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Television is a rapidly growing medium, studied and examined as form of both media and cultural studies. AS we begin to enter the digital age, television develops more and more of a greater impact on society, both shaping and being shaped by the culture that grows alongside it. Tv was once thought to follow a one-directional flow model, sender -> medium -> message -> receiver, much like the early ideas behind radio, where it was assumed that the entire audience would receive any message delivered by producers in the same way, no matter who they were or how they received the content. However, today it has become apparent that this is certainly not the case. Not only does the interpretation of the message vary drastically according to who is receiving it, the meaning of any message is also altered by the method with which it is delivered. Thus, as this important notion regarding television and it’s methods and results of communication changed over time, so did the content which was being produced.

Television is no longer one set of defined structures and rules which must be adhered to by all producers, writers and directors, it has become so much more than that. It is a mix of not only every genre but every medium, incorporating the live to air, real time presentation of content that attracted audiences to radio and combining it with the narrative possibilities of film. And today, tv has extended far beyond the realms of simply being a box in the living room, it has become a social experience, an addiction for viewers who simply can’t get enough of their favourite shows. Producers keep their audiences hooked not just with cliffhangers at the end of episodes or seasons but with online content, by releasing episodes online to allow for binge watching, by getting stars and writers to attend fan conventions, by allowing the viewer to be as immersed as possible in the world of their show.

This progress has led to the rise of entirely new genres of storytelling, specifically, reality television and long form, complex narrative television. Shows such as Big Brother played a major part in the changing of the television landscape immersing us in a world of fully interactive television. Viewers are not only using the lives of others as their own form of entertainment but are actively involved in the constants futures (within the show). The evolution of television became a reflection of the evolution of society which in turn was impacted by the new cultures and traditions created by television. The rise of the complex narrative not only changed the landscape of television but of society.

The documentary “Hollywood: the rise of television series” discusses the evolution of television in regards to the impact received from the complex narrative. Viewers began hungering for increasingly interesting and mentally stimulating content and producers and writers started delivering. The progress of the content of tv can be seen clearly when comparing television in the 2000’s to that of the 60’s and 70’s, a time in which characters would never have even imagined to be having sex or using vulgar language. Today however, as was discussed by the writers interviewed for the documentary, characters not only do these things, but often it’s these actions which drive the story. Characters are given depth and history which is revealed slowly over the course of a season or even series with significant plot points planned far in advance. Programs and time slots are streamed to satisfy particular viewer interests and demographics rather than the original model of every show being delivered to every viewer as a single demographic. The concept of the nuclear family has faded tremendously with the progression of society into the modern day and television has grasped this wholeheartedly and used it to it’s advantage, consistently moving forward as a prominent medium of influence within society.

Travel the world without leaving your living room couch, that’s the appeal of television to it’s viewers. Although the majority of shows which top the ratings charts here in Australia are home made, as a nation we are still provided with a great number of international shows, primarily from the USA, which create not only a multicultural viewing experience but a multi-national one, spreading across a great geographical landscape. Television shows are no longer limited to small studios with backdrops and sets, they can be filmed across the world, showcasing a dynamic range of locations, countries and cultures that the average tv viewer often never gets to experience in person for themselves. Most people may never leave the country or even city in which they are raised and thus television creates a channel for it’s viewers to experience these spaces for themselves in such a way that the spaces they see become familiar to them.

What is it about it’s use of space that makes tv such an interesting topic? Television allows for a space to be both real and imaginary at the same time. By showing the world through its programs, it creates a mediated

version of the world, allowing viewers to feel as if they are a part of a certain place without having ever been here. I can relate to this from personal experience. Until July of 2012, I had never been to the United States. However, from all the television that I watched, I felt as if I lived there myself, knew the various cities and landmarks like my own neighbourhood. But upon arriving in New York, i realised this was not the case. While I did recognise various things like Times Square or the Statue of Liberty, they were different to how I had imagined, different to what I had seen on the television (The Statue of liberty, for example, was a lot smaller than I had thought) and this made me realise that the things we see and the places we feel we are a part of on a television show are just that, a television show. But is that the sole reason why we watch international television, to experience new places?

Globalisation is occurring world wide and television is only helping to speed up the process. The broadcasting of international shows featuring not only foreign spaces but cultures has created a link between the worlds nations that has never been so strong. And even though it is often thought that the world is dominated by American traditions and culture, these things have seeped into every country from dozens of other countries across the globe as well. We currently live in a world where, through globalisation, foreign cultures are both like us and not like us, cultural identities are constantly changing and the once clearly defined borders between nations and cultures has been dropped. So, why do we watch foreign television?

International shows such as Broén/Bron (The Bridge) provide a combination of both the familiar and unfamiliar to their audiences. While an audience will always be most comfortable watching a show which represents their own nation or culture, an appeal arrises in discovering those of another country. In The Bridge, viewers are treated to an exploration of Denmark and Sweden through the unfamiliar Scandinoir television style, a style which includes strong female leads whose only care seems to be about their job, dreary and colourless landscapes and sets and characters who are to the point with no love lost on witty office banter and, of course, the foreign languages. However, this unfamiliar style is delivered through the use of the familiar, a crime narrative. Viewers watch as the familiar story unfolds, a murder, a police detective, suspects and a cliff hanger but these are all delivered through foreign techniques. This combination of the familiar with the unfamiliar is what allows the audience to feel at ease watching international television. Even the potential for viewer alienation at the concept of two countries sharing a bridge as a border is extinguished with the prevalence of the comfortable, a crime must be solved, the story must continue. The chance for discomfort is shed at the inclusion of the familiar and thus the viewer can immerse themselves in and experience places in the international community without ever feeling too far away from home.