an experience not a commodity

Tentatively stepping into the rabbit hole of ‘Unlectures’

For once in a lecture I found myself listening, thinking, going off on a tangent or two… as opposed to the regular lecture format of frantically writing down notes and facts I need to memorise. Of the ‘unlecture’, already I am a fan.

I’ve found myself living by the phrases “You live, you learn” and “Learn by doing”, so this introduction to Networked Media already has me on side, with the prominent idea that we learn by making: through creating we demonstrate our thinking, in other words, our creations are expressions of our ideas.

I’m intrigued by the concepts of forward thinking and speculation about the future of this young industry, a playful and trusted immersion in the subject, and the instrution to take that step, trust the process and surrender my assumptions.

Alice down the rabbit hole

I’m an anxious person. I worry, I overthink, I stress about the trivial details that I can’t change. This semester I’m taking the step and trusting the process, learning by doing and learning from mistakes. If I fall over in the rabbit hole so be it – what can be created from this mistake? Where can we find meaning in the so-called failures? A wise woman once said, “If you are not making mistakes, you’re not taking enough risks.”

I hope that in this year to come, you make mistakes.

Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You’re doing things you’ve never done before, and more importantly, you’re Doing Something.

So that’s my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody’s ever made before. Don’t freeze, don’t stop, don’t worry that it isn’t good enough, or it isn’t perfect, whatever it is: art, or love, or work or family or life.

Whatever it is you’re scared of doing, Do it.

Make your mistakes, next year and forever.

The above quote is from author Neil Gaiman‘s Make Good Art, and it’s a sentiment I think appropriate for this class, and for speculating on the future. Let’s take the leap and make new mistakes.