Networked Media

Sofia Peeke

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Month: May 2019

Assignment 2: Review

Assignment 2- Review
Name: Sofia Peeke S3717940

I declare that in submitting all work for this assessment I have read, understood and agree to the content and expectations of the assessment declaration – https://www.rmit.edu.au/students/support-and-facilities/student-support/equitable-learning-services

Blog reflections

Blog Post 5

Blog Post 6

Blog Post 7

Blog Post 8

Word count: 1105

1. Provide a definition for ‘analogue photography’.

Analogue photography was the first form of photography before technology progressed. Analogue photography is when “light interacts with chemicals in the film and an image is recorded” (Lomography, 2019, p.1). The images are all collated onto a roll of film and can only be viewed when the film is developed. You cannot view the images while taking them to check the positioning of certain images – you instead have to wait for them to be developed in a dark room. “The development process involves dipping the film in several chemicals. Special chemicals called “developer” help the image become visible” ((Lomography, 2019, p.1). When developed, the colours of the image will be inversed, such that “dark objects will look light and light objects will look dark.” ((Lomography, 2019, p.1).  Early analogue photography was also seen as something that was exclusive. Only higher class people would use analogue photography as it was new and expensive. It was mainly to get their portrait taken in a very staged manner, with the photos being taken in black and white. As photography became more popular and cost effective, it became more common and accessible to the ordinary person, as opposed to something that so “few of us could regularly access” ((Zylinkska 2016, p.7).

2. Provide a definition for ‘analogue video’.

Analogue video transfers information in the form of electrical pulses, whereby the detail and therefore information displayed by the analogue system is determined by the frequency of said pulses. Analogue video was also considered exclusive – it was something that people were only able to use if they had the extensive amount of equipment to record. Editing analogue video was also a process in itself. If something needed to be adjusted it “would involve having to ‘strike’ new prints from the negative in which the chemical relationship between the film stock and the developing fluid was changed” (Lister, M, 2009, p.19). This meant that they would have to remake the entire print.

3. Provide a definition for ‘networked photography’.

Networked photography is associated with the rise of smartphones. Before smartphones, photography was left to the ‘professionals’ – being someone who was able to produce the necessary equipment to take a photo. It was not something that an ordinary person would do. However, now “we can safely say that, in the age of the camera phone and wireless communication, we are all photographers now” (Zylinkska 2016, p.7). Photography became so much more accessible to people and cheaper that it was no longer considered exclusive. People are now able to take a photo with the click on their finger, and they can edit it straight away. Smartphones come pre-built with cameras, which, due to the exponential development of technology, are sufficiently advanced so that even photographers don’t need to purchase a ‘professional’ camera in order to capture a good photo. You are also able to share a photo with the click of a button. The time in which it takes for someone to take a photo, edit it, publish it and distribute it can be done in a matter of minutes as opposed to the days it would take with analogue photography.

4. Provide a definition for ‘networked video’.

Networked video is capturing a moving image that may include sound in the background. Like networked photography, networked video has also massively evolved. It has also become more accessible to people. Smartphones also allow for video recording that can be of a high quality standard. With the rise of platforms like YouTube and Instagram it also allows for people to publish their content online. This has seen the rise of ‘vloggers’ and ‘YouTuber’s’. They have created a job out of making and sharing videos to an audience. Audiences now expect a certain standard from influencers and using ‘professional’ cameras is seen as normal. It now allows for video making to be done by amateurs and professionals due to the wide accessibility it has.

5. Provide definitions for the terms ‘authoring’, ‘publishing’ and ‘distributing’.

Authoring refers to what device was used to take the photo or video. It also refers to the technology that was used to develop, edit and broadcast the image or video. 

Publishing refers to what medium the photo or video was published on. This includes newspapers, art galleries, online, social media sites and other platforms. With the rise of social media, photos and videos became more frequently published on social media sites or online websites as opposed to the more traditional methods like newspapers.

Distributing refers to the way a photo or video is shared amongst its audience.

6. What differences and similarities did you discover between the way analogue and networked photos are authored, published and distributed?

