Film/TV_Reflection 3

Question_3

From the week 4 lecture describe at least two reasons why we ‘shoot to edit’?

Filmmaker is able to generate a relationship among two or more characters by editing. In a tension scene, the purpose is to create a intense and fast images onscreen. It is nearly impossible to accomplish by long take, but filmmaker could employ fast editing to construct the whole scene.

Editing is good for shooting in a limited space, like the sequence of Taxi Driver (showed in lecture). Martin Scorsese is good at using long take for his filmmaking, such as good fellas and Age of Innocence. However, Scorsese considers the condition of space and camera movement in Taxi Driver, the long take would make this sequence awkward by the consistent pushing and pulling camera movement. As if Scorsese uses editing, he derive more creative spaces and editing makes image more dynamic.

Film/TV_Reflection 2

Question 1

In the film Clown Train how does sound contribute to the atmosphere of this film? Describe what you heard? Can you make reference to another genre film and how they utilise sound to create tension and a unique filmic space?

The sound in Clown Train is very distinctive to form our expectation. Firstly, It is to hear the sound from outside the train,  the sound of the light, especially the horror sound effect. At the beginning, the sound of train generally establish the atmosphere in Clown Train. The director utilises the sound of a moving matching with a black screen. At that point, I clearly can feel scary. Secondly, I consider the director intends to outline characters’ psychology. When characters have a conversation, I can hear very distinctive voice by characters. There is nearly no other non-diegetic sound interrupt audience unless the situation is changed. Finally, the use of non-diegetic sound is rhythmic. It is simultaneous  when camera turns to the Clown we will hear a sound effect. The sound of lighting foreshadows the climax of the story because it repeats a number of times in the plot. The sound effect become extreme once the circumstance is being intensive, especially the scene in which the Clown is whispering to the host.

In the series of ‘Final Destination’, the manipulation of sound is similar with Clown Train. Every time the death is coming to a character, audience can hear the non-diegetic sound to create the expectation. The director utilises everything that can form the tension in his setting. Audience can always see the sound of fire, the sound of lighting or the sound of something else.

Question_2

Select from one of the readings, up to but not including Week 5, and briefly describe two points that you have taken from it. Points that excite you, something that was completely new to you. 

Throughout the ‘Sound Recording’, I pick up some points from there. The technique of indoor recording really interests me. A booming or echo effect is really considerable in sound recording, because I tried recording sound indoor couple times. The solution is having grapes or blunts on the walls and position boxes or soft furnishing to break up the path of the sound waves. Also, another common problem is that the mic may capture 50Hz hum from the electricity in the cables to your portable lights. Keeping  mic cables well away from electrical cable secures the quality of sound recording.

Audio mixer is a big challenge for me because i haven’t used this apparatus before. Although I am familiar with H2n, it would be completely different thing. There are couple advantages when you do recording with a mixer. An audio mixer, which usually have for, six or eight inputs, allows you to mange several sound sources with separate mics. You can fade up and down the volume of different sources of sound so that a sound recorder enabling creating cool sound recording like fade in the music , fade out the clapping via the mixer. It seems to be much flexible than a H2n.

Question 3

In relation to script Character can determine…. “PLOT”

 

Question 4

In the tute we screened a short film called Rolling – a film made in Film-TV1 a few years ago.

In 300 words or less describe what you thought worked or didn’t. At this stage we don’t expect you to have a great deal of film knowledge or language. Don’t be afraid to use your own words. Things you could talk about – script, casting, timing, camera movement, location. You may not remember much detail, if so, it could be helpful to talk about your first impressions, after all this is what most of us are left with after one viewing.
Rolling is still a good comedy, although it has some problems on the technical aspect. The Opening sequence is very interesting as the hero address the camera directly while expressing his feeling from his heart. The traits of a character is very important, this opening shows his personality very fast.  Generally, I can sense his traits from his appearances, body language and expression. These really address me and I can know he is shy and non-confident but polite and neat. On the other hand, the opening sequence is an establishing shot. In the location, audience can realise supermarket stocks and freezers around the main character. This setting forms our expectation that the story would happen in a supermarket.  Nevertheless, the colour on screen is strange because the colour of light is unstable. Due to auto standard of white balance, the camera would automatically adjust the colour of the lighting. At this point, it is strange with comedy theme.
The camera movement is with slow rhythm. Rather using the fast cross cutting, the director choose to utilise a slow cut. Besides the montage in supermarket, most shots take at least 4 seconds. The information is slowly illustrated onscreen. It creates a very relax atmosphere in the film.

Film_TV -Reflection_wk 1

Question 1

In 200 words or less please outline your goal, desires – what you want to get out of this semester. You will review this later in the course. Many will rethink this dramatically – this is good things.

In the coming semester, I wanna get a ‘Distinction’ grade. Of course, There are a number of things I have to figure out. For film or TV project, the first thing is collaboration. I expect to get well along with my peers to complete our project, to achieve something.  Also, we’ll have a bunch of things to prepare, like Ideas, Scripts, Storyboard, Sound, Video etc. A appropriate plan is very benefit for the quality of a production. Therefore, I look forwards to being capable of scheduling. Last but not the least, I’m very interested in editing stuffs. Hopefully, after this semester, my ability can be level up.

 

Question 2

Consider Jasmine’s lecture on screenwriting and briefly describe one point  that you have  taken from it. A point  that excites you, something that was completely new to you, perplexes you or even one you take issue with.

The point of Plot mechanics is considerable and prominent. A good story needs a logical plot to move forward. A screenwriter has to create enough conflicts to colorise their characters.

I agree with Jasmine’s opinion that we have to found out the problem in our life. Life create problems and we solve it. That is drama. Not only here, we can even imagine it! We try sequencing a series of completely different problem to make it logical. A chain of causes and effects drives the characters from one event to another.

For example, the significance in S.O.B (Blake Edwards, 1989) is “Topping the topper”. Blake was always thinking there is a topper and the topper to top the topper in his story. His drama seems to be never end.

Causes cause effects, effects also cause causes.

 

Question 3

Select from one of  the readings from week 1 or 2  and briefly describe  two points that you have taken from that readings. Points that excite you, something  that  was completely new to you.

“A beautifully told story is one in which structure, setting, character, genre, and idea meld seamlessly” Robert McKee explains his philosophy of screenwriting.

A good story design should be elaborative. There are three kinds of plot, which the arch plot, the mini plot and the antiplot, on the major screen structure.

On the other hand, McKee prefers to the arch plot or classical story design in which a protagonist who struggles against antagonists for his achieving his goal. In other words, a protagonist confront a problem in his life. That is the point, Jasmine mentioned in the lecture on week 1. Also, McKee advocate this type of screenwriting, because he considers the primitive problem can be timeless and trans-culture, and fundamental to every human society. It is acceptable in different era or culture for its reality.

McKee’s point inspired me that my story  should be realistic rather than abstract or ridiculous. Story element should be based on our life.