Colour Me Confused:
This colour grade exercise was both and enjoyable and frustrating. As someone who loves regularly taking photos and editing them, I’m keen to learn more about how to do the same with my videos. However one major frustration that cropped up during this exercise, was the serious lack of image quality for video files, which leads to a serious lack of nice looking colour grade options. However, you gotta work with what you got. Below is a video that features multiple examples of various colour grades, plus a breakdown of each colour grade used.
Colour Grade Video: Rosie Being Rosie
Colour Grade 01 – Original Colour Grade – Unedited
This is the original colour grade of the video footage, completely unedited.
Colour Grade 02 – Pink Hue
Lumetri Color > Basic Correction
Temperature: +30
Tint: +12
Contrast +30
Highlights: -70
Shadows: +54
Whites: -9
Blacks: -17
Colour Grade 03 – Film Style
Lumetri Color > Creative
Look: Fuji F125 Kodak 2393
Intensity: 50%
Faded Film: +20
Sharpen: +20
Saturation: -4
Colour Grade 04 – Blue
Lumetri Color > Creative
Look: SL Blue DAY4NITE
Intensity: 100%
Colour Grade 05 – Sharp Yellow
Lumetri Color > Basic Correction > Creative
Temperature: +149 Faded Film: +25
Tint: -106 Sharpen: +100
Contrast: +30 Vibrance: +70
Highlights: -10
Shadows: +27
Whites: -8
Blacks: -3
Colour Grade 06 – Beaut Edit
Lumetri Color > Basic Correction > Creative
Tint: +2 Sharpen: +99
Highlights: -38 Vibrance: +70
Shadows: +7 Shadow Tint: Red/Orange
Whites: +11 Highlight Tint: Red/Orange
Blacks: -8
Overall:
Getting to experiment with different colour grades was pretty cool and it’s nice to get more comfortable with Premiere Pro’s color correction software. I think overall I like my ‘film style’ edit and ‘beaut’ edit the most as the look the most natural, however the ‘sharp yellow’ is pretty sick also. I often like colour edits that are either hyper natural or super extreme, so it makes sense that I like those three. If I had to pick one I’d probably pick the sharp yellow cause its a bit wacko.
Until next time,
Louise Alice Wilson
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