My Media Moment this Week

We briefly went around the class mentioning a ‘media moment’ that we had this week. Some were new shows airing on Netflix, others were memes, tv appearances and films. I had to think really hard about mine. It could have been the miracle that occurred when I posted an Instagram at 3am and woke up with 19 likes. One like by Greens candidate for Batman Alex Bhatal.

Other than that my favourite media moment was the release of HINDS new music video for the track Easy. I love all the videos, ever since I saw the video for Garden:

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my gfs

tumblr_nwkznfxg2w1td0oleo1_400I have been frothing some of the shots in this video, plus the tune is depressing and surf rock which follows my beach goth aesthetic. This video has got dicks drawn on faces, gross spaghetti, black eyes, darts. What more could a girl want. Czech it out below:

I can’t post this because my internet is too slow

E.T phone-homo

E.T phone-homo

Today we briefly discussed the readings, which explored the issues on internet connection in Australia and the National Broadband Network. It was interesting the hear the views of my classmates. Everyone beraded Telstra for their stronghold on the copper wire connection we have now. So strong that our current connection speed lags behind countries like Iceland. Gotta download some Bjork somehow though.
I have been a Testra mobile customer for 7 years and I am more than ready to change. Not only did they filibuster our chance for the NBN, but recently they revoked their stance on gay marriage to provide internet and connection services for the Church. The monetisation of Mardi Gras and gay rights by corporations is disturbing enough, but only more when apathy of big businesses is revealed.

I remember taking a Making Networked Media class in my first year at La Trobe and discussing the military ties that the internet has. How the internet was invented to be used as a communication service between military bases in the chance of a nuclear war. This led me on a wikipedia trawl about the dark net, transhumanism, BioArt, the Orion Project interstellar generational voyages which I won’t blog about because I am too scared.

Cw: Ignorance; why do so may people misinterpret Trigger Warnings?

tw: rape mention, food, misogyny, violence, abuse

A content or trigger warning “is a very simple statement at the beginning of an article, film, or comic that lets the audience know that something potentially distressing will appear in the content they’re about to consume.” Amy McCarthy, Bustle Magazine.

It may seem silly seeing an article pop up on Facebook and a commenter asking for someone to place a content warning for Food. Or a classmate leaving a lecture because a documentary on alcoholism is about to play.  It may even seem ‘oppressive’ to you, for a 3 second message, address or mention before a class watches violently jarring footage of a women being racially targeted and choked to the point of suffocation. How inconvenient.

A recovering sufferer of an eating disorder, who may have purged the very meal shown on screen may not be able to focus in class after seeing the image. A rape victim might struggle listening to the hopeless pleas of a character on Game of Thrones as they are sexually abused, a soundtrack of the night that ruined their lives. From chastising trauma victims for preventing a breakdown, you are ultimately saying “I don’t care about your pain”.

Yes the world has no padding or protection, but the world is hard enough for survivors of trauma. If you have not suffered trauma, take it from me, someone who can get ‘triggered’.  When I enter a classroom, I don’t expect to see violent misogyny. I would hope I am entering a safe space, where I can put my trauma away for an hour and discuss something else. I expect a place where I won’t suffer a panic attack, become restless and lose sleep at night. I would like the option to excuse myself before I fall into a bout of insomnia.
Honestly, the lack of support from my classmates, who are young progressive people, is isolating.

Yet, would this conversation exist around ex-servicemen? Would their trauma be considered petty, frivolous or an inconvenience? Maybe we should consider rewriting the image of PTSD from the returned soldier to maybe a woman? In the US alone, 1 in 8 women are likely to develop PTSD, making it twice as likely for a woman to develop the disorder than a man.The most likely victim of Post Traumatic Stress Disorder are sufferers of child abuse, rape victims, and sexual assault. Perhaps the face of PTSD should be the children who have watched their families perish, or have been abused under the arms of returned soldiers.

