SERIES WIP x BRASIER’S NOTICING
As Kuhn neatly put in The State of Film and Media Feminism (2004), ‘the ontology, the essential nature, of film and also [a] film’s aesthetics’ is the distinctiveness of illuminating film. While I apply these thoughts to SERIES, the relationship between my project and the subjectivity of the frame is simply fluid. Right now, I’m […]