Extra fun!

There was a last minute call from my pal Jenny to be a part of her group’s film as an extra. Based off experience with highschool media being an extra always fun. This was first time (I’ve been quite anti-social) that joined an unknown group to help with their work and it was fantastic! They were organised, decisive and very friendly to everyone there. Their short film is about a nerdy loser (his words not mine) who finds it difficult to socialise but comes alive because of his love for the band Space Monkeys. We as extras had the vital and excruciatingly challenging role of appearing to be a squad of bustling hipsters in line for one of the beloved indie rock band’s concerts. Today I learned from students in media 3 (3 times as good as media obviously) to keep the crew relaxed and natural for the best effect. In the end they just let us talk in line about whatever came to mind instead of telling us to “act normal,”  which would not have gotten the same results.

The posters were too new looking so we had to wear down the posters with coffee and tearing.

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Silence of the lambs

I went to a suprise screening Silence of the Lambs (1991) and it was absolutely thrilling. Before the screening we had no idea what we were in for. They immerse us in the world of the film before revealing to us what it was through setting and acting of the common lounge area. Actors had been hired to walk around the area looking important and muttering hurriedly in American accents.

 

Watching Silence of the Lambs made me realise the power of creating a great memorable character. I never thought of myself to be a “slasher film” kind of person when my friends excitedly said, “don’t worry you’ll love it!” But this film was so different from what I originally thought. I loved how we watched Clarice grow as a person.

Anthony Hopkin’s screen presence was outstanding, everytime he spoke I would hold my breath and get shivers at his delivery.

Ad Speculation

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I realise that this is a terrible photo and the sign across the train tracks is barely visible. But this is exactly what is bothering me. I love ads sometimes even they they just want my money but this Spec savers board has me squinting. As someone who is short sighted I already find it hard to read big billboards. The only way I could read that poster was when I asked my friend what it said (we were very very bored). You’d think that an ad company selling sight to the foggy -visioned would make their advertising a little clearer.

 

 

White Anime?

Asians In the Media

Growing up I never used to see that many people who looked like me in movies or TV shows. I’d get excited when I saw a mildly asian character in a cartoon. But often they were kungfu masters. When we played power puff girls in primary school I was always butter cup because she had black hair. Don’t get me wrong, we had some quality TV shows growing up that educated, entertained and enthralled us; but I still felt like I needed a little representation. The closest I had was the blue haired slightly ethnic Shane from Tracy Mcbean. He was the doubtful but loyal sidekick of Tracy; a pioneer for young girls venturing into various fields of science. But what about Shane?

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So are anime characters white? I mean really she’s a dazzling blonde with eyes that take up a 1/3 of her face. If you believe that a moon princess can come down to earth to save the world with her powerful talking moon cats; surely you can believe that she is Japanese.

Teamwork or die

I think that if you believe in a Hell it would look something like this. You’d be put into a group with Satan, Hitler and Joseph Stalin and assigned a task that’s due in a week about the difference between amphibians and reptiles.  You’d have to make a poster with your members and you’d be marked individually. Everyone would probably try and lead while you sit there in a pit of fire trying to make up a realistic bibliography fake dates. The stuff of nightmares.

Today I experienced what I’d like to think of as the most preventable and unnecessarily complex issue I’ve ever faced when it comes to group work. We had barely begun our first meeting when tragedy arose. The situation snowballed into a horrid melodramatic debate fuelled by impulsive jabs worthy of a heated episode of Dr. Phil. The meeting ended as quickly as it had begun. If you’re wondering what had caused the chaos it was something very controversial indeed. Yep, it was our meeting place.

-gasp-

Each group member had staggered their arrival into the city and up until this point we had had consistent and reliable contact in our group chat on Facebook. I sent quite an innocent message inquiring where everyone and quickly received a message with someone’s location. I waited with them for more than an hour for the others to arrive assuming they had read the chat. But as it turned out they had been waiting together in the opposite building tempers rising at our tardiness. But we weren’t late we were just blindly waiting for them close by. Apparently they didn’t have any internet to check the chat and had gone by the original meeting spot, not having seen the update.

