It was the American silent documentary directed in 1922 and it was the time when the documentary and drama had not been separated. This was the salvage ethnography and this documentary about the story between Falherty and Inuk Man named Nanook as well as his family. This documentary was a shock for me since it is hard to believe that such a good quality of the film was feasible in that time. This documentary was using the Howell and Bell camera and some lighting equipment. This documentary has many areas that impress me. For example, the music was monotonous and it could show the monotony of the white and frigid world. This music can distract the viewer from the image and it adds to the emotional engagement but not just the critical analysis. In addition, this documentary uses the deep focus, which allows the viewers to have the same experience they could have the reality. For example during the fox hunting, Nanook approached the camera while his image was constant. In addition, the camera angle was set perfectly and the film was shot at the constant eye level and it could relate the camera with the viewers, creating a sense of realism. As for the shooting distance, it has the extremely long, medium and the close up shoot. It has the long takes as well and there is no temporal duration editing minimal cuts allow the event occurs in the real time.