WHERE TO INVADE NEXT, Michael Moore – Review, 9th May 2016

Where To Invade Next is a Michael Moore directed, written and produced documentary that demonstrates how American ideals have been adopted across Europe providing 21st century ideologies, and questioning why and how these contemporary ideas have been ignored within America’s values and conservatism. Introduced in a classic ‘Moorean’ style that displays America’s traditional power values of guns, presidency, democracy and geographical size the audience awaits a Bowling for Columbine sequel of Americans talking about America. However, Moore quickly relocates into areas of Europe discussing European approaches to work and holidays, education, health, sex and equality. Each country shocks Moore and what can be imagined his American audience as the foreigners laugh and scorn at America’s lack of judgement over work vs. play and general societal approaches. In the final moments of the one hour and fifty minute documentary, Moore leaves us with a patriotic conclusion that reminds us that these elements of European society that seem total contradictory to America’s capitalist and work to bone agenda are derived from American philosopher’s and ideals. Even though this can be seem as American prejudice and ‘need to pee on what belongs to me’-ship, it’s nice to see Moore approach the audience in a way that makes them feel proud of elements not usually broadcast to Americans. By engaging the audience through a demonstration of American advocacy Moore suggests to his national audience that America can and has been good, and that ***we**** need to readjust our way of thinking to absorb our better ideals. Even though I watched this as an Australian audience who didn’t necessarily get the giddy feeling of being the ‘bestest from the restest’, I though Moore’s approach was intelligent and whole hearted as he once again tries to reshape America’s ideology of them self.

 

 

 

PB4 Development

Today in class we had to do a presentation about institutions (my upcoming PB4 topic). This was a good exercise as it expanded my knowledge and ideas about the topic because I had to discuss my knowledge about it so far. What we really focused on during the presentation was the idea surrounding institutions and why the appear. An institution appears only when there is resistance or societal push on a subject, and citizens need somewhere to unite and share values. Thus, by looking at MTV and KPOP we see how and why each culture has developed their institutions, adding culture value and knowledge in the international media spectrum.

A BIGGER SPLASH, Luca Guadagnino – Review 4th May 2016

A Bigger Splash 2015 is an erotic thriller film directed by Luca Guadagnino, written by Alain Page and David Kajganic, loosely inspired by La PiscineSet in the soft palleted country side of Italy, the narrative questions the psyche of human nature contrasted against the surreal beauty Italian sunsets and privileged villas. Following the domesticated and currently isolated relationship of Tilda Swinton and Matthias Schoenaerts whom have hidden away for recovery measures (Tilda’s voice box has had surgery due to her rock n roll careers whilst her baby boomer boyfriend recovers from a rehab stunt), Fiennes introduces himself in the film and on their scene with his sexually alluring and passively reserved newly found daughter (Fanning). Guadagnino creates a relationship drama that credits all casts members within this film, as each actor’s portrayal of their character’s internal struggle to avoid caricature of their roles on the island eventually leads them to cathartic realisations that through tense self and social inspection lead to unfortunate events.

Making Public Television – José van Dijck & Thomas Poell

Van Dijck and Poell discuss making public television and the approaches revolving institutions, professional practice and content in the new age balance of social and public broadcasts. They explore how public broadcasters are dealing with social media. Social media’s infiltration … Continue reading 

“There are in fact no masses, but only ways of seeing people as masses.”

“… I don’t believe that the ordinary people in fact resemble the normal description of the masses, low and trivial in taste and habit. I put it another way: that there are in fact no masses, but only ways of seeing people as masses.”