The authoring process is described by the large amount of time to set up the image, as it was costly and you were not able to take endless amount of photos. As well as that, capturing something as it was happening was not something that could be done quickly. Yet, with networked photography people are able to take a photo within a matter of seconds. The click of a button on their smartphone allows you to take as many photos as you want and even allows for bursts. Analogue photography was limited to where it was able to be published and meant that newspapers and exhibitions were greatly utilised. Now with networked photography people have a wide variety of places where they can publish their photos, with social media being the most prominent. When distributing analogue photos, they did not have the global reach that networked photos have today.

7. What differences and similarities did you discover between the way analogue and networked videos are authored, published and distributed?

The authoring process for analogue video was harder to create due to people needing an idea of what they were doing in order to operate the camera and all the equipment that goes with it. However, now with networked video people can easily create a video with their smartphones. However, videos are not as easy to edit on a smartphone like how a photo is. Analogue videos were published on broadcast TV or in exhibitions however, networked videos are published online and on social media, allowing for them to be published instantly. Whereas, the analogue video would take longer before it was ready to publish. The distribution of networked video also did not have a global reach, and if they were in exhibitions it would have to be in multiple countries to build attention to the videos. However, with networked videos they can be distributed instantaneously online.

Lister, M, Dovey, J, Giddings, S, Grant, I & Kelly, K 2009, New Media: A Critical Introduction, 2nd edn, Routledge, New York.

Lomography, 2019, blog, viewed 8 June <https://www.lomography.com/>

Zylinska, J 2016, ‘Photomediations: An Introduction by Joanna Zylinska’, Photomediations: A Reader, Open Humanities Press, viewed 8 May 2019, <http://www.openhumanitiespress.org/books/titles/photomediations/>.

Blog Post 8

When trying to think of a practitioner that included videos on their Instagram account I found it difficult to think of one. So as a result, I decided to searched the best video artists to follow on Instagram and found the account lazy as a result.

Who is the practitioner (what is their name?) and when were they practicing?

The account is run by two practitioners called Josie Keefe and Phyllis Ma. However, the account is called ‘lazy’. They create videos and photos of food. Due to the food not being perfect, it refers to the idea of ‘lazy mom’.They have run their account since 2014 and it is still run today. Although, they do not post regularly and their last post was December 3rd 2018. They also only have 481 posts which could be considered as a low number in comparison to other practitioners, especially when considering they have been operating their account since 2014. They also only posted 5 times in 2018.

What is the title of the photo or video you have chosen to analyse (can you provide a link?) 

The title of the video is ‘Holiday Meltdown’. It was obviously part of Christmas and the holiday season as it is a gingerbread house quite literally melting. It formed as part of their series on the holidays.

https://www.instagram.com/p/BdJxld4nz5j/

With the photo or video, you are examining when was it produced (date)?

The video was produced on the 26th December, 2017.

 How was the photo or video authored? 

There is no mention of what was used to take this video. However, based on the quality and the studio like setting I think that it would have been on a camera perhaps a DSLR as oppose to an iPhone. The bright lighting also suggests that there was artificial lighting used to create the shot. The lighting and placement of the purple fabric highlight that it was staged and could be thought as more of a professional video and therefore may require a professional camera. It’s interesting to note that it is a stop motion video. It’s a series of photos that have been edited together to create the illusion of movement. They had to ensure that the lighting was exactly the same throughout so that people are not able to tell there is a difference where there shouldn’t be and it’s just focusing on the melting of the gingerbread house not the background.

How was the photo or video published?

The video was published on ‘lazy’s’ Instagram account. It was also posted on Vice’s website which is also known as vice news or vice media that covers under- reported stories. It forms as part of their holiday collection series they did and the length of the video is perfect for Instagram as it only goes for about 5 seconds.

How was the photo or video distributed?

The video was distributed on their Instagram account to their 65.3 thousand followers. It received 10 thousand likes and only 10 comments. They have not utilised Instagram as a platform to the extent that they could. If they have that many followers for only 5 posts a year it suggests that if they were to upload more regularly they could grow their account quite successfully. The 10 comments also suggests that there isn’t a very high engagement and not many people are actively engaging with the account. The account Vice that was tagged in the caption however, has 2.7 million followers and a higher engagement rate. This means that due to it being tagged it will appear to Vice’s 2.7 million followers.

Blog Post 7

I have only just started following this account but I really like her content and the quality and aesthetic of her photos.

Who is the practitioner (what is their name?) and when were they practicing?

