Assignment 3- Report
Name: Sofia Peeke S3717940
I declare that in submitting all work for this assessment I have read, understood and agree to the content and expectations of the assessment declaration – https://www.rmit.edu.au/students/support-and-facilities/student-support/equitable-learning-services
Blog reflections
Word Count: 1242
‘How do the affordances of Instagram affect the way photos and videos are authored, published and distributed in the network?’
Introduction
In this report, I answered the question of ‘how do affordances of Instagram affect the way photos and videos are authored, published and distributed in the network?’ To do this I analysed the core readings and also put using the Instagram app into practise. By physically utilising the Instagram app I was able to explore these ideas and determine for myself the constraints and affordances of Instagram. The combination of the readings and the Instagram app allowed me to explore the factors and processes of authoring, publishing and distributing.
Background
Throughout the course, I have come to understand the terms affordances, constraints, networked video, authoring, publishing and distributing. I did have a brief understanding of authoring, publishing and distributing but I never thought about it in terms of Instagram and it was also something that I didn’t deeply think about. I didn’t realise that authoring was simply the device used to take the photos or videos. I also would get publishing and distributing confused with one another and didn’t have the solid understanding that publishing refers to what medium the photo or video was published on and distribution is how the photo or video is shared with audiences. By developing my understanding of these terms and learning Norman’s definition of affordances meant that I was able to apply this to the concept of Instagram and how the affordances and constraints would affect my use of the app.
Evidence
In order to understand the way, Instagram affects authoring, publishing, distributing a useful method was to experience the software and test the functionality of the settings by creating my own account and posting content. This gave me first-hand experience into the process of authoring, publishing and distributing content on Instagram as well as dealing with any constraints that arose. As Norman states a “constraints limit the number of alternatives” in doing something (Norman, 1998, p.82). So when I was using Instagram to upload my photos and videos, I had to navigate the constraint of Instagram’s sizing. They only allow square images and this meant I had to re-upload a video because Instagram cropped it. Norman also writes that affordances are “perceived and actual properties of the thing, primarily those fundamental properties that determine how the thing could possibly be used” (Norman, 1998, p.9). This means that “the thoughtful use of affordances and constraints together in design lets a user determine readily the proper course of action” (Norman, 1998, p.82). This theory of Norman’s meant that I was applying it to my Instagram usage without consciously recognising I was and these two terms meant I would determine how I would use the app.
Evaluation
Authoring:
Instagram was designed for ordinary, everyday people to quickly snap a photo in real time and then post and share the photo (Manovich, 2016). Thus, the authoring process has evolved over time. Instagram was primarily focused on taking a photo, putting a filter on it and uploading it. However, with the rise of influencers and the business tool feature, it has meant that posts have become more planned and carefully selected. The rise of influencers has changed the definition of authoring because they make money from these posts. This means they carefully curate their feed in order to get the perfect Instagram grid. When looking at lifestyle influencers there is always a theme to their Instagram. There are usually posts about food, fitness, travel, fashion and sponsored posts. They have created generative content and the style of their posts exceeds one photo, it becomes an aesthetic that becomes consistent throughout all posts. As there are so many influencers who have the ‘perfect’ Instagram it has to lead to thousands of ‘everyday’ people also taking more time and planning what they post. This has been the reason for the shift in the definition of what authoring is. Influencers, professional photographers and content creators tend to not follow how Instagram was intended to be used and have worked out a way around the constraints. This has been done through the use of professional cameras, lighting and other editing programs (Manovich, 2016). The photos and videos are authored in a different way than what Instagram intended and therefore has changed the definition of authoring.
Publishing:
The process of publishing on Instagram has also evolved over time, one of these being the development of iPhones and the rise in technology. The change in the iPhone camera has allowed for a higher quality photo to be taken today and added features to the camera app. The camera app now allows for portrait mode, time lapse, slow-mo, video, pano and square. Instagram only allows photos and videos to be posted in a square format which has made it unique to the app. It could be argued that due to the popularity of Instagram, the iPhone app decided to include the square feature so that photos could be taken and then uploaded to Instagram without having to worry about cropping the photo or video to make it fit Instagram’s requirements. The square feature can be considered as a constraint for people if they have not taken the photo or video in the square feature. Instagram also has constraints with the uploading of videos. They have a time limit of one minute and the videos cannot be uploaded in 4k. Software designers have done this on purpose. However, Instagram afford people to have full editing rights, publishing content is accessible and you are able to follow, like and private message people. Software affordances are pushing people to publish content by sending reminders. When photos are published Instagram affords people to connect with people in real time. People all over the world are able to interact with one another through the use of likes, comments and private messaging.
Distribution:
The era of new media has seen a massive increase in online media. Content can now be distributed anywhere on the internet in a matter of seconds. This is very different from traditional media and the methods used to distribute content. Now, when a person is wanting to distribute something online they are able to do that with the click of their finger and it will automatically be uploaded to Instagram. It is then shared to thousands of people and allows for very high engagement and reaches many people in seconds. The use of hashtags and location services allows for the content to spread even further. This reaches many more people who you may not be connected with and would not show on their feed otherwise. I had this experience when I was posting photos of my doors. The use of hashtags meant that I was reaching accounts I would not otherwise have reached. Instagram affords likes, comments, sharing and hashtags which allows for people to distribute their content to a wider platform. It also allows for the linkage of other social media accounts which then automatically post to them if you click it. Instagram has made this easy and accessible for people so that they are posting more content. Instagram affords these actions so that people post and use their app with ease.
Conclusion
Instagram has many affordances that allow for people to easily author, publish and distribute content. It has allowed for the everyday person to have full accessibility to this app and the affordances also make it an app that people can use for social and business purposes.
References:
Manovich, L., 2016, Introduction: ‘Instagram Platform as a Medium, Instagram and the Contemporary Image, University of San Diego, 2016, pp.9- 18,< http://manovich.net/index.php/projects/instagram-and-contemporary-image >
Norman, D 1998, The design of everyday things, 2nd edition, Basic Book, New York. (Sections: Preface vii-xv; Chapter 1 pp. 1-13; Chapter 4 (constraints) pp. 81-87; (computers) pp. 177-186).