Posts Tagged ‘warrandyte’

Final Project – Progress Update #3 // Looking at Location

The following post is my part of our presentation:

Our final project concept was largely inspired by our chosen location. In our first brainstorm as a group, we went around the circle and each shared where we lived as it made sense to us to film with an area that a group member was familiar with. From weighing up the visual appeal of locations to the logistics of shooting within them, we came to the conclusion of filming in my hometown, Warrandyte.

Warrandyte is a small north-eastern suburb about 50 minutes from the CBD. The town and environment remains preserved with beautiful state parks, vast bushland and serene spots along the Yarra River. If need be, we also have access to a house for interior shots, as well as cafes and supermarkets that I’m affiliated with.

While on one hand Warrandyte can represent peacefulness and serenity, on the other it can be perceived as the complete opposite. With the bush in mind, we were led to consider thriller/horror genres as there is this frequent association with bushland and the harsh Australian outback with these sorts of themes. Thus, instead of writing with an actor in mind like the activity we completed in class, our intent instead became to write and create with a location in mind. We found that this process made the task of coming up with a story and concept much easier as we already had something to work with and draw from.

Once we had decided on a rough story concept, Bonnie and I actually went location scouting. We were on the hunt for two key locations – one for our ‘calm before the storm,’ semi-romantic scene, and the other for our creepy, thriller-esque bush scenes.

Location one – the main walking track along the Yarra River

The main walking track along the Yarra was an obvious choice to check out. In one of our scenes, which Jackson and Alex will explain further, our female protagonist Emily walks along the river with her fiancé Damien. As I wrote the concept for this scene thinking of this specific location, it fitted the scene seamlessly. The only issue we may encounter with this spot is that it can get quite busy on weekends and nice days.

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Location two – Pound Bend

Pound Bend is another scenic spot in Warrandyte which features the iconic gushing tunnel. It’s a really cool location but is almost too much for our calm scenes as it may detract visually and aurally from the conversation between our characters. If we wanted to be a bit experimental however, we could get some shots of the water gushing through the tunnel to intercut with some of the later, more intense, bush scenes.

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Location three – State Park via Whipstick Gully                     

This state park was home to some interesting relics of the gold mine period, such as this mine and this big ol’ wall. However, as this state park is commonly used by bushwalkers and horse riders alike, it has very defined and obvious tracks. This is an issue as we want the bush location to appear isolated and remote – not something people use on the daily. It was also a bit too green and welcoming for our liking.

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Location four – State Park via Tills Drive

The final state park we went to was a clear winner for our bush scenes. We discovered these bizarre sink holes containing rusting rubbish surrounded by the dry bushland of the park. The creepy and eerie vibe was just what we were looking for, and there was also potential to veer away from the track to set the scene within a more desolate-appearing area.

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Final Project – Progress Update #1 // Choosing an Idea

The time to knuckle down on our final projects has arrived! The other week we formed groups and Squadron was born, featuring Bonnie, Sarah, Jackson, Alex and myself.

I think it’s interesting that in this subject the aim of our final piece is ironically not to complete something final. Our tutors are less concerned about seeing a complete and perfected short film, but are more interested in our processes of production. I think this approach is valuable as we can really focus on developing our skills and knowledge of writing and filming, and not be held back by the need to complete something whole. This class is all about experimentation and challenging the conventional means of production and film tuition, after all.

It does present a challenge however as an undefined brief grants endless options. However, our group deemed it was important to be realistic in terms of resources, time and funds. We hope to produce something of a high quality, but understand that in order to do this we must not bite off more than we could chew. Thus, we thought it would be a good idea to start off our brainstorm as a group with resources in mind.

I suggested that we film in my hometown, Warrandyte, as it is very visually aesthetic with its vast bushland, trees and greenery. Alex then mentioned that she had an actress friend who was willing to participate. These formed a solid basis for the development of our project.

With a foundation in place, we decided that we would produce a sequence of suspenseful/thriller-esque scenes. From these, we intend to take the highlights from the footage and cut them into a trailer for our ‘film.’ We went away from this meeting with the task of writing prose for four unique scenes to meet these constraints, of which we would compare and determine which would be the strongest/most achievable.

Here’s what I came up with:

  1. Emily walks along river with fiancé Damien. They talk about simple things like how their day was, what to cook for dinner. Emily is quiet and distracted as she is having doubts about their future together.
  2. Emily goes for a run to clear her head – internal monologue may run, questioning her relationship. Exhausted and emotional, she decides to take a new route through the state park. She asks a passing male bushwalker if this cuts her through to where she needs to be – he says yes.
  3. Emily wakes up on the forest floor covered by a blanket, unknowing of what has happened and confused by how she got there. She sees the same bushwalker sitting on a log across from her, drinking from a thermos. Scrambling to her feet in fright, Emily questions him what is going on. He ‘reassures’ her that everything is okay, that he wants to look after her. He refuses to let her leave.
  4. Emily is still being held captive in the bush. Bushwalker is in the distance gathering wood. Emily sees the flickering light from torches and hears footsteps, followed by her name being called. It is Damien. Bushwalker claims he’ll “take care of it” and goes after him. Emily screams and runs after him.

In our next group meeting, we will discuss all group members’ written prose and the strengths and weaknesses of each. This will then lead us to fairly agree on one (or a combination, assuming that they mesh) story concept that we are all happy with. Stay tuned for more production updates – exciting things to come!