The person I have chosen is health and fitness influencer Sarah’s Day. She can be found on Instagram at sarahs_day. She created her Instagram account in 2012 and is still active today.

What is the title of the photo or video you have chosen to analyse,  when was it produced (date)?

The photo was uploaded on the 9th of March 2018 and can be found at this link: Sarah’s Day 

The photo itself has no name but it was apart of a photoshoot in Byron Bay for her ebook.

 How was the photo or video authored? 

The photo was taken on a canon DSLR. Her boyfriend is a content creator and photographer and takes all of her photos. The result of this is that she has a very aesthetically pleasing Instagram. Her photos are always of a high quality and edited to suit the aesthetic she has gone for throughout her Instagram. In this particular photo, they would have taken quite a few shots to get the right lighting and to get the water splashing up. It’s then edited to draw out the pinks and give it a really soft tone. This editing is what a lot of photos on her Instagram look like. Her photos are generally always staged and rarely taken with an iPhone camera unless it is a selfie. The photos that are not staged are usually taken with an iPhone. It makes her content more interesting to view. Given that she has close to 900k followers she has definitely understood what it means to have generative content. She posts very regularly at least 3-4 times a week which is a lot more than other Australian influencers. She has a range of content that features on her Instagram. As she is a health and fitness vlogger there is a lot about exercise and workouts however, there are always posts about food. She creates this very eye pleasing photos with the food without her in the photo. She also has posts about fashion as well as action shots like snorkelling or riding in a helicopter. There are also posts that have been set up on a day bed or at the beach to highlight she does cool things. She does not accept many endorsement deals unless it is something she has created or to do with health and fitness. Even though she is a health and fitness vlogger when I look at her content it highlights how much of a lifestyle vlogger as well. All her content fits so nicely into those categories and it’s something that you can easily see when scrolling through her Instagram even if you had no idea who she was. When we were discussing influencers and the generative content in class she was the first person that popped into my head because even though I had never really thought about how she has all these different posts that fit into these categories as soon as I was made aware I knew that she was doing that. Her range in content, photos and editing has allowed for her to grow and be so successful.

How was the photo or video published? 

The photo was published on Instagram on the 9th of March 2018. Her caption is very long and is about motivating people to workout in a positive way. She references her story in her post and tells people to go and look at it. This is going to get a higher engagement rate on her Instagram if people are liking and commenting on her post and viewing her story. Influencers know that if they post something on their story that will lead people to their page that it increases the engagement rate as. Sarah would know when the best time is for her to post and what will and will not get her likes on her feed. The metrics give her an insight in to how many people have viewed that particular post, saved the post, visited her profile etc. The way she used to post and the way she does now would have changed as she gained more followers. The content that she publishes is tailored specifically to what people like her for. Metrics are a software affordance and the algorithm of Instagram will influence how she posts as she won’t want to be losing followers. With this particular post she has posted something that can be linked to health and fitness and then based the entire caption around that.

How was the photo or video distributed?

Due to Instagram and social media being a 24/7 occurring thing the publication and distribution of the photo would have been instantaneous. People always have their mobile phones on them and always have access to these social media sites. Within seconds her photo would have gotten thousands of likes. People are also able to turn on a post notifications that alerts them when people post. The easy access to Instagram means that more people are engaging with the content and are able to always be aware when the people they like post photos. 

Blog Post 6

Who is the practitioner (what is their name?) and when were they practicing?

The practitioner that was selected this week was Nam June Paik. In the 1960’s, he was one of the very first people to use televisual technologies as an artistic medium, earning him the title ‘father’ of video.

What is the title of the photo or video you have chosen to analyse (can you provide a link?) 

The title is Magnet TV and the link is: https://gagosian.com/artists/nam-june-paik/

With the photo or video, you are examining when was it produced (date)?

Magnet TV was produced in 1965 in New York.

How was the photo or video authored? 

Nam June Paik had a seventeen inch black and white TV set which had an industrial size magnet resting on top of it. This altered the television image due to the magnets interfering with the television’s broadcast signals. The result was the distortion of the broadcast image into an abstract form that changes when the magnet is moved.

This challenged the “notion of the art object as a self-contained entity and established a process of instant feedback, in which the viewer’s actions have a direct effect on the form and meaning of the work.”

