Now, This, Post 4

In class recently we discussed the idea of news reporters gaining a celebrity like status. I think this concept is definitely evident within Australian media with news anchors like Peter Hitchener and Lee Lin Chin gaining popularity outside the sphere of news, especially amongst millennials. It’s not uncommon to see posts plastered over social media and dating apps of a person posing with Peter Hitchener. After stepping down from her role at SBS World News, there were countless Facebook events being made to celebrate Lee Lin Chin’s career. Chin has also recently appeared in Uber Eats commercials alongside celebrities such as Rebel Wilson and Hamish Blake. Although it might to be a hard hitting nightly news program, The Today Show’s ex host, Karl Stefanovic, has also gained a notable celebrity like status within Australia as he regularly appears in gossip magazines such as the Daily Mail who heavily tracked his recent divorce. I believe social media apps such as Twitter and Instagram have massively aided these news personas in gaining a celebrity like status. Peter Hitchener currently has over 50,000 Instagram followers whilst Karl Stefanovic has over 200,000 Instagram followers and 430,000 Twitter followers. In using social media Hitchener, Stefanovic and Chin create a platform in which the Australian public can easily interact with them. Furthermore more personal photos are being posted on Instagram which gives the public an insight into who these news celebrities are when they aren’t at work. Although I do wonder if this stardom and constant usage of social media takes away the credibility of these news reporters. Particularly in the case of Stefanovic who is seen as being somewhat of a joke by the Australian public. But it could also be argued that news reporters having a celebrity like status and actively using social media for their personal life could be the new norm of the 21st century.

 

 

Now, This, Assignment 1 Links

RMIT Fact Check Credential Reflection Post

http://www.mediafactory.org.au/jemma-perelaer/2019/03/26/now-this-rmit-fact-check-credential-reflection/

Fact Check Group Post

http://www.mediafactory.org.au/jemma-perelaer/2019/03/26/now-this-fact-check-group/

Post 1

http://www.mediafactory.org.au/jemma-perelaer/2019/03/26/now-this-post-1/

Post 2

http://www.mediafactory.org.au/jemma-perelaer/2019/03/26/now-this-post-2/

Post 3

http://www.mediafactory.org.au/jemma-perelaer/2019/03/26/now-this-post-3/

 

Now, This, Post 3

After last weeks reading, the idea of what ‘fake news’ really is has still been on my mind. Another form of media, which I wonder if could be considered ‘fake news’, is documentary films and TV series. The recent 8 episode Netflix documentary series The Disappearance of Madeline McCann has become unavoidable. I haven’t even watched it yet it feels like I have with their being countless memes about Madeline McCann and her parents appearing all over social media. Yet is the documentary telling the whole truth? Could it be possibly bias or have a particular agenda like certain newspaper and news television shows do? A friend of mine who has seen the documentary series spoke to me about how a lot of documentary creators as well as viewers try and create their own story and view the documentary in a particular way that suits their theory on what happened, in this case to Madeline McCann. From the mass of memes on Facebook it seems the general consensus is that McCann’s parents are guilty of playing a role in their disappearance. But are these viewers and meme creators further contributing to the perhaps bias views of the documentary maker and sharing what could possibly be ‘fake news’. Werner Herzog, who created the 2005 documentary film Grizzly Man has said himself that ‘Besides, when you say documentaries, in my case, in most of these cases, means ‘feature film’ in disguise’. After taking a class purely focused on the lies documentary films tell the audience, I don’t believe any documentary can be unbiased or completely truthful. I also believe that documentary can therefore be considered ‘fake news’. No the information being presented to might not be completely current or breaking news but documentaries often cover the same subject matters that we see on the news e.g. murders and environmental and humanitarian issues. Whether it is intentional or not, documentaries don’t always tell the entire truth of the subject matter which makes me see no issue with labeling documentary as ‘fake news’.

Now, This, Post 2

This week’s reading Defining ‘Fake News’ by Edson C. Tandoc Jr., Zheng Wei Lim and Richard Ling, detailed the basics of ‘fake news’ with this including what can be considered as ‘fake news’. It surprised me to read that there can be advertising and public relations related ‘fake news’. The example of advertising as ‘fake news’ we watched in class featured a cheap flights segment on a morning breakfast show which was largely an advertisement for Jetstar. Prior to this class I never would have considered this to be ‘fake news’, I would have just consumed the segment and gone onto the Jetstar website as if it were on my own accord. Yet realistically this was a shameless advertisement that the morning show was highly likely paid to include, and is most likely false information as there are definitely cheaper airlines than Jetstar. ‘News is also a unique commodity, for while it is sold to audiences, news audiences are subsequently sold to advertisers, making it vulnerable to market forces. (McManus, 1992.) Even newspapers can provide advertisements that appear to be news. Television show reviews appear like news but are in actuality paid posts, with banners at the top of the article and disclaimers stating no news or editorial staff were involved in the creation of the article (Deziel 2014).

