In the previous blog, I examined how a transcript of an episode of Skins compared to a completed episode. So to segue on from that, I wish to compare how a first draft of the pilot episode of Friends, or Friends Like Us as it was originally titled, compares to the fine cut of the episode.
Disclaimer: if you are not a Friends fan you probably won’t be a fan of my blog – chances are it’s going to come up A LOT. You have been warned.
The following document marks history in what is one of the most successful sitcoms of all time:
Friends 1×01 – The One Where Monica Gets a Roommate – SCRIPT
![Friends(S1E1)](http://www.mediafactory.org.au/laura-doguet/files/2015/08/FriendsS1E1-1dpil2l.jpg)
Image Source: Friends Wikia – The Pilot
What is most noteworthy for me is the significant dialogue differences between this early draft and the pilot episode. Conversations are cut short, jokes are removed and replaced, and the characters take on different personas. So what happened between this first draft and the fine cut to result in so much change?
In a large-scale production such as this, the script is under the influence of a lot of creative minds – writers, directors, cast, even audiences. Thus, it is likely to undergo a lot of change before it reaches our screens.
On the official Friends website, a FAQ asked, “What was the life-cycle of the typical show?” In response was the following detailed breakdown of all stages of production (with a particular focus on pre-):
![Screen Shot 2015-08-12 at 7.45.33 pm](http://www.mediafactory.org.au/laura-doguet/files/2015/08/Screen-Shot-2015-08-12-at-7.45.33-pm-1ywzn8b.png)
Extensive process, huh?
This indicates the time, effort and collaborative measures that go into script writing. Evidently, it is difficult to ever consider a script as being finished as it remains subject to revision throughout all production stages. In fact, it is not until the TV show or film is released that the script can officially be declared as complete. I think it is important for us as amateur writers/filmmakers to remember that what we write is never set in stone. The role of the script is to essentially guide, but not define, our filmmaking practice.
On a bit of a side note, I would love to one day sit in on a table read of a professional TV show or film, just to see how it all goes down. While I have watched quite a few script read-throughs on Youtube, I have only ever experienced them backwards, i.e. watching them after having seen the film in it’s final form. I think it would be amazing to see the whole process, from all the ideas thrown around to determining which jokes are the funniest, and to eventually see it come to life on film.
Hello again blog. Apologies for neglecting you.
So here we are again, a new semester, new subjects, a new me. Well, not really a new me. I’m still the same old me. But everything else is pretty new. What am I even talking about?
The studio I chose to partake in this semester is called “Writing for Film.” While this may sound self-explanatory, we are taking it the concept a step further by dissecting the conventional relationship between screenwriting and filmmaking.
We intend to challenge the industry practice of isolating the screenwriters from the filmmakers by integrating writing into all production stages. It is bizarre that in traditional practice these two roles do not necessarily overlap, as how can one write for film without having any experience filming a film? In my opinion, these two aspects of the filmmaking process are very interdependent.
Of course, there are exceptions in the industry to this supposed ‘conventional practice.’ For me, comedy and sitcoms immediately came to mind. In a show like Friends, the writers would sit in on the shoot and they would make changes to the script on the fly. Through filming in front of an audience, the writers, directors and cast members could gauge which jokes would work and which did not, as what might sound good on paper may not necessarily transfer to viewers. They would then collaboratively make the appropriate changes to the script as they were shooting. I believe this working dynamic is something that we can draw from as judging by the success of the show, it was very effective.
![friends](http://www.mediafactory.org.au/laura-doguet/files/2015/07/friends-17acjcc.jpg)
So why I am I taking this course? I’ll admit that I struggle with the imaginative side of the narrative filmmaking process. I mean I like to think I’m creative, but I find it difficult to conjure up a random, brilliant story out of nowhere. I’m taking this course to practice and develop my storytelling skills, from coming up with an idea to putting it on paper. As writing goes hand in hand with filmmaking, I deemed it was necessary to build my skills in my weaker area in order to succeed in the other.
To be continued…
Sorry blog, I’ve neglected you this week!
Picking a favourite television series is a big call to make. There are so many great shows out there that we are almost overwhelmed for choice. Before you make the be all end all decision (just kidding, but seriously), there are several things that you must first consider. In my opinion, the following signs are indicative that a show could in fact be your all time favourite:
-You’ve seen every episode at least three times (and still find it entertaining).
-You find every day situations reminding you of the show.
-You quote it so much that you drive your friends insane.
For me, that show is without a doubt (drumroll please)… FRIENDS! I know it’s a bit of a generic answer, but let’s be honest, it’s the best show ever. It’s not often series that finished ten years ago still resonates with viewers today. Unfortunately I was a bit young for it’s initial release, but discovered it soon enough and it has since been my go-to program. Credit to the creators David Crane and Marta Kauffman, the brilliant crew and of course the awesome cast for piecing together such a timeless series.
![FRIENDS](http://www.mediafactory.org.au/laura-doguet/files/2014/08/FRIENDS-2lpzchc.jpg)
My reason for bringing this up is that I came across an entertaining BuzzFeed article titled ’61 Things You Didn’t Know About Friends.’ Although quite a few of these facts were familiar, a fair amount still came as total surprise. One of my favourites being…
‘53. James Michael Tyler was cast as Gunther because he was the only extra who knew how to operate an espresso machine.’
How hilarious! Any Friends fans out there NEED to check this out. Click here!
A couple of weeks ago, I headed up to Mt. Buller with some of my best friends from high school. Despite multiple tumbles and average weather, it was a great trip. Here’s a photo I posted on Instagram:
Feel free (in fact I’d encourage you) to follow me on Instagram here!