In this week’s lecture, we focused on the remix & the glitch, and the relationship with the media culture. I imagine that few film historians will be anxious to bring the contemporary digital remix within their disciplinary purview. And with good reason. Remixes are difficult to take seriously. Indeed, remixes tear historical artefacts apart and sew them back together in motley, unfamiliar, and seemingly anti-historical ways. Remixes also lack historicity. They are the ephemeral expressions of contemporary popular culture and the dialogical babble of multiple and contradictory historical indexes.
Social media – connecting with people, ask a layer of connection to the world do get a sense of a person through their engagement of their media. Remix theory – (the aesthetics of sampling) Eduardo Navas.