Give people who suffer every day the option to sleep at night. Trigger warnings aren’t a joke. The fact that they have had to change their title to content warnings due to ignorant naysayers speaks enough. Let people keep their self preservation and their sanity, even if it costs you 3 seconds of your life every time .

This comic anonymously published on The Nib summarises trigger warnings for better understanding:

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continue reading at https://thenib.com/trigger-warning-breakfast-c6cdeec070e6#.gk25nrsz2

 

 

Fandom meets Activisim

screm-de-la screm I haven’t posted for a while.

We are progressing well in our PB4. In class I discussed the meanings of Fandoms as an example of audience control over media. Some of the topics I will investigate are the fanbases power over television programmes, and the political alignments of the fans who are now linked into the writing and plotlessness of the stories. You can assess shows like Orphan Black or The 1OO or even movies such as The Danish Girl and Stonewall as being manipulated by the viewership. Some of these examples have suffered tremendously in the box office due to the public boycotting the film for historical inaccuracy which is offensive to the minorities the film is aimed towards.

Many of the articles I researched showed fandom turning to activism. How fans who have similarities beyond the show put their thought to activism, social justice and progressive thought. However this is a double edged sword. Different media results in different political alignments and not all are progressive (Duck Dynasty)
A case study I found were the American activists who protested the Russian LGBT propaganda laws were fans of Lady Gaga, and her history of advocating for LGBT rights saw her banned from performing in Russia, and subsequently being investigated for tax evasion by the Russian government. Her audience and fandom then began campaigning for freedom for the Russian Queer community. However, many of the studies show that Audiences have an extent to their effectiveness on a political scale, one that does not match the influence they have within the politics of media making. There we draw the line between effectiveness and effort.

 

Elements of Sound in podcasting.

These are both from the list compiled in my Media 1 tute and from a reading in Cinema studies.

Volume – Loudness, amplitude, breadth. Contrasting volume such as silence with loudness makes a dramatic statement. ie. A gunshot ringing through a silent night.
Music – A great use of music is on Hack for example. As a conversation gains traction they often use a simple drum beat to create rhythm in the convo.
Narration – Have a clear difference between the voice leading the conversation and those contributing or being interviewed. Maybe use a different mic, a different vocal tone and non-diegetic sound to bring us back to “the room”
SFX  – Use these to make your recording visual. Generate an atmosphere around the person you interview, the topic you’re talking to.
Interviews – sometime’s it’s helpful to lessen the quality of the interview, including some background noise to show it’s a contributor.
Conversations – two or more people on the panel are having a casual and converse interaction. Differentiate their voices and avoid overlapping speech unless that is a desired effect.
Archival recordings – for sfx you can’t record yourself. or perhaps iconic podcast/radio noises.
Vox Pop – voice recordings of public answering the same question.
Phonecalls – get your interviewee on the phone if you can’t get them in public.

Begin with a question: Why do we sleep? Are we an audience? Do audiences still exist? the passive kind etc. idk I will update with a question soon.

Peer feedback for PB3

Riah:
Riah’s short interview with her mum was a touching and sentimental look into their relationship. It showed the pride she has for her mother. The film reads like a recent of the stories and tales a daughter might hear from their mother when they ask about their younger years. To me, Riah has created a poignant retelling of these stories. Creatively, her use of found footage is appropriate and well timed, fitting visual interview moments with relevant imagery. One aspect I would fix however is the sound quality during the interview, as it has a slight echo, however I understand as the lapel mic had limited distance.

Bradley: Eraserhead
I was immediately struck by Bradley’s two camera set up, which was a unique aspect throughout all the screenings. I thought that it was a simple but effective way to bring texture to his work. The closeup’s of the erasers were really effective on the white background. The professionalism was brilliant. However in a minor detail, I believe some shots against the white wall could have been exchanged for a background revealing more about the subject. Other than that I thought the concept was wildly creative and very quirky.

