W4.1: Ethics Charter

  1. Turn the camera off at the request of the participant (Rachel Boynton, DOC NYC, 2018).
  2. Show the participant the finished film before the public (Rachel Boynton, DOC NYC, 2018).
  3. Love the people that you film. (Rachel Boynton, DOC NYC, 2018).
  4. Don’t rearrange subject’s words to change their initial meaning
  5. Show participant plan prior
  6. Have proof of participants consent
  7. Give participant copy if finished product
  8. Make sure participant knows where you intend to show piece
  9. Brief participant beforehand,  so they know the general subject they are speaking on

 

 

 

 

Reference:

DOC NYC PRO: Casting Case Studies 2016, streaming video, DOC NYC, New York, viewed 11 November 2020, <https://www.youtube.com/watch?v=Bndwq27kkjc>.

Week 2 – Like objects exercise (Silent booths)

Ahhh yes! The infamous public phone booth. An element of urban design seen all around the world. I often think to myself, how can something be so visible yet so invisible?

It was only until I made it my mission to locate all of the phone booths in Footscray’s CBD that I really took note of all the locations where phone booths stood. 

I have grown up in the area since ‘97. I consider Footscray’s phone booths reminiscent of a time where social connectivity wasn’t as easy as opening an app and shooting a DM. On my journey locating these urban relics, I was surprised how much I never took much notice of particular booths. This made me think about how well such a big feature can really mould into the landscape around. 

These phone booths have stood for years, and will continue to do so. However, very rarely do I see one in proper use. On the rare occasions that I see one being used, It usually mirrors a punching back rather than a communication device, a lucky dip for coin hunters or a leaning post for those who have had a few too many…*insert substance*. It seems Footscray’s phone booths have a love hate relationship with the characters of the area. When not surrounded by a pool of vomit, spit or shopping trollies, these structures stand quietly waiting for their next friend to give them love and attention. This is my selection of images showing the grace of some of Footscray’s telstra phone booths.

WEEK 1 – Photo Essay

Cup day 2020; the stands at Flemington were empty, but shores of Halfmoon Bay were heaving. Like the weekend just passed, this was another celebration of our newly granted freedom. It was a sunny 30 degree day and my dear friend, who I will refer to as Kay, organised a small-ish beach gathering. I say “small-ish”, as I’m not sure it really adhered to the current social-restrictions. Kay had set up 3 big marquees, a generator and DJ Mixer with speakers. A popular man he is, Kay’s gathering was filled with the “cool kids” of Melbourne’s creative cohort. Very much a people person, I wouldn’t have expected any less from him.

I had arrived a little late, as my partner and I had spent the earlier part of the afternoon at a picnic in Brunswick. It was quite the contrast coming from a chill and relaxed environment to the almost festival like scenes created by Kay. When we arrived, we were shocked by the amount of attendees, so we decided to say hello to Kay, otherwise known as ‘the man of the moment’ and then set up shop a few meters away from the madness. We were joined by a few other friends, who had arrived some hours earlier.


Despite the amount of noise and movement, the serenity of the beach remained. It was comforting to know people were enjoying themselves again after months of forced hibernation. I sat on the sand, tuned out and watched the water as the sun glistened on its surface. I couldn’t help but reflect on the year that we’ve seen. Now at the tail end of the year, I wondered if this is where everything looks up, if we can finally do a sigh of relief and start kicking those 2020 goals we had planned months earlier. However, I also thought about the last tease of freedom we had in the middle of the year, between the two stints of lockdown. I did ask myself. “Will we be going back into lockdown in a few months?”. However, that was a question I could not answer. So I decided to enjoy the moment.

Kay was in the zone, surrounded by others as he spun tracks on the DJ mixer. I couldn’t help but get up and dance when he dropped ‘Oh Juliana’, one of my favourite Brazilian party tunes of the year. At that moment I really felt like I was in a different place. The song came to an end, so I decided to make my way back to our little group and sit next to my partner, who was deep in thought. She looked content. I didn’t want to break her almost meditative state, so I said nothing. At this point, I saw the perfect opportunity to take a photo. As she was looking off into the distance, a gate was in her line of sight. From my angle was an interesting image, which to me signified freedom but still spoke of the remnants of Melbourne’s lockdown. As the sun was casting light on her cheek, it was clear this was an outdoor image, however the gate in front looked like we were caged in. This image ran parallel to the idea that we are still getting used to socialising on a larger scale, after months of lockdown.

It was an enjoyable day in the heat and sun, which I missed dearly. The heat and sunshine hits differently when we have our freedom.