Research Project Summary: Recycling as an Art Form & Gothic Media

I am going to be researching various artist from various artistic mediums, who recycle in order to create their work. By recycle I am referring to using things that already exist, and re-purposing them (or combining them) to create something more. Something artistic, or to convey a message. I am doing this because I believe that I have reached a point currently where I have developed a base stylistically from which I can build upon and improve. I am going to do this by researching these artists to see how they create, why they might create, and what I can learn from their work. I think all art is inspired by something else, as nothing is created in a vacuum. The research I will be conducting through watching videos of their work (if they operate within an audio or visual medium). If they don’t and they’re more classic with the creations, as in painting or sculpting, I will try to find interviews of them discussing their work. Or analysis by other people who are experts in that respective field. I want to start thinking in a similar wavelength to these people, to elevate the process of my thoughts. I feel I am still operating from the perspective of a student or novice. I think this will be useful to help me justify what I am creating to myself, and display a higher confidence and intention in the results. I have already begun researching various artists, and noticed consistency in always remaining active. I am already incorporating this by increasing the frequency of my posts on here, already exceeding the last half of the semester.

A second topic I am undertaking is viewing different works based in the Gothic Science-Fiction and Urban-Gothic genre. I mentioned in earlier posts that I am influenced by ‘Cosmic Horror’. Cosmic Horror is thematically linked to Gothic, so I feel it is best to try and absorb as much as I can to give more inspiration to  my work. I really love setting my narratives in an Industrial/Post-Industrial setting. I believe in the modern world of fiction it is more relatable to audiences than what a natural jungle is. We’re no longer afraid of what lurks in the trees and the bushes, and more afraid of what lurks in dark streets, forgotten factories, dilapidated mansions, and the shadows of a room. Modern Gothic really encapsulates this more broadly than what Cosmic Horror does in my opinion, while still thematically relating through the nihilistic view of the world and the fear of the unknown. I am going to research this by viewing various movies that fit into this genre and analyse their narrative and visuals. I will also be trying to find short stories as well, and do the same. I think I will also look into the authors of both of these mediums and see how their world view was shaped and the influence it had on their work.  This avenue of research will be secondary to Recycle Artists though for the moment, as I feel that will help me advance much better. Though that may change if I find something that interests me greatly.

Week 7: Peter Tscherkassky & Bill Morrison

This weeks lecture was on the two artist Peter Tscherkassky and Bill Morrison. I believe this week has been the most important for me in the development of my work. As I am employing a similar frame of thought when using stock/archival footage. And I had already seen Outer Space by Tscherkassky, having seen it around the time I started on this venture into my personal style. Unfortunately I did forget the name of the piece and Tscherkassky. Both artists work is heavily involved with the idea of Materiality. The concept of Materiality is about the physicality of objects and how we can interpret it. Well that’s how I am interpreting the concept, I am going to dedicate a post to it in the next few weeks.

Viewing both Morrison’s and Tscherskassky’s websites are very minimalist in design. This contrasts highly in respect to the work they produce; which is often erratic and grimy. Tscherkassky’s website in particular feels very ancient, almost like the format hasn’t been updated in twenty years. Though on further reflection this sort of makes sense, i doubt two individuals who base all their work within the film care much for the digital space. besides the digitization of their work of course. I like the Morrison has a news page on his website, it allows us to see what he has been up to recently. The accolades he’s received and other content related to him. I like Tscherkasskys pre-Y2K vibe with his website, down to the pop-out windows for some sections. It’s a very niche aesthetic you don’t see much, definitely makes the experience more memorable.

I’m currently doing research on what I’ve dubbed ‘Recycle Artist’, I think Bill Morrison fits neatly into this definition, so I am going to also dedicate a post to him, maybe more. His work is extremely fascinating to me.

Gothic Science Fiction and Urban Gothic

The theme I want to investigate more closely into is Gothic Science fiction and Urban Gothic. The influences I have been taking into consideration all deal with an industrialized (post-industrialized as well) society. They are both sub-genres of Gothic Fiction, which deals with the horrors man faces in the world around him, and within himself. To be honest I have never really ventured much into what Gothic Horror is, but have been an avid fan of work set in the genre. Modern interpretations of the genre include Alien, Event Horizon, and Se7en. I am zoning in specifically on the two sub-genres mentioned above specifically because I feel they are most relevant to what I am intending to embark on with my next short film. The imagery I create is reflective of industrialized society destroying the world around it and then venturing off into the stars into the unknown. From what I already understand, the genre is very nihilistic in its’ conveyance of messages. Often depicting a very bleak world without hope, rotted in the emotions of its’ characters.

What I will do to further understand the genre is watch films that represent the genre, and breakdown how they achieve this. audio-visually and through narrative. I will also be doing research on various authors, and why they thought in the manner they do, how the world around them at the time may have influenced the view of humanity they possessed at the conception of their work. Hopefully after doing this I can garner a better understanding of the sub-textual messages that run through modern Gothic, and how to portray them more accurately.

Simultaneously researching artists who recycle to make their work, and works that depict society drenched in nihilism should give me the knowledge to create something much greater than I did in Screen Production 1. And elevate my work from this point onward to a new height artistically.

ELECTRONICOS FANTASTICOS!: 20th Century Technology, 21st Century Music.