Something else I had never considered that would go under the umbrella of ‘fake news’ is click bait. Previously I had only ever considered click bait to be a phenomenon on YouTube within the lifestyle, fashion and beauty channel community. Many YouTubers often title their videos with exciting lies in order to get views yet I wasn’t overly aware click bait flooded into more political content. Misleading articles on Facebook and edited YouTube videos are becoming increasingly more common and they often create a lot of anger and frustration amongst readers due to the alleged news never actually occurring or being far less dramatic than what the article/video headline suggests (Tandoc, Lim and Ling 2017 p. 146.)

References

Edson C. Tandoc Jr., Zheng Wei Lim and Richard Ling 2017, ‘Defining ‘Fake News’’, Digital Journalism, vol. 6, no. 2, pp.137-155

Now, This, Post 1

In week 1 we had our first Friday class in the TV studios, which was an interesting and slightly overwhelming experience. One of the major reasons I picked this studio was due to its usage of the TV studios. I have never used the space or any of the equipment and as this is the last year of my degree and therefore my last studio, I really wanted to familiarise myself with a film and television studio space before I graduate. There are multiple roles within the studio I want to experiment with throughout the semester, particularly camera operator, vision switcher and producer/writer. I definitely see myself in the future working within the film and television industry so this is an ideal opportunity to experiment and learn about the varying roles you can undertake in the industry. Not only do I want to familiarise myself with the equipment but the manner in which a studio runs during filming. There are obviously a lot of people doing a lot of different jobs within a studio and they need to all come together to work as a team. Learning how to effectively communicate with co-workers, work efficiently and utilise organisational tools like a run sheet within the studio is definitely experience I would like to have before entering the professional media workforce.

Throughout the semester as we become more familiar with the roles and safety practices I think using the studio will become a lot more fun and less stressful as everything won’t seem so foreign. As it is early in the semester my group is still unsure of the style we want to present our fact check in but I think as we all start to grow in experience within the studio we will grow in confidence in experimenting with filming and editing.

Now, This, Fact Check Group

For the rest of the semester I will be working in a group with Oscar, Alex, Roie and Lochie. From the list of fact check options provided we decided to focus on the question “Have women become better educated whilst the gender pay gap hasn’t budged?” I did find a majority of both the climate change and gender related questions interesting however as a woman the question we chose is something I’m genuinely passionate about and wanting to research and I think my groups passion for the subject matter will show in our effort and work.

As we are still in the early stages of creating our final fact check work, it’s important to utilise this time for research and creating a plan of direction. In terms of individual research the first place I went was YouTube where I searched ‘gender pay gap 2019’ and had a browse through the results in hopes of finding news segments and political discussions. The top result was from a really interesting channel, PragerU, which posts a lot of political content, specifically interviewing people on the street about certain topics. A video they posted in February of 2019 is asking women at California State University if they still believe the wage gap is real. I think featuring vox pops and interviews from a variety of people is vital and I definitely want to include in our work as it indicates we are coming from a non-bias perspective and something.

Notably I came across other videos discussing gender pay from The Economist channel and Liberal Democrats (Australia). The Economist video ‘Why are women paid less than men?’ was a really good simple explanation whereas the video from Liberal Democrats (Australia) featured Senator David Leyonhjelm questioning the Workplace Gender Equality Agency.

As our question is very current I think YouTube is a great place for basic research as content about gender pay is regularly being uploaded but I would definitely still like to utilise the RMIT library for articles and facts.

Now, This, RMIT Fact Check Credential Reflection

Taking the RMIT Fact Credential was a really understandable and informing introduction into ‘fake news’ and fact checking. Before undertaking the credential I had little to no fact checking skills so this has been really useful for me in learning the basics of how to fact check.

Something I would like to explore more is misinformation and disinformation and how personal opinion and bias can influence this. Sadly I think there is a lot of bias through misinformation in the 21st century, especially with their being such intense political climates in countries like the US. Television channels such as the American Fox News are notorious for their extreme right wing bias whilst Australian newspapers such as the Australian are also known for their conservative bias which is made obvious by their misrepresentation, exaggeration, underestimation and source selection in regards to their stories. I definitely agree with the credential in that ‘a fair and balanced report will provide differing points of view.’ It was interesting to learn that there can be bias through language and placement. Colourful language that uses adverbs can single bias whilst the prominence given to a certain news report through its placement or coverage can indicate bias.

 

Disinformation isn’t something I have heard much about but I find it really fascinating and would like to further research into the topic. Of course there can be a lot of misinformation on social media but I’m curious in regards to who in a political sense has and would intentionally spread lies and the impact it has had on the people exposed to this ‘news’. Both disinformation and misinformation of news, especially political and environmental news, can be extremely manipulating to the public which is why fact checking sources are so important.

Memory, Identity and Neighbourhoods, Final Post

Brief Film Summary

The Recycled Wardrobe takes a look at the vintage store, RetroStar, and the people that shop there. In capturing the patrons of one of Melbourne’s hidden gems, we wanted to highlight the colourful and exciting world of vintage clothing and the people who love it.

Course Highlight 

A highlight from this studio was being able to have such a big amount of creative control over our final assignment. Because of this we were able to create a documentary about a subject matter that we are both very passionate about and are therefore proud of our final product.

