The Scene In Cinema: Tenth Reflection

Following our in-class presentations of our research topics, I would like to reflect on the directorial work of Edgar Wright (as presented by classmate Lachy). I’ve always been a big fan of Wright’s work, and have only realised just now that I’ve seen all but one of his feature films (I’m only A Fistful of Fingers).

Wright’s work is really approachable, and I doubt there could be much of an argument against him. He’s a great director, with a distinct style. I find the idea of a deep dive into his work for research purposes to be very exciting, and I’m looking forward to hearing what Lachy comes up with.

This discussion of Wright’s work pushed me to rewatch one of my favourite Wright films, Scott Pilgrim Vs. The World. The last time I saw this film would’ve been when in middle school. It left a lasting impression on me, and I have frequently returned to several scenes of the film on YouTube.

I think what stands out to me as the most distinct stylistic feature of Wright’s work is his use of editing, I think this is extremely present in Scott Pilgrim. Wright has built a reputation for his use of montage, and how he works builds it into his comedy (from memory Lachy touched on this in his presentation). Timing is such a crucial element of good comedy, and Wright nails it again and again throughout his work.

Wrights montages are built with comedy in mind, they are usually fast paced and unexpected, while still getting a lot of information through. He clearly doesn’t like taking the easy road, and tries to find a way to put a joke in every corner of his films.

The Nerdwriter – Scott Pilgrim: Make Your Transitions Count

One thing I find really noteworthy from Scott Pilgrim is his use of transitions. This is a director who clearly isn’t putting any limits on what can and can’t be done in a film. Wright frequently uses comic book style graphics throughout the film, especially when transitioning scenes. These details are often subtle, but add soooo much to the film. His harnessing of screen direction in these transitions is also incredible, so much so that there are several video essays analysing just that one particular element of his style.

Edgar Wright will always be a director I turn to when looking for inspiration in my directing and editing practice. Once again, I’m really looking forward to hearing more about Lachy’s research.

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