Here he records a room and plays it back into the room and records it again without text. The sound of each room was evoked by sonic time layering: In each room, he recorded 10 minutes of it and then played the recording back into the room, while at the same time recording it again. This process was repeated up to ten times. As the layers got denser, each room slowly began to unfold a drone with various overtones.

This work is a sonic presentation of four deserted rooms inside the ‘Zone of Alienation’ in Chernobyl, Ukraine. Jacob Kirkegaard deliberately picked rooms that once were active meeting points for people: A church in village Krasno, an auditorium, a gymnasium and a swimming pool.