Of course a group member stormed in, eyes watering with the the sting of betrayal as I retracted in fear.

“WHERE HAVE YOU BEEN?”

“H-here…?”

And so the interrogation and accusations began. Never have I longed more for clarity and good communication.

If nothing else, I’ve learned that a steady online connection =a steady team.

an optimistic update 3rd of May ’16

Things seemed to calm down very quickly after we had a quick chat and decided to not let history repeat itself. Group project: today was astronomically better in terms of work distribution, idea sharing and general progress. We all arrived on time and got started very quickly. We had a list of things to do and we checked them off as we went. A group member brought along a friend to play devils advocate and randomly throw questions at us to help us full proof our idea.

PB3- First shoot

I had some set questions for Charlotte like:

“what was your biggest challenge?”

“how would you describe yourself?”

“how have your parents affected your life”

But we ended up have a deeper conversation about her life which sent the interview in a different direction. Initially I chose Charlotte because she is can talk naturally while on film and has good camera presence. I felt like I should have been more prepared to ask questions that guided her answers a bit more. I wanted to get a really brief sweep over who she is, like a profile, so I thought of some word association questions. This why I could get an idea of her psyche without delving too deep while she was just warming up to me.

After going through the footage I’ve realised that i should have kept the questions short and the clips short so its easier to edit. Right now I have an endless pile of long clips that I am excited to go through

On “set” which was her room I quickly noticed the amazing bright bursts of orange everwhere, “how good is this mise on scene” I said, trying to impress her with my film jargon. It looks like orange is going to be the theme of the the film. I chose a day when I knew it would be quite sunny to achieve a nice warm glow. Before shooting I had visited her to scope out the area and decided that her room was ideal as it has a huge window that takes up a wall. Conveniently for me, Charlotte has it decorated with flags that diffuse the light and create a soft glow.

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I found it a lot easier to time the microphone camera and asking a question this time around after the interviewing workshop exercise. Although I did have to tell Charlotte to press record on the mic so that it could sit close to her while I filmed a bit further away. I used a monopod of today’s shoot because:

  1. It’s easier to carry.
  2. I was able to get smoother panning (sort of) shots
  3. It could fit in many places in her room so I could get great angles by awkwardly crouching in the corners between furniture. How professional.

Although I am quite biased as I just want to convince myself that my sad one third of a tripod is useful.

 

 

WK 6 Lectorial and a bit about my philsophy

The impulse to make narrative sense of our lives has always been at the back of my mind and after openly discussing it at the lectorial I’ve been silently debating its usefulness.

If I had to place a genre on my life it would be a comedy tragedy with hints of melodrama.

The problem with applying my life to the magical art of story telling is that I don’t know what my driver is. What is my motivation? Where is the beginning middle and end?

After some research I’ve found there are 7 archetype stories.

 

  • Overcoming the Monster
  • Rags to Riches
  • The Quest
  • Voyage and Return
  • Comedy
  • Tragedy
  • Rebirth

“Overcoming a monster” might be the most accurate if the monster is procrastination.

I’m not sure; as an optimistic existentialist the idea of clinging on to hope (like the protagonist of an action film) for the very sake of it sounds like a good idea to keep me occupied.

In the lectorial we also discussed cultural features of narrative. The first that comes to mind is: in asian film why does someone always die from a disease/ car crash? I grew up watching that stuff which may have added to my general gloominess. A stereotypical chinese film generally shuts down the idea of cause and effect we so often see in hollywood cinema because the love interest dies before the protagonist can do anything about it.

If I could choose a genre for my life it would be bollywood; where nothing can’t be fixed without a vibrant dance and electrifying chorus.