Film Link

 

Memory, Identity and Neighbourhoods, Assignment 4

Studio Experience/Insights

This course has made me consider my own relationship to my neighbourhood and how living in a specific area has had an impact on my identity. I am now more aware of the significance of a neighbourhood and what it’s impact on a resident be. I’ve realised that I don’t hold a strong need for my neighbourhood. I don’t feel Brighton East has shaped my personality in any manner and I wouldn’t particularly choose to live where I do. I’ve realised that neighbourhoods that I don’t live in such as Brunswick and Fitzroy feel more comfortable and inviting to me than where I have lived for the past 17 years. They have more culture, personality and history whereas Brighton East is cold and bland. It is a neighbourhood I have many memories in but I don’t account these memories to the geographical location but to the people in them.

Film Project

I think Andi and I worked really well together in the making of our documentary, the Recycled Wardrobe. We both respected each others ideas and comments and contributed equally to both the conception and production.

We both spent two days at RetroStar filming our interviews, introduction and b roll footage. We were hoping to film a majority of our documentary on the first day we went there but we were unhappy with the lighting, however this was still a good opportunity to touch base with the staff and get familiar with the physical space. We did discuss and try and find a camera and lighting equipment that would better suit the yellow/green lighting of RetroStar but ultimately used the camera we originally had. On our second day we had more of a clear plan and were able to film our interviews and b roll footage. As we were unsure of how our customer interviews would turn out, we filmed a substantial amount of footage with one of the employees, Chelsea. Andi filmed a majority of the b roll footage and then talked with our interviewees whilst I operated the camera and sound. We were both a bit unsure in how we would go using the sound equipment and video camera given that neither of us have much experience but I think the quality turned out really well so it was definitely a good confidence booster and learning experience. After we finished filming we decided it would be easier if just one of us did the editing process. However to make it less overwhelming for one person, we came up with a detailed plan together about how I would cut everything together.

Documentary Editing Plan

-Shots of the city

-RetroStar walking shot : silence or ‘hidden gem audio’

-Tracking shot going in

-Title (not related to retrostar)

-From the outside going in, just when it gets in cut to Chelsea; cut aways with Chelsea

-History Chelsea; introduces RetroStar

-Interviews, one question at a time

-End with favourite retro star item

-Echo their voice or end with old lady

One of our biggest stresses whilst filming was the colouring and if we would be able to successfully edit it. Our footage within the store was very yellow due to the lighting and it was quite dark in the space we did our interviews but we played around in Premiere Pro and were able to adjust the footage to a colouring we were both happy with. I felt confident using Premiere Pro to edit and with our plan it didn’t take an overly long amount of time to put everything together. In the editing process I realised that with our introduction and footage of customers, we were nearly at the 5 minute mark and wouldn’t have time to feature our interview with Chelsea. After discussing it with Andi we both felt that if we had Chelsea speaking at the start and for a majority of the documentary we would be going in a completely different direction to what we had wanted given that all of our customer interviews were highly successful. It also seemed promotional for RetroStar if Chelsea was our main character, which was one of the biggest notes from the panel in that we should avoid that vibe. I think the most successful part of our documentary was featuring such a variety of people and specifically when each individual described their favourite vintage piece. After getting the classes feedback we were both really pleased and took on their comments that the introduction was a bit long so I went back and sped those clips up. I was still having problems with exporting my video at a high quality which is very frustrating but not much can be done about it.

Overall I am really pleased with our final product and think we both worked hard. I still think our colouring could be better in some of the in store shots but we did the best with what we could. Our aim was to present a documentary that featured customers of a vintage store discussing their personal relationship with vintage clothing. We wanted the documentary to be light and display a variety of cliental that concisely answered our questions and gave the viewer an insight into their identity and I think we successfully achieved this. In relation to place and neighbourhoods I think our introduction was essential in emphasising the location of RetroStar. It emphasised not only that the store is a hidden gem, but also that it is in the very communal area of the CBD meaning that anyone has access to it.

https://drive.google.com/file/d/1rvkC5JgwDxi3zCtkCvAOsdaj3IgjY5FJ/view?usp=sharing

Memory, Identity and Neighbourhoods, Post 12

Hoop Dreams is a 1994 documentary by director Steve James. The film follows William Gates and Arthur Agee, two African-American teenage boys who are aspiring NBA players. We are introduced to them when they are just 14 years old and are part of their entire high schooling life as the documentary concludes when the two boys leave for college. As someone who has absolutely no interest in sports, I was surprised at this documentary’s ability to keep me so intrigued for it’s long 170 minute running time. Although the title suggests this film will be entirely focused on basketball, which to an extent it is, what ultimately stood out to me were the themes of family, wealth and the American dream. Both Gates and Agee live in lower socio economic neighbourhoods in Chicago and each teen experiences different struggles including financial issues, education, drug use, teenage pregnancy and difficult family relationships. By focusing on not just the boys but also the world that surrounds them, I think Hoop Dreams was so successful because it opened itself up to a wider viewing base than just sports fans. This film is further successful due to the boys and their families being filmed over the course of 4 years. We can see and feel the trust that developed between the social actors and Steve James and become emotionally attached to Gates and Agee as we start to want them to succeed nearly as much as they themselves do.