Month: April 2015

Week 2: Google Cube

White Night as an experience is successful when an individual has a detailed itinerary or the ability to stumble upon really cool things. Unable to stumble upon cool stuff I attempted to follow an itinerary. One of the few presentations I was really eager to see was the presentation of the Google Cube at ACMI. The idea behind the presentation was that a viewer devises their own short film through selection of a series of 6 scenes from a database of video content created by Steve Ayson and Damien Shatford from The Sweetshop.

My cumbersome description isn’t all that elegant so here is an excerpt of how Google describe it:

‘The cube allows filmmakers, musicians, artists and other creative to make interactive films which the viewer controls the narrative structure. Six films – for example six concurrent scenes, or a music track sung in six styles – are wrapped around a ‘cube.’”

 

I found it this installation particularly relevant to the course because the Cube acted as both the database, the six sides each containing another aspect of work, and the interface with people physically manipulated the cube to make their selection of the content presented.

Week 1: War of the Worlds

It appears that so far I’m yet to go a semester of my tertiary studies without studying or at the least acknowledging Welles’ War of the Worlds. No complaints here and I  guess that suggests it contains some important messages about media influence and construction. In listening to Radiolab’s deconstruction I was riveted to how events unfolded along discussion of the aftermath. The most fascinating aspect of the podcast wasn’t the radio play but the tension that existed between radio and the newspapers. The discussion of how Newspapers utilised the incident as metaphorical ‘smoking gun’ to try and cripple radio journalism. Newspaper published unreliable information hyping the panic the piece had created when it was broadcast. It was definitely refreshing to listen analysis of the event as opposed to the whole fiasco being used as a lazy example to demonstrate the hypodermic needle theory in discussion of the extent of media influence.

My interest was then only increased when discussion shifted to the incidents surrounding the repeated broadcasts across the globe. These events seem to be more indicative of the scripts ability to persuade others. I found it odd though I had never heard about any of these incidents, especially what transpired in Quito, considering the extensive panic and destruction it caused. This second incident seemed more malicious in its nature, which is kind of bizarre, but also frightening that content producers (re-users) could be so excited by inciting panic.

What I take from the events collectively is how interesting it is that in both incidents people either thought it were an enemy nation invading as opposed to extra-terrestrial intruders. In the Welles case Nazis were quickly the centre of the blame and in Quito Peru were feared to be the aggressors. It reveals People want to make sense of what they’re presented to form a tangible notion of reality. It is also evidence that the paranoia surrounding the Nazi regime and hostile neighbours infiltrates the average person’s psyche.

Week 1: Mad McKee

One quote from McKee that struck me as odd was that “a story cannot be told about a protagonist who doesn’t want anything.” As I started to deconstruct it quickly became incredibly philosophical. It isn’t possible for a character to not want anything. By not wanting anything do they purely want their life to remain the same? There are plenty of films in which the protagonist wants nothing more than their life to remain exactly as it has always been. Vertigo is one and there a plethora of other films which share an un-driven and disinterested protagonist. I guess this notion falls apart when the characters that wish for no change have to make decisions in order to continue their lives of no change.

McKee thinking about scripts.  Source:  www.mckeestory.com

McKee thinking about scripts.
Source: www.mckeestory.com

McKee also got me thinking about films in which the protagonist fails their conscious goal. I can’t think of a salient example as I write this but I’m positive there are films in which the protagonist falls short unable to fulfil what they set out to do. In these films would McKee suggest that the protagonist exhibits an unconscious goal of finding their physical limit? Could this unconscious goal instead be the protagonist wishing to change their attitude or behaviour? By failing to fulfil their conscious goal their subconscious goal is fulfilled and once again McKee wins at screenwriting.

Project Brief 3: Pitch Statement

The protest group ACTIV is based upon the ethos of a multitude of existing groups including the Socialist Alternative. ACTIV descent into moral ambiguity as their actions become increasingly more aggressive invites the audience to question how far they would go to fight for what they believe. Does their actions make them any better than the oppressive nature of the governments that they detest? ACTIV is presented as a flawed group whose fight to do what is right by thousands results in them destroying the life of one.

For the duration of the project my focus will be upon the ACTIV narrative thread, creating and maintaining email, twitter and blog accounts for the group. This maintenance includes regular postings as the group alongside digital publishing of journal articles from various members. To explore the inner turmoil of the group a variety of accounts will be created to post comments reflecting the various factions within the group. My interaction with this fictional protest group will extend to partaking in the defacing of Jeff Shroud posters and attacking his online presence. To maintain both authenticity and the mystery surrounding the group these activities will be carried out late at night or early in the morning. Hosting much of our narrative online and in our final installation experience we eliminate the need for a large crew and cast of actors. Ned and myself are able to take on the role of both writer and actor though our online characters.

Also by presenting a vast majority of the content we create online we open the story up to public viewing and hope that there will be, however little, some interaction with audiences outside of our course. Placing a number of posters around RMIT particularly focusing on building 9 we are attempting to minimise confusing the general public whilst also targeting an audience that is engaged with online media and potentially already involved in socialism or politics in general. By utilising social media platforms and digital links such as QR codes on our posters we hope it is simple for people to initially engage and then follow our narratives. Using twitter as a medium, we intend for the narrative to become just another part of the their endless newsfeed, a story they can follow with ease.

Throughout the two weeks prior to the final installation event Ned and myself will immerse ourselves into our respective roles of social media managers. In this period we intend to meet regularly to insure that content is posted at correct times that make sense within the two simultaneous narratives and that responses directly address the opposition’s post. Toward the end both Ned and myself will take on the role of Director as we begin to explore the way in which our presentation will take on an immersive theatre aspect. During this period we will start to work with a handful of actors who will facilitate the audience experience alongside us. As the presentation shifts to one of a spatial and performance experience our roles will also shift to curators. In this role we will select from the vast plethora of content we have created for each narrative thread plus content specifically created for the theatre installation.

As a whole we hope our project shatters the conventions of good verses evil and allows the audience to explore two simultaneous narratives as they interact with one another.

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