Tag: brian morris

Final Project: Uses of Photography

 

Alas, the final photography project has been done. The title I have chosen for my photography project is : Digital Heroin. I chose the name because it has become a phenomenon. When read article about Iphone dependence on the internet, a couple of words kept popping out; Digital, addiction and addicts, drugs, heroin, malaise, technology. The phrase “digital drugs” are used several times which inspired me to use ‘Digital Heroin’.

Starting from the presentation, I was very eager to start my photography project. Like any other startups,  I have lots of imagination where I wanted my project to head to. I was inspired by the TV show black mirror, that taught me the harsh reality of human nature with digital technology. I was a fan of the show and thus it gave me the Idea to do this project.

Over the blog I have updated some progress I had done. I pursued the project slowly, due to procrastinating and and threatening deadline. I had many conundrums trying to brainstorm and create a concrete plan for the project. The most problematic one was trying to decide if I want to capture life-candid observational shots, or scripted but true-to-many people images. Brian suggested I tried to go outside and try if the candid one worked. After practicing for a couple of days, I concluded that it was utterly hard to do so. I managed to take a couple of great shots, but no more than even remotely enough to communicate my message.  I decided to scale back to the first inspiration.

I asked many friends & colleagues about things people do on their phone that people find annoying, and used my own experience. Although I want to show our reliance the best way possible, I still want to add aesthetically value to the image, to communicate my own style of photography.

 

 

These are some of the sketch I did for the project. There are multiple scenarios involving a person and a digital phone, mostly singular photos. I also wanted to add abstract images, mostly associated with light pollution (or simply too much light).  There are basic scenarios , like a person doing selfie, a person holding their phone at mainstream places, but there are ideas that I like to experiment with, even though when it comes to the day in the studio,  many of the ideas didn’t work out.

One of the technical challenge I experienced was coping with my the dark nature of the project with my own camera. I used the RMIT studio 2 times. During the first, I experimented and played with my own camera. It was incredible an fun and I managed to get a lot of good pictures.  I figured if using my own camera would make as good pictures as this, then borrowing high quality camera from RMIT would make even better pictures. But, the exact opposite happened. I loaned a canon 5D Mark but the results were very different from what I anticipated. The quality is better, but I can’t seem to get the pictures that I wanted. Maybe because I was more accustomed to using my own camera, and using 5D is trickier and more complex.

 

When I presented the particular style of photo I wanted to pursue, I coined the term “chiaroscuro” as a principle. One of the panel judge suggested I looked at Philip Toledano because my Idea sound vaguely familiar (first left picture on the left page). Philip toledano photographed people’s  candid expression while lose themselves playing games. With their comment and advice I continued to think of ideas. The pictures on the right page are some of the shots I took. You can see there I did what I planned, I used the mobile device as the primary source of light. Sometimes the phone’s brightness isn’t powerful enough/sometimes too powerful, that post-production has to play it’s part.  The studio provides lighting equipment and reflectors that I utilized in some of the shots.

After producing and post-producing the photos, I started to assemble & arrange the photos into a photobook. I had no knowledge how to create a photobook, but I saw examples from Bella Capezio (guest lecturer) and together with the readings it gave me some perspective on how I should assemble mine. A further trip into Pinterest and with the help of a friend I then juxtaposed the pictures together and try to make a coherent narrative.  Since my photobook didn’t exactly have a narrative, I decided I would arrange it more categorically. The photobook is an even greater medium to communicate your photos, so figuring out this part was an interesting challenge.

I created an empty space within the first few pages and i put a rectangle that resembles the size of a phone.  Here I wante to implement the idea the digital phone is part of life, hence it is part of the photobook as well.  Besides some of the picture I also put small captions about typical social media behaviour. I continued putting my images in using tips my friend gave me.  My self-portrait and the phone platform is the opening I wanted to give. And the ending (with the picture of a person holding 2 phones) I thought the image serves as a  candid closure that binds the rest of the images together.  I feel that my book overally jumps around with the image and the message, it didn’t create a linear narrative, and it’s more like “the image speaks for itself”. I hope that people who ‘read’ the book can relate and also find it entertaining & aesthetically pleasing.

Overally I was very proud and satisfied with what I have done. I prepared, presented, and consulted with Brian about the message I want to send across. Even though I would have done a lot better If I didn’t procrastinate as much, I feel like I’ve achieved my goal for the project. Photography has taught me how to communicate with people explicitly & implicitly through visual images. It is challenging,  and needs focusing on the many minor details. But effectively sending the emotion that you wanted is a rewarding work.

