2016 in film: the place to be

After having the beloved Astor Theatre release its half-yearly lineup (20th March-2nd July) and finally securing my Cinémathèque yearly pass (snatched up a Nova Privilege card too) I am about to ready to bleed my eyes out watching more than my fair share of movies this year. Currently aiming to consume more films than I ever have in a year (and I logged around 400 feature films last year). Wish me luck.

My definite cinema watchlist for this year (so far):

The Astor Theatre

  • 2001: A Space Odyssey (Ultra rare film print)
  • Re-Animator (35mm) + The Texas Chain Saw Massacre (2K)
  • Heaven’s Gate (4K)
  • Leon: The Professional (2K) + Subway (2K)
  • Inception (35mm)
  • Aguirre, the Wrath of God (Ultra rare film print) + The Enigma of Kaspar Hauser (Ultra rare film print)
  • Lolita (35mm)
  • The Mirror (Ultra rare film print) + Ivan’s Childhood (Ultra rare film print)
  • Taxi Driver (4K)
  • Inherent Vice (70mm)

 

Melbourne Cinémathèque

  • APRIL 13 – MAY 02
    BEAUTIFUL LOSERS: ROBERT ALTMAN’S PANORAMIC CINEMA

    • McCABE & MRS. MILLER
    • 3 WOMEN
    • CALIFORNIA SPLIT
 (35mm)
    • VINCENT & THEO
    • SHORT CUTS (35mm)
    • ROBERT ALTMAN’S JAZZ ’34 (35mm)

 

  • SEPTEMBER 28
    REDUX: THE POETIC CINEMA OF ANDREI TARKOVSKY

    • ANDREI RUBLEV (35mm)

 

  • MAY 18
    BETWEEN PAST AND PRESENT: THE FILMS OF MARGOT NASH

    • THE SILENCES
    • VACANT POSSESSION

 

  • OCTOBER 5
    UNSETTLING WORLDS: TWO FILMS BY LYNNE RAMSAY

    • RATCATCHER
    • MORVERN CALLAR (35mm)

 

  • NOVEMBER 2 – NOVEMBER 16
    THE PAST IS A FOREIGN COUNTRY: THE CINEMA OF HOU HSIAO-HSIEN

    • A CITY OF SADNESS (35mm)
    • THE ASSASSIN
    • A TIME TO LIVE, A TIME TO DIE
 (35mm)
    • DUST IN THE WIND
 (35mm)
    • THREE TIMES
    • FLIGHT OF THE RED BALLOON

 

  • MAY 25 – JUNE 08
    “EVERY GREY HAIR ON MY HEAD I CALL KINSKI”: THE COLLABORATIONS OF WERNER HERZOG AND KLAUS KINSKI

    • AGUIRRE, WRATH OF GOD
 (35mm)
    • MY BEST FIEND
    • NOSFERATU THE VAMPYRE (35mm)
    • WOYZECK (35mm)
    • FITZCARRALDO (35mm)
    • BURDEN OF DREAMS

And there are only the screenings that I am really, really (x2) excited for. Don’t forget the others that I only have a single level of excitement for them. 50 bucks says I’ll need thicker glasses by the time the year is done. This is what I moved to Melbourne for.

Leave a Reply

Your email address will not be published. Required fields are marked *