Magnet TV anticipated the participatory nature of much contemporary art.

How was the photo or video published? 

The TV set and video were published in his first solo exhibition which is where the altering of the image took place. It’s hard to find if it was published anywhere else as it was something that occurred live and in the exhibition.

With a google search people are able to find a photo of the TV set with the magnet placed on top as well as a video of the alteration of images occurring.

How was the photo or video distributed? 

It was distributed in his first solo exhibition at the Whitney Museum of American Art in New York in the 1960’s. However, it is hard to determine whether or not it was distributed or shown in any other exhibitions, this information was hard to come by.

The Smithsonian American Art Museum held an exhibition of Nam June Paik’s work called Global Visionary. It was held from 2012-2013 in Washington. However, I am unable to determine whether or not  Magnet TV was exhibited there.

Nam June Paik: Global Visionary,  Smithsonian American Art Museum, viewed 23 April 2019

<https://americanart.si.edu/exhibitions/paik>

Nam June Paik, Gagosian, viewed 23 April 2019

<https://gagosian.com/artists/nam-june-paik/>

Blog Post 5

Who is the practitioner (what is their name?) and when were they practicing?

The practitioner that was being looked at this week was Henri Cartier- Bresson. He was a French photographer who was considered a master of candid photography. He was one of the first people to develop and master the genre of street photography. He passed away at the age of 94 in 2004.

What is the title of the photo or video you have chosen to analyse (can you provide a link?) 

The title of the photo that I have selected is Children in Seville, Spain, photograph by Henri Cartier-Bresson, 1933. “Children Playing in Ruins”. 

The link to the photo:

https://iconicphotos.wordpress.com/tag/henri-cartier-bresson/

With the photo or video, you are examining when was it produced (date)?

The photo was produced in 1933 in Seville.

How was the photo or video authored? 

The photo was captured in black and white using a 35mm leica camera. He was known for capturing images that were in the moment and not staging the particular shot. He believed that all edits should be done when the image was made. He did not believe in augmented images where edits had been made by enhanced light, dark room effects and cropping.  For this particular image, Cartier-Bresson painted the shiny parts of his lecia to avoid attention as he wanted the children to remain natural and not act in front of the camera.

How was the photo or video published? 

The photo was published as a gelatin silver print in 1933. The photo was published in many author’s books as a link to the horrors of war. The author Andre Breton, used the photo to illustrate the Spanish Civil War in his book Mad Love in 1937. Cartier-Bresson’s work was also published in many art galleries around the world.

The photo is now available on the internet and can be easily found with a quick search. It’s published on may websites that are stating the facts about who he was and the work he achieved.

I found it difficult to find out if any of his work was published in any newspapers at that time.

How was the photo or video distributed? 

The photo was distributed in many art galleries around the world. The ones that I could find were:

  • Museum of Modern Art, New York. “Henri Cartier-Bresson: The Early Work,” September 1, 1987–November 1, 1987.
  • The Metropolitan Museum of Art. “The Waking Dream: Photography’s First Century, Selections from the Gilman Paper Company Collection,” May 25, 1993–July 4, 1993.
  • Edinburgh International Festival, Edinburgh, Scotland. “The Waking Dream: Photography’s First Century, Selections from the Gilman Paper Company Collection,” August 7, 1993–October 2, 1993.
  • National Gallery of Art, Washington D.C. “The Waking Dream: Photography’s First Century, Selections from the Gilman Paper Company Collection,” June 19, 1994–September 11, 1994.
  • The Metropolitan Museum of Art. “As It Happened: Photographs from the Gilman Paper Company Collection,” May 7, 2002–August 25, 2002.
  • The Metropolitan Museum of Art. “Framing a Century: Master Photographers, 1840–1940,” June 3, 2008–September 1, 2008.

The photograph is also listed on sites like paddle8 and live auctioneers where people are able to purchase the image.

 

Stulik, D 2013, Silver Gelatin, Paul Getty Trust, Los Angeles United States 

<https://www.getty.edu/conservation/publications_resources/pdf_publications/pdf/atlas_silver_gelatin.pdf>

The Met, 2010, The Museum of Art, blog, viewed 23 April 2019,

<https://www.metmuseum.org/art/collection/search/283312>

 

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