Hannah: 
Hannah’s soundtrack was an immediate standout to me. Her use of imagery paired with title effects and sound fit together so well. She really captured the intensity of his training regime. The subject engaged with the questions well and she chose a subject with an aesthetically pleasing pastime: rowing. The shots on the water and on the bridge provided great texture to the clip and her golden hour timing was beautiful. Hannah pointed out to me that the camera was out of focus during the filming but I wouldn’t have picked up on it otherwise.

 

Exercise: Narrative Structure in PB3

 

  • What is the controlling idea: How to deal depression in a creative sense.
  1. How is your portrait film structured?
    It’s a discussion of an event using voiceover. I don’t want to have sound of my own voice, I want it to sound as if it were unprompted. Just a story, or a personal journey. If I were to talk, I want it to break the 4th wall of interviewing. That the prompt itself needs to be heard to understand the response or even elicit one.

3. What do you want your audience to make of your interviewee?
I’ve chosen this person because they’re an eccentric. It’s a hard hitting topic, of being idle and falling into depression, however I think through my interviewee’s quirkiness and passion for invention I can show a light hearted, even humourous side to this person.

  1. How is your portrait being narrated?
    I am going to use voiceover in conjunction with correlating footage I will shoot and also find. I want to start with introducing the interviewee, focus on their property, the environment, then question why they are living in this place, the reasons that led them there, and overcoming the conflict of depression.
  1. What role will found footage play in your portrait?
    I will really need to utilise found footage for pickups, as I only have one day to film with my subject. It will be in an enforcement style. I think it’s really easy to use retro style footage to contrast with modern footage.I am considering juxtaposing “normal” family footage with the footage showing the isolation of my character.
  1. Does your portrait have a dramatic turning point?
    I think the portrait will begin with nearly undermining my subjects eccentric habits. It will be comedic at first, and nearly pitiful, but after we hear the reasoning behind why he does what he does, we will find an understanding of his behaviour and come to see this character as quite strong.
  1. When does this turning point occur and why?
    I am planning for it to occur halfway through. I want it to be an equally comedic portrait as it is meaningful. I think that shows depth for this person, having two sides, being multifaceted.
  1. How does it gain and gather momentum?
    I think I will begin by hooking the audience in with the characters eccentricism. The interesting inventions, lifestyle and quips. Hopefully the audience will want to understand my interviewee more and I will abstain from asking hard hitting questions for a while, and when I do I intend for the audience to want to know more about the man behind the machines.
  1. Where will your dramatic tension come from?
    A gradual exposition of the overall conflict prompted by questions. I think I will shy away from using footage here and show directly the interviewee answering questions so there is an undivided attention brought to the subject’s emotions.
  1. Does the portrait have a climax or resolution?
    I think the film will climax when the subject is discussing his depression. This will be resolved when we can see that the behaviours that were shown as laughable and “quirky” are actually coping mechanisms exhibited in a creative way. This will convey the character’s strength and ability to turn something unfortunate into something productive.

 

im so angry about everyhitng all the time

Last Monday I watched Germaine Greer on Q&A and I cracked it. Mentally and physically. As in I was sweating.
I was ghost-tweeting for my housemate who is a Journalism student and I had to stop and notice that I’ve never been so engaged with TV in my life. It was only driven by the chance one of *my* tweets would come up on the screen however it was also something else. There’s this kind of anger that I have inside that is only stirred by arguing against about misogyny/homophobia/transphobia/racism ETC aka social injustice.

I managed to find 50 ways to call-out Greer as a transphobic out-of-touch bigot, without undermining her gender ( so that I was the bigger person). Yet still, after 5 retweets of a tweet not even published by me, I wasn’t satisfied.
I knew this woman wouldn’t see reason and it cut me so deep that she has a platform. I get this feeling when I read newspaper article comments, or see people using the word “SJW”. Maybe it’s because in my generation, EVERYONE has access to platforms to express their opinion (even me).

So it was just something I noticed about myself. As a generally placid person, I can’t fathom this rage I have in me? It’s really bizarre when I think about it.