Raymond Williams in Everyday Life Reader. p.98

In our week 9 lecture Brian discussed the idea of audience shifting from the previous theorisation of a passively ‘brainwashed’ commodity to a more engaged and active interpretation of the viewer being a participant. Catalyst to the second age of modernity, there has been a shifting paradigm from broadcast to the post-broadcast era. Consequently, people who were formally known as the ‘audience’ – referring to a degree of spectatorship but not influence – now have their own social platforms allowing them to engage and control content by choice. Thus, it is important when thinking about media and its ‘message’ to starting interpreting citizens’ role as less of an audience and more of a consumer. Media 2.0’s shifted approach and power structure, exemplified through the structural contrast of Australia’s first media broadcast (featuring Robert and Dame Menzies addressing the nation of Australia) to now. Formal communicative tools appealed to the ethos of the “average housewives”, credentialing through address Australian citizenship, and thus a pathos of a united country. By addressing the formal and elite addressing the less formal (women of 1960’s), the broadcast demonstrates ideas surrounding the eras influence over audience as personal approach exemplifies is sphere of influence over Australian lifestyle. Nowadays however, there is a lack of public domain and unified ethos as private commercialisation saturates media platforms, dismissing the rhetoric of nation and instead affirming an individual’s right to a ‘neo-liberal way’. By looking at audience and exploring the rhetorics of communication, societal change becomes apparent. As the broadcast era’s relationship with audience was generalised through a nationalistic unity that put faith and truth in the ‘higher powers’ of media broadcasters, contemporarily the indefinite diversities and possibilities of technology provides an abundance of choice to the audience which only further reiterates their desire for the power of choice.

This means a re-figuration of ethos appeals, enforcing the right to privatised (demonstrated in technology’s current sharing economy approach). Tailor made for a specific audiences, language is used to recognise the unified mass and categorise audience by their participation of choice. This demonstrates Brian’s point that the term audience isn’t an accurate description as the media’s interaction can be about consumption, viewing, distribution, etc. The terms complication is based around personal consumption characteristics by of each individual choice, producing an identity for the viewer that within the broadcast media did not exist. This is seen through the social emergence and acceptance of fans, where transmedia relies on the unpaid labour of an individuals to dedicate themselves to a specific forum.

PB4 Annotated Reference – Institutions

PB4 Annotated Reference – Institutions:

Guglielmo, Letizia. (2013) ‘MTV and Teen Pregnancy: Critical Essays on 16 and Pregnant and Teen Mom’, Scarecrow Press, Maryland United States, Print.

Guglielmo in MTV and Teen Pregnancy: Critical Essays on 16 and Pregnant and Teen Mom challenges through his academic texts why shows with controversial portrayals of teenagers mothers have received ongoing media attention. Discussing the contradicting nature of the shows as some argue that the programs could be a factor in reducing the number of teen pregnancies America has each year (the US being #1 in the world for unplanned teen pregnancies), Guglielmo questions whether the shows are beneficial education or just an exploitation of young women. Discussed are the social and cultural power structures used when creating such programs, and the influence and control each actor has in the making and projection of the show (directors, producers, social workers, audience, the family and the teenagers themselves). The book also provides a large collection of pieces of critical discourses, allowing for a diverse range of opinions and facts to discuss these suitability of such programs on American in home TV.

Overall, the text was suitable and beneficial as it broaden my ideas surrounding what the term ‘insitutions’ really means today. Its discussion on whether ‘having abortions are not uncommon, but talking publicly about it is’ exposed how even though MTV as an institution itself, it doesn’t hold complete control over what it produces as it has to compliment societal ideals and legal guidelines. This challenged by ideas of how and why an institution is developed, as I had previously referenced the term with a  degree of defying dominance e.g. jails, schools etcs. Instead this academic text discussed the power relationship an institutions has, expanding the previous linear transmission model and now stating that there is a much more post-modern interrelating actor factor to look at.

