Observing the materiality of the frame, SERIES is a project that integrates the frame into a multimediated online environment. Initially motivated by Haidee Wasson (2008), I began SERIES with the concept of exploring the networked screen and its suggested formative role. By ‘transforming celluloid, electronic and digital images into differentiated social and material sites of cultural […]
I want to begin this post by sharing a thought I had in 2014 surrounding new media as networks: “So while networks are systems, it is their past reputation that can be seen as limiting their potential; being viewed as ‘objects of pure structure whose properties are fixed in time.’ This is not the case, […]
Let’s be honest for a moment, there’s a lot of jargon in my current direction that needs addressing. Don’t worry, it will be in the ABOUT section of SERIES. From keywords to ideas, I want to clear the space for viewers and myself. GLOSSARY Cinema 3.0: a term coined by Kristen Daly to describe ‘cinema […]
Wanting to dive deeper into the role of networked cinema, I began investigating into the role of the screen. As my project is essentially all online and reflected through a screen, developing my interest in how the screen functions was a concept I naturally fell upon. Looking at the semiotics of television and media, Algis […]
After finalising my project changes, little stood between research and application. Trying to navigate SERIES and my initial inspirations, key ideas and quotes soon became apparent in the direction and flow. With Wasson burning strongly, I decided to annotate phrases that particularly stood apart from the rest as a guiding point to further research. Key […]
“Instead, Inception presents movie dream in the form of a complex, but logically consistent dream system. In this sense, film has become a ‘dream machine’ able to ‘think’ different levels of reality… The dream machine co-ordinates contradicting layers of time and space and the movie itself can appear as a ‘brain’ or as a ‘reality […]
“The networked screen is one such concept, linking screens to the larger and frequently amorphous ideas and practices that constitute them, and to the material contexts in which such screens link viewer to image, user to screen, and spectator to spectacle.” – Haidee Wasson, 2008 Scrambling across my brief, I realised one thing. I […]
As part of my studio On The Frame, every two weeks I’ve decided to upload five frames from a film I’ve watched recently. This week I’ve chosen Sleeping Beauty (2011), directed by Julia Leigh. Choosing this film for my Australian cinema subject, I viewed this film for the second time with cinematography in mind. Typically […]
“Can I talk to you? I won’t keep you long. I have to go somewhere and I don’t think I can come back. But I just wanted you to know. Getting to be around you and Benicio was the best thing that ever happened to me.” – Driver, Drive (2011) Filmmakers manipulate and encode elements […]
As part of my studio On The Frame, every two weeks I’ve decided to upload five frames from a film I’ve watched recently. This week I’ve chosen The Shining (1980), directed by Stanley Kubrick. After I watched this film on Saturday for the first time in a long while, it occurred to me how peculiar […]
