Crazy Cameras, Discorrelated Images, and the Post-Perceptual Mediation of Post-Cinematic Affect’s reflection

After thousands of years the film is full of strange irrational cameras – physical and virtual imaging equipment, does not seem to understand their status in terms of death and non-essential reality, and therefore can not place the audience in a coherent audience. This is a place that is out of touch with the classical cinema style, but it is also important to focus on the phenomenological relationship between the camera as the material scene and the contemporary image. So the aiming is to update the mystery of the camera’s film theory using Don Ihde’s intermediary device’s groundbreaking phenomenology to reflect the recent shift to Steven Shaviro being considered the “post-film influence” regime. Many of the images in today’s films are “unrelated” with the specific interests, perspectives and phenomenological abilities of human characteristics that point to the rise of a fundamental post-perceived media system in which “content” is in the broader human activities and the relationship of financial Provide the algorithm function.

An analysis of the “Irrational” Phenomenon of Contemporary Madness. For example, the virtual camera contradicts the “realism” effect, does not disappear, perceives the real-time illusion, but by simulating the “physical” presence of the non-camera camera in the “simulated” shooting scene, while the real (non-virtual) Inspired by ubiquitous, aesthetically unrelated cameras, surveillance cameras, satellite imagery, and automatic vision systems in smartphones – are increasingly filling and transforming our world of life; therefore, they can not escape from their objects , And clearly distinguish between death / non fiction, fiction / fact or real / virtual areas. In short, the crazy camera is deeply enveloped in an expanded, indiscriminate expression of the image, more than the photographic or emotional “object” of the capture. These cameras and the use of their films, processing and circulation of non-human ontology – led to the contemporary image and human perception of the thorough interrelated.