Hodgson, M. Geoffrey (2006) ‘What are institutions?’ in Journal of Economic Issues Vol XL’ , available ; accessed on 26th April 2016

In the same way Robert McKee broke down an approach to textual analysis, Hodgson breaks down our traditional idealism towards the ‘institutions’ and its connotations. He approaches the term as a wide spread sociological meaning that over the course of history has reflected many different things, and thus there is no unanimity in the definition of its concepts. Therefore, when thinking of the term ‘institutions’ one needs to try and avoid bias caused by relevant or not relevant characteristics presented to us today. In the age of ‘the second modernity’, the requirements of the term have become abstract, with the only relevant characteristic being governance over a certain collectivist community. He set fourth 5 areas of study: 1) institutions, conventions and rules, 2) concerning function and how they interact with individual agents, their habits and beliefs, 3) differences between organisation and institution and what creates a formal rule, 4) excessive bias in discussion of institutions toward those of the self organising type (they are a special case (social media)), and 5) differ in degree of sensitivity the institution has towards individual actors.

Hodgson’s descriptive texts creates a whole centred argument that exposes a lot of holes in Jones’ previous article. Hodgson’s addressed audience is academic students whom he is trying to steer away from bias that’s usually connoted to the ideas of institutions. As his topic talks about the attributes of institutions rather that institutions as a whole it allows for a more analytical and wide spread understanding of how we should look and thus view our topic. Hodgson’s article was one of the first extracts I read so I didn’t notice at first how well structured his argument is in comparison to other academics discussions. Coming back from my other bibliographies, Hodgson is the only author that i have found thus far that clearly demonstrated steps and approaches to understanding and analysing institutions. He deconstructs all connotations and stereotypes surrounding what is means to be an institution, but more  importantly what it means to be that institution, allowing us to create a more objective understanding of our subject.

Ingyu, Oh. & Park, Gil-Sung. (2013) ‘The Globalization of K-Pop:Korea’s Place in the Global Music Industry, The “Miracle” Narrative of the Korean Cultural Industries: Perspectives from the Middle East’, Print.

Ingyu and Park explain Korean pop and what is behind the unique cultural phenomenon that rests of the concept of cultural hybridity or Pop Asianism. As South Korean pop music is usually derived from Western locations like Europe, and then modified into Korean to then globally distribute, we see a surge in their music industry that mirrors the definition of an industrial globalisation. K-Pop represents an effort tonetwork global talent pools and social capital in the formerly disconnected music industry rather than an effort to emulate and slightly modify Japanese pop culture.As such, within the global music industry, Korea occupies a structural hole that exists between Western and East Asian music industries. Thus, we see an international surge in Korean Music exemplified through the 2014 song Gangnam Style that has ” ranked number onein YouTube click counts, reaching more than 1.4 billion hits as of March 17, 2013. Denuded and destroyed of whatever South Korean culture, K-Pop is a commercial combination of globalisation and the export business.

Whilst Ignyu and Park’s article of K-POP is interesting it does not specifically go into the area of K-Pop as an institution. However, one can derive from reading this article the close relationship of K-Pop’s globalisation with international recognition, that perhaps is an institution of global awareness. K-Pop would not have been able to achieve the success and international growth it has without the help of modern technology, thus we can associate K-Pop as an example of the 21st Century’s international institution of the internet. Therefore, whilst the article focused on K-Pop as a business and an international enterprise, we can still collect some valid points ideas surrounding the definition of an institution and it’s medium. 

Jones, Steve (2005) ‘MTV the Medium was the Message’ Critical Studies in Media Communication Vol. 22, No. 1, pp. 83–88. Routledge Taylor and Francis Group, Oxford Print.

Jones’ article surrounding MTV and MTV’s evolution and developments over generations focusing on it’s proven impact on societal youths. As MTV was started up in the U.S. in the 1980s it’s ambition and styles were matched by degree America’s cultural formation. By making available to those of us who were seeking something new they used theoretical tools to construct understandings of music, image, and popular (particularly youth) culture in a progressive era.

Jones’ article is a paramilitary introduction into MTV and it’s effect on society. Although, he does raise some good facts that surround the globalisation of MTV within the last fifty years as it has created subheading genres that became so popular they now have their own channel. Contemplating also MTV’s reflection of time and what needed to be in the entertainment sector to equate the changing societal views of post 60’s-80’s, you can use this article as Hodgson second area of study concerning function and how institutions interact with individual agents, their habits and beliefs. Furthermore, as MTV is a entertainment medium it is impossible for anyone to study it without being subjected to it’s obvious messages and curriculum. Thus, every academic article that is written denotes an individual’s perception of societal values which contribute to the larger idea of institutions and their formal rules.

