Tag: photobook

Final Project: Uses of Photography

 

Alas, the final photography project has been done. The title I have chosen for my photography project is : Digital Heroin. I chose the name because it has become a phenomenon. When read article about Iphone dependence on the internet, a couple of words kept popping out; Digital, addiction and addicts, drugs, heroin, malaise, technology. The phrase “digital drugs” are used several times which inspired me to use ‘Digital Heroin’.

Starting from the presentation, I was very eager to start my photography project. Like any other startups,  I have lots of imagination where I wanted my project to head to. I was inspired by the TV show black mirror, that taught me the harsh reality of human nature with digital technology. I was a fan of the show and thus it gave me the Idea to do this project.

Over the blog I have updated some progress I had done. I pursued the project slowly, due to procrastinating and and threatening deadline. I had many conundrums trying to brainstorm and create a concrete plan for the project. The most problematic one was trying to decide if I want to capture life-candid observational shots, or scripted but true-to-many people images. Brian suggested I tried to go outside and try if the candid one worked. After practicing for a couple of days, I concluded that it was utterly hard to do so. I managed to take a couple of great shots, but no more than even remotely enough to communicate my message.  I decided to scale back to the first inspiration.

I asked many friends & colleagues about things people do on their phone that people find annoying, and used my own experience. Although I want to show our reliance the best way possible, I still want to add aesthetically value to the image, to communicate my own style of photography.

 

 

These are some of the sketch I did for the project. There are multiple scenarios involving a person and a digital phone, mostly singular photos. I also wanted to add abstract images, mostly associated with light pollution (or simply too much light).  There are basic scenarios , like a person doing selfie, a person holding their phone at mainstream places, but there are ideas that I like to experiment with, even though when it comes to the day in the studio,  many of the ideas didn’t work out.

One of the technical challenge I experienced was coping with my the dark nature of the project with my own camera. I used the RMIT studio 2 times. During the first, I experimented and played with my own camera. It was incredible an fun and I managed to get a lot of good pictures.  I figured if using my own camera would make as good pictures as this, then borrowing high quality camera from RMIT would make even better pictures. But, the exact opposite happened. I loaned a canon 5D Mark but the results were very different from what I anticipated. The quality is better, but I can’t seem to get the pictures that I wanted. Maybe because I was more accustomed to using my own camera, and using 5D is trickier and more complex.

 

When I presented the particular style of photo I wanted to pursue, I coined the term “chiaroscuro” as a principle. One of the panel judge suggested I looked at Philip Toledano because my Idea sound vaguely familiar (first left picture on the left page). Philip toledano photographed people’s  candid expression while lose themselves playing games. With their comment and advice I continued to think of ideas. The pictures on the right page are some of the shots I took. You can see there I did what I planned, I used the mobile device as the primary source of light. Sometimes the phone’s brightness isn’t powerful enough/sometimes too powerful, that post-production has to play it’s part.  The studio provides lighting equipment and reflectors that I utilized in some of the shots.

After producing and post-producing the photos, I started to assemble & arrange the photos into a photobook. I had no knowledge how to create a photobook, but I saw examples from Bella Capezio (guest lecturer) and together with the readings it gave me some perspective on how I should assemble mine. A further trip into Pinterest and with the help of a friend I then juxtaposed the pictures together and try to make a coherent narrative.  Since my photobook didn’t exactly have a narrative, I decided I would arrange it more categorically. The photobook is an even greater medium to communicate your photos, so figuring out this part was an interesting challenge.

I created an empty space within the first few pages and i put a rectangle that resembles the size of a phone.  Here I wante to implement the idea the digital phone is part of life, hence it is part of the photobook as well.  Besides some of the picture I also put small captions about typical social media behaviour. I continued putting my images in using tips my friend gave me.  My self-portrait and the phone platform is the opening I wanted to give. And the ending (with the picture of a person holding 2 phones) I thought the image serves as a  candid closure that binds the rest of the images together.  I feel that my book overally jumps around with the image and the message, it didn’t create a linear narrative, and it’s more like “the image speaks for itself”. I hope that people who ‘read’ the book can relate and also find it entertaining & aesthetically pleasing.

Overally I was very proud and satisfied with what I have done. I prepared, presented, and consulted with Brian about the message I want to send across. Even though I would have done a lot better If I didn’t procrastinate as much, I feel like I’ve achieved my goal for the project. Photography has taught me how to communicate with people explicitly & implicitly through visual images. It is challenging,  and needs focusing on the many minor details. But effectively sending the emotion that you wanted is a rewarding work.

And so Week 9 Goes

I want to fly

 

Brian taught the class more about our so-to-be conceptual project and the way which we will publish it into a concrete print. The class talked about “Reading the Photobook” by Gerry Badger.  A further discussion from Bella Capezio, what is really needed in a photobook?  In the article, Badger cited many artist opinions on what they think a photobook is, and each quote varies. Badger cited Lewis Baltz that pointed photography as “a narrow but deep area lying between the novel and the film”, and Raplh Pins that photobook is an autonomous form “an event itself”. These artist touched upon the photobook as somewhat abstract form of storytelling, but another expert opinion, John Gossage noted that photobook has four qualities. “It should contain great work. Secondly, it should make that work function as a conscise world within the book itself. Thirdly, it should have a design that complements what is being dealt with. And finally, it should deal with content that sustains an ongoing interest”.

I feel in a sense, that what all the great commentators try to say is that photobook has to transport the viewer into the new fiction world, filled with the author’s subjectivity but allows the viewer to conjure their own meaning from the book. One particular point Gossage said is that all works of the photobook are fiction. We (the class) somewhat agree with the comment as compiling the photobook by the author cannot exclude the author’s personal meaning. The photobook must somehow represent the author’s idea, whether or not the images are nonfiction. The author’s personal interpretation is hence what is ‘fiction’ in the work.

Even though opinions on the photobook varies, Badger (and Brian) concluded that a photobook requires several elements:

  • It requires the photographer’s conceptual core. The conceptual core is required before the whole process starts. It is the guiding light and the heart of the project.
  • A photobook requires sequence. It is arranged with a beginning, a middle and an end. juxtaposing the images is important in delivering the idea you want your audience to get
  • It requires a layout. While some might think the design isn’t as important as the content, the book’s layout is an opportunity to further give context and allows for creativity to run wild. A good layout can create an atmosphere set before and while reading the photobook.

Soon everyone in the class has to stand in front of a panel of judges to deliver our ideas and our understanding of the course so far. I still haven’t figure precisely what concept I want to pursue, just like the guy in the picture looking blankly at the parrot.  I want to do studio-based project, Because that is one of my goals I told Brian during the first few weeks of the class. I want to try and see what I can play with a controlled environment. I’ll try to ponder some more around the weekends and see if I could come up with any more ideas.

Pixels and Print

Untitled

 

Last Tuesday we had a guest lecturer to talk about Publishing images in the form of a photobook. I learned about how photographers can further connect with his/her audience through concrete medium. Now when everything is almost digitized, publishing/printing your photographs means taking a further step in your photography project. And like writers/journalist, publishing your photos in the form of book makes you a storyteller. There are many considerations when planning and designing your photobook. There are things you can do with your photobook, rather than just showing your photos. Aside from telling the story, photobooks can provide another viewing experience and new sensation for your audience. From the theme of the book, the type of paper, the type of cover, the color, the binding/stiching, the folds and the layout the book can provide even greater context and justification to your photography work.

I am very excited for the next upcoming project. Unfortunately I haven’t been able to come up with ideas. With a week to spare before the presentation, I will try to keep my pen and notebook ready at times where serendipity strikes.

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