ELECTRONICOS FANTASTICOS! is a band I discovered last year browsing online. Another testament to how fantastic the internet is. They are a band how has taken old CRT televisions and various fans, then converted them into instruments. I remember when I first discovered them being awe struck. I never thought I would live to see someone play a television as an instrument. Or a fan for that matter. I’m hoping to see more bands like this appear in the coming decades. The world is constantly obsessed with the next best thing, the latest technology and the best technology. Even I am guilty of this. But I think there is much to appreciate about older technology, it was built to last, unlike today where we see technology built to only last until the next iteration comes along. It’s just wasteful. So to see a group of people take discarded TV’s and use them for something completely different to their original purpose is inspiring. I think it is also very important the message this conveys. That something may appear to be outdated and useless in it’s original field, but may be the next best thing in another.
I think it is important to mention the importance of the use of bar-code readers in their work. I’ve never really out much thought into bar-code readers personally, but analyzing the way their used in this setting is extremely interesting to me. BC readers are usually instruments of cataloging and reading, but here their used not to read, but be read audibly. Instead of interpreting a message their producing one. This can also be applied to the television sets as well. A performance they made called “BARCODANCE” really intrigued me. They had a dancer wear striped clothing, then played her using the BC readers. Essentially turning dance into music. It really is amazing. I don’t think this could have been done without their distorted vintage tech instruments. Unless someone made an extremely large theremin, but you wouldn’t get the same results.
My work shares a thread of relation to ELECTRONICOS FANTASTICOS!, in the way that they take advantage of twentieth century technology to create music; and I am taking twentieth century video (digitized) and creating new modern video from it. This recycling of the old world is very evolutionary in practice, or memetic. The BARCODANCE performance has got me thinking that maybe I am focusing too heavily on using programs as a way to generate my visuals and sounds, maybe there is a way to create using a combination of analogue and digital equipment.

https://www.youtube.com/watch?v=ANIDBu4B9so

 

Petr Válek: Performance Artist? Or Music Pioneer?

A few months ago one of my friends tagged me in the comments of a post by this Italian guy. My friends and I tend to wander across stranger more absurd places on social media than the typical person would. This is both a blessing and a curse. But as luck would happen, this was a blessing on my Timeline, this is how I discovered Petr Válek. I can’t remember the specific post I saw first, because I avidly watch all his stuff, but I do clearly remember the confusion it caused me. Petr takes what I imagine to be rubbish he discovers on the streets and dump sites, then fuses them into sculptures that move and generate “””music”””. I put heavy quotation on music because at first glance it does appear to be just pure noise. But with every new post I saw I began to understand this was more than just a guy who created absurd and useless machines. This was an artist trying to express himself and create what he viewed as music.

On the surface it appears as though he is mad and manic, but I don’t believe the surface portrays what is going on within him. His work displays a consistent theme and trend of madness and absurdity, but it feels methodical. In one video he even shows a diagram drawn before creating one of his pieces (thought it was crude, it still displayed he is thinking before he makes. I think he uses these expressions of noise to unleash what he is feeling. To me at least the work appears to come from someone who is too high functioning to just be bits and bobs created without intention. When watching Petr’s videos it occurred to me that when he is thinking about his creations he is concerned just as much about the sculpture as he is the noise it creates. The sculptures intentionally created to look like horror machines and rubbish, to reflect the noise they create, or maybe even the opposite, or symbiotically both. Another observation that supports my hypothesis is that Petr does incorporate instruments into some of his creations, and he shows to have a proficiency with them. Much like how I am taking old videos and remixing them into something fresh and new, I believe Petr is on a similar quest, but with sound. Trying to create new noises and sounds by distorting ‘classical instruments (as in other to what he creates)’ and absorbing them into something new. Petr Válek will come to be very important in the next few decades, or I hope so at least.

some of his recent work I enjoy:
https://www.facebook.com/permalink.php?story_fbid=2659306770974084&id=100006843614951
https://www.facebook.com/permalink.php?story_fbid=2660410154197079&id=100006843614951
https://www.facebook.com/permalink.php?story_fbid=2663919843846110&id=100006843614951
https://www.facebook.com/permalink.php?story_fbid=2515420705362692&id=100006843614951
https://www.facebook.com/permalink.php?story_fbid=2671448463093248&id=100006843614951
https://www.facebook.com/permalink.php?story_fbid=2675984359306325&id=100006843614951

Petr Válek:
https://www.facebook.com/profile.php?id=100006843614951

Recycling as an Art Form

I have been stewing for the past few days on how I can improve as an artist over the second half of this semester. I believe I have made great progression in my transition from a biological to a methodical creation process. I think the next step I must take is to discover and see how other people create art from re-purposing old forgotten and discarded things. I think there is something very poetic about taking something old and reinventing it into something completely other to what it was originally created for. I am not just going to limit myself to just audiovisual content creators and artists. I am going to take this quest for improvement and influence into a more broad spectrum of art. I mentioned previously that there is an element I feel that was missing from Screen Project 1. That element is influence. Influence specifically in my way of thinking when I create these videos. I have been taking the process where I try to emulate a style or genre, without considering how I am thinking about this. What I mean by this is that I may be trying to create something completely new, but my thought process is still based in the avenue of an editor. To truly elevate my work and push into a new frontier personally as an artist, I need to not only think about what I am trying to create, But the thought process I am using while creating.

I am going to try and discover artists, both known and unknown (relatively), and analyse what they are creating and how they might be thinking when they create. Including the way they recycle. Seeing and absorbing art from different fields may even inspire me to think of something I may have never considered before.

Nothing is made in a vacuum, the World is closed system.