Verbs instead of Adjectives

During the process of script writing, an issue arises that  is unique to that of prose intended for eventual execution in a visual medium. This is the issue of writing in a way that  allows sentiments and ideas to be ‘executable’ in front of a camera. In filmmaking, the use of voiceover for expounding these sentiments is considered sloppy and inherently novelistic. For this reason, the use of verbs over adjectives in screenwriting is much more effective.

For example using adjectives, a writer may assert a character feels extremely tired and wishes he was home from work resting with his family.

However, if verbs were employed instead, this inherently un-visual direction becomes: the character rubbed his eyes as his head tipped forward. He eyes a family photo taken in front of a white weatherboard house  and holds it gently.

Further examples:

Kate feels Annoyed with her aunt who never listens to  her. She wants her to know how hopelessly old fashioned she is and how superior Kate feels.

Becomes: Kate exhales tersely as her aunt keeps speaking despite her constant attempts to get a word in edgeways. Kate forms her hand into the shape of a duck and opens and closes it in time with her own  mouth in a mocking posture.