Jones, Timothy (2016) ‘Safe Schools Coalition: What is the Christian Right Afraid of?’ The Conversation, available ; accessed on 26th April 2016.

In summary this article discusses the Safe School Coalition within primary and secondary school institutions. Jones exposes how the program’s effectiveness and ambitions aren’t being carried out due to conservative and influential actors abuse of social and official power. The source significantly shows a controversial element of institutions; institutional thinking. It’s exposing nature initially reminds us that when we study institutions we must study not only their aims, but also the individual actor’s whom make up the community.

However, when critically analysing this text we see that Jones’ uses an analytical approach with a political agenda that persuades his audience to view the Turnbull government in a certain (disapproving) way. He is appealing to the 75%+ people in Australia that believes not only in gay marriage, but marriage equality. He deplores the governments protection of democracy by conspiring that official influences determine affairs areas where they shouldn’t. In doing so, he creates a internal commentary in the mind’s of his audience, (the general public of Australia), which makes them questions whether their own rights are being protected if the LGBT ones are not. His assumption that the Safe Schools reform made in March are due tampering conservative hands creates a foundation of scepticism within the reader that leaves them questioning the current elected government on the brink of a double dissolution. 

Rook, Lauren. (2006) An Economic Psychological Approach to Herd Behavior, Journal of Economic Issues, 40:1, 75-95, accessed on 27th April 2016
http://www.tandfonline.com/doi/pdf/10.1080/00213624.2006.11506883

Lauren Rook’s article rationalises the what and why of herd behaviour. Her approach to herd behaviour focuses on singular actor’s more than the institution of convention, reasoning the behaviour’s conformity in the choices an actor produces. Referencing Hodgson, Rook agrees with his philosophy that “the essential aspects of human personality and motivation are conceived as independent of social relations with others” (236) meaning an individual’s relationship with personal ambition is usually formed through their relationships with others. Thus, Rook states we must ask why and when to understand how herd behaviour and therefore the dependance on institutions and imitation arises.

Although Rook raises some good points in her descriptive article, especially her introduction to the idea and terminology of ‘herd behaviour’ she lacks a concluding  convicted. Her discussion of ‘frames of reference’ (where social norms emerge as a collective response in groups facing new and ambiguous situations), gives us a good foundation to understanding institutions and the actors within them, but lacks her own examples using Theodore Newcomb’s, but none of her own to show her true understanding and depth. This source was useful as it was engaging and easy to read so it broke down concepts that I can now use as foundation knowledge. Within the reading there was also good research that I could research further to grab a more precise concept of how institutions are created and why they work.

DANCING UMBRELLAS an exhibition of MOVEMENT AND LIGHT. Review for 20th of April

“An exhibition of moving image, performance, painting and object-based works by contemporary Australian artists which together create a spatio-temporal and visually immersive environment. The fanciful leitmotif of ‘dancing umbrellas’, inspired by a two-channel video installation by young Melbourne artist Belle … Continue reading 

Hail, Caesar! Movie Review 19th April 2016

Hail, Caesar!

Hail, Caesar a film written and directed by the diverse genre defying Joel and Ethan Coen (Children of Men, Burn After Reading, The Big Lebowski), takes you into a day of fixer man, Eddie Mannix, whose job is to disguise Hollywood scandal and maintain general ‘showbizz’ order.  Opening the movie in a confession box, where Mannix Josh Brolin, confesses his truths of smoking cigarettes against his wife’s wishes, Hail, Caesar trips the audience into a classic Coen character trope in a movie where kidnappings are absurdly moral and Caesar meets Jesus. The casting call to this film is beyond expectation with meta theatrical Scarlett Jo, George Clooney, Ralph Fiennes, Tilda Swinton.