The classical Hollywood always leaves a stereotype influence to audiences, in this article David Bordwell states that “Usually the classical syuzhet presents a double causal structure, two plot lines: one involving heterosexual romance, the other line involving another sphere—work, war, a mission or quest, other personal relationships, each line will possess a goal, obstacles and a climax.” Indeed, when we watch a classical Hollywood film we always know what will happen next. Each film establishes its own scale of segmentation, there are only two types of Hollywood segments: “summaries” and “scenes”. The Hollywood ending is people indulge in elaborating on, and its routines are as purely conventional formal and often, like the charade, of an infantile logic that refers to a happy ending.
On the other hand, Hollywood style always be considered as commonplaces style. Classical narration tends to be omniscient, highly communicative and only moderately self-conscious.
Moreover, Classical narration treats film technique as a vehicle for the syuzhet’s transmission of story information. In the classical narrative style, often encourage the audience to create a coherent, consistent with the transverse action time and space. Classical style consists of a strictly limited number of particular technical devices organized into a stable paradigm and ranked probabilistically according to syuzhet demands.
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