 

The Life Aquatic

This was the first Wes Anderson film I’d seen before but I was familiar with his strikingly distinctive use of colour in Fantastic Mr.Fox. “The Life Aquatic with Zissou (2004)” has been my favourite so far out of all the screenings. The deadpan acting (“you’re supposed to be my son, right?”) and elevator music made me grin. On the topic of music; the use of Seu Jorge’s stripped down performances of David Bowie’s songs were so nostalgic and liberating, an excellent choice for the scenic voyages. I stayed until the end of the credits to hear it.

The colour, particularly its role in costume, really stood out to me. Team Zissou’s ridiculous garb of red beanies and baby blue overalls made them seem so united, like a family, so when Ned adopted the attire it was clear that he had become a member of the crew permanently. Team Zissou’s outrageous uniform contrasted with the more formal crew of Allistair Hennessey who wore plain whites. The staging choice of having them always stand so formally side by side made them seem like the refined nemesis. In the same way I noticed “the interns” were always standing side by side or huddled together so they became like a single character of the fumbling new guy.

The most memorable shot for me was the long tracking through the physical set of the ship. I was gaping through the whole thing because I couldn’t believe that they had built a whole cross section of the struture. I would like some albino dolphins in my basement now.

Usually I’m not a fan of the disunity of hybrid animation/live actions such as the lego movie, Alvin and the Chipmunks and Space Jam because my brain can’t comprehend combining the two worlds. But this film combined the stop motion animation so smoothly and not excessively with the actors. The sea horse in the glass caught me by suprise. I think the pops of colours such as in costume allowed the vibrant sea creatures to settle well in the frame.

The machines

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On the jam packed peak hour train home, I’ve noticed an interesting trend that we all take part in. Everyone seemed to be in a meditative state, heads bowed and hand

Could help but think of these monks preying.

 

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WHAT IS MY POINT: smart phones are great but….. In a way being in constant contact with the media through a device like a smart phone has become religious. A lot of us wake up in the morning and the first thing we do is check our phones. We do it while we eat, get ready to sleep and carry it with us almost everywhere. How else would we stay spiritually- I mean socially connected. I often find myself relentlessly scrolling through some sort of feed, passively taking in all the contact, occasionally snorting a cat gif. This happens so often that I had to place Facebook blocking apps on my computer to direct my attention to actual work. As a media practitioner now though I now consider my constant browsing to be field research.

What worries me is that I often check my phone and slip into a meditative state; I stop critiquing and analysing what I see. After reading 1984, I’m paranoid about becoming brainwashed by What I’ve noticed is that when we spend time with friends in person we think in “likes.” We would rather take a photo of an interesting coffee mug than taste it for ourselves. How many likes is this trip worth? I could get at least 100 if I manage to catch a good sunset. My old friend invited me over, and to our disbelief- but not really- we found her younger sister holding a DP (Display picture) photoshoot. Now there were apparently three parts to this photo shoot; discussion of poses, actual taking of photos, then an intensive group chat board meeting about which would gain the most likes. She is was 16 and already strategically marketing herself. I look at my own dp with my quirky face and lack of “like” hauling aspects and think well damn. Using a smart phone to shoot a film has become real.

In my family my younger sister and I used to have internet curfews, blockers and even got roasted for having our eyes glued to our phones but that won’t stop us.

 

 

Sounds Horrible

Sounds make me feel things, and I can’t make it stop.

I’m one of those people who can’t even watch the trailers for horror films because they are just too intense. On my late night YouTube sessions I would dread the unexpected ad for a a horror film. This lead to the development of a reflex action where I’d hit the mute button. That’s when I realised I was JUST scared of the soundtrack and I could watch as much gruesome horror as I liked as long as there was no classic heavy breathing or incessant ringing. When I’m walking around at night in the dark, to avoid the scary thoughts, I pretend I’m in a cheery musical where it would not be logically possible for me to get attacked by a masked demon.