A ‘formal’ interview

 

https://soundcloud.com/joss-utting/formal-edited

This is my edited version of a formal interview for our H2N sound recording exercise in Week 4. Pre-production included a quite and empty classroom, using the H2N zoom function of X/Y (that records only on one side), heightening the clarity of subject’s audio. As this interview was appealing to a ‘formal’ criteria we adjusted our approach in ways such as introducing the broadcast interview, interviewee and interviewer. Further, the questions and answers were discussed beforehand which allowed the participants to hold an eloquent discussion, rather then thinking of answers on the spot which could have made for badly established presentation.

Within Leeuwen’s article of perspective (Leeuwen, 1999), Edward Hall is quotes that “we carry with us a set of invisible set of boundaries beyond which we allow only certain people to come”. When listening to formal interviews such as This American Life and Sereal you can identify such boundaries the subject’s language and attitude, and also physically through editing. It is for such reasons I attached an intro and outro to my ‘formal’ interview as it enhances the the enargia of power relations on a show – such as Sarah Koenig’s position as an interviewer, and her relationship with the interviewee and audience.  When being introduced I allowed my intro to fade out into complete silence in order to grab the audience’s attention as they sit, eager to hear what the show will be about. In conclusion however, I let the outro cross-fade into the final answer creating a smooth exit out of the program.

  • Leeuwen, Theo van. 1999, ‘Perspective’ in Speech, music, sound, Macmillan Press ; St. Martin’s Press, Houndmills, Basingstoke, Hampshire ; New York

PB2

https://vimeo.com/159901554

Overall I really enjoyed making my PB2. Before the haiku exercise, I had never used Premiere but had always been coming up with lots of ideas to do with editing and film techniques. I thought this project was extremely beneficial as it allowed me to teach myself and experiment in the basics of editing – something I am sure i will need and want to use when it comes to using and learning about media.

I collaborated ideas with my friend Tom Cardy who is also playing the drums and guitar accompaniment in this video. After a discussion about what I am interested in and how I would like to portray ‘me’, we decided draw inspirations from one of my favourite movies, Birdman 2014 directed by Alejandro Gonzáles Iñárritu, and try to deliver a fast moving film that captures my liveliness and desire to explore my new surroundings. The film is called The Unexpected Virtue of Innocence, similar to Birdman’s Unexpected Virtue of Ignorance to demonstrate the transition I’m currently experiencing from teenager to adult. In the film I have captured elements of my everyday life that are significant to me, as I’ve just moved from Sydney to Melbourne and for the first time living out of home and therefore finding my own way in my new environment. Whilst moving states i’ve developed the desire to draw, mostly drawing characters in different situations that I think connote how I feel about moving to an unfamiliar city and doing things that are new to me. These characters are displayed also throughout my blog, as I feel they capture my feelings and thoughts towards ‘adult life’. In my film my character ends with being a super hero – although this would be an awesome surprise if were true – I used him to symbolise how even though I am still on a quest to find out who I am fully, (a journey I think we never stop travelling), everyone has to acknowledge that they have to power to be who they want to be. Thus, I’ve surrounded the images of me drawing with things that i revolve my life around and I think remind me of my morals and ethics.

‘I kill an ant, and realise my three children, have been watching’

The approach i took towards my Haiku was very experimental. As I had never used Premier before, nor have I had much experience with film making, I capitalised on Shuson Katu semi comical semi abstract poem to help me in … Continue reading