EPOCs

Hi everyone,

The EPOC (Electronic Proof of Concept) you make to support your proposal is somewhat dependent on your project, your skill set, the skill sets of those in your ‘production company’ (or wider community) and, frankly, how driven you are to see your project selected for production in Strategic Media Project.

The EPOC requirement for this course is born directly from contemporary ‘real world’ and ‘industry’ situations, whereby very few funding agencies or production bodies will accept a proposal without one.

To be clear, it is not the whole project, fully realised. It is a taste of what the full project, if made, would look, sound and feel like. How it will be experienced. An audiovisual example of the world, tone and (where applicable) genre of your premise.

Just for example, here are the Screen Australia guidelines for what they simply call a POC (same thing):

As part of your application, you will need to submit:

  • a Proof of Concept (POC) relevant to the type of project proposed, for example, linear fiction would require a sizzle reel, filmed sample scenes or a pilot, while a project that relied heavily on user/social interaction may require a prototype or video ‘walk-through’

Screen Australia, 2017, Program Guidelines: Online Production, p. 4 (full doc in resources tab).

I encourage you to think about what you might want to make over the break. Bring these ideas to the Week 7 tutorial and you can discuss with me, and your team, the possibilities for your EPOC idea. That is, how feasible it is to achieve and how effective it would be in selling your digital narrative. Only by sharing your ideas can we decide whether you’re taking on too much work or not enough.

Let you imaginations run free, and I look forward to hearing your ideas!

Have a great break,

Stayci

Production companies

As announced in today’s (Week 4) class:

Company 1: Jie, Andrew, KC, Federica, Hannah and Hardy

Company 2: Nhung, Annette, Stella, Rik and Nick

Company 3: Margot, Makara, Emily, Nan, Shena, and Zhexiong

Company 4: Wing, Ella, Rachel, Miro, Lisa and Jacinta

As well as being your proposal collaborators for the rest of semester, these are the peers for whom you will provide feedback on the Week 5 pitches – don’t forget the 8.30am start time.

Targets to hit when structuring your pitch…

…as discussed in class today (2 August):

Working title: try to make it distinctive and relevant to your audience

Logline or premise: 1-2 sentences outlining the basic premise, and/or story, and/or philosophy and purpose of the work (bring a draft to class next week for workshopping)

Form, format, medium: what form does it take and how is it distributed? how will you make it?

Market: short summary describing who the narrative is aimed at and why

Story world: describe the ‘universe’ in which your story exists, and the ‘rules’ of that world

Visualisation: what is this work going to look like?

Participation and interactivity: how is this ‘a new direction in narrative’?

Influences and competition: what else is out there like this, and how are you different?

And, one I didn’t yet mention:

Main characters/subjects: briefly describe the characters or subjects that play an important part in the narrative