Planning and Launching the Plan

"Journey" 162/365

 

Today most of the class consulted with Brian regarding their project’s process. I talked to Brian more about the project, I found some challenges. I find it hard to move a the social aspect of ‘reliance on the digital screen’ to the studio, because then it would feel scripted/not candid. If you want to capture people’s dependence toward their digital screen, isn’t it best to caught them candidly, in the middle of the act ? This question made me rethink my concept of my work now. It definitely isn’t a regress, but a review on my current Ideas. Taking pictures outside with observation is a definite answer to this, but one of my goal is to try to work in a studio environment. I might have to somehow rethink a concept that allows me to do both.

Final Project Presentation

Last Tuesday (week 10) everyone presented in class their plan for the Photobook project. We had guest teacher to come serve in the panel to give comments and opportunity for students to ask question & advice.  A very intimidating but very useful class, everyone explained their idea brilliantly and all of their ideas are impressive.

I explained during the 2 minute Presentation what I have learned so far about the Uses of Photography. With the first and second project Brief, I’ve learned to draw upon my own style through my inspirations. While I still can’t put a name to it, I understand what sort of photos I like to take. With the second Project Brief, I learn about the relation of photographs and narratives. I learn the unique process of telling a story using images. All of what I’ve learned so far has motivated me into my idea for the final assignment.

When Brian Gave an online questionnaire to the class about our future goals, I said that I want learn to work in a studio environment. But I didn’t manage to do that in the first assignment and it wasn’t possible with the second. So I am going to try it for this assignment. Brian has taught the class about studio lighting in week 3 so I will practice from there.

My Idea for the next project comes with inspiration from the TV show ‘Black Mirror’. Black Mirror is a series that shows how technology can pragmatically affect how society works. I want to make a Photobook that shows how dependent we are with our digital screens, in particular our smartphones and laptops. I want to do this because I am one of those people. I want to emphasize the reliance of digital screen as an alternative source of light. Especially at night time.

Presenting and asking for suggestion helped me to consider if my idea is pursuable. The next step is to find the right equipment and right setting and think of ideas where digital screen and people’s face can be most exploited. I will consult with Brian while brainstorming through google and Pinterest.

A visit to National Gallery of Victoria

On Tuesday week 7 the class visited the National Gallery of Victoria to visit some of the photography exhibition to see talented works of art and hopefully get inspired by them. I saw many incredible and intriguing photos, from Bill Henson, William Eggleston, to an Indonesian contemporary photographer Edwin Roseno, the Exhilarating photos of Amusement parks by Carsten Holler, and incredibly minimalistic yet beautiful landscape by the artist born from the same land as Brian, Derek Henderson. It is very inspiring to see very different works inspired by various circumstances. Seeing all the creative works reminds me a quote from Paul Schrader that “True creativity comes from restrictions and limitations” and watching a video of Anna Akana (Youtuber) talking to an artist. Creativity comes from playing and tweaking your capability in the limited boundaries you have. That’s what makes creativity.

An big room is dedicated to William Eggleston. He is credited for introducing color photographs in the photography world. One of his first colour photograph , the guy holding the trolleys, is one of my favorite. He likes to take candid photographs, not necessarily street photographs, but it represents the culture he was in.

The Indonesian Photographer Edwin Roseno uses product packages as pots for plants, showing the direct relation between nature-then-processed result. In his description “Green Hypermarket” is Edwin’s way of how consumable packages have been a utilized in Indonesian homes. After serving it’s commercial purpose, the packages are then used by Indonesian people for plants, changing its value to preserve life.

All of the photographers in NGV inspired me to pursue my own creative style. All of their dedication in their work deserved respect. Below are some of the Picture I took in the exhibition

 

 

Essays in Pictures

"Light my soul in the white night"

Today Brian gives us a deeper insight into our project brief, an explanation further of Photo essays. Like storytelling, photo essays are made to tell a story. and such, like a story a photo essay needs a structure, even in the compilation of the images. It needs a foundation that can make sense to the readers.

Like storytelling,  a photo essay needs a beginning, middle and end. The photos then articulate the particular lifestyle of the project, but in photo essays the images are the primary storyteller, not the story itself, the captions compliment the pictures,  giving a visual sensation and a relief of imagination.

When planning the narrative structure of the picture, Brian told us there are some things we should consider:

  • Exposition, rising action, complications, climax, falling action, resolution
  • How do you represent conflict in photographs?
  • How the photos interact with the stories when the viewers see them.
  • How to represent a normal style of life ina highly aesthetic manner

He showed us 4 main categories when constructing a photo story

  1. Establishing Image: context and environment
  2. Action image: capturing action and interaction
  3. portraits: essential to any story
  4. close-up or detail image: need to identify significant detail within the overall scene

and one important thing he told us when we are starting the post-production.

Figure what sort of atmosphere/emotion you want too leave your viewers when they finished seeing the video

Brian also showed us some of photographers which I will talk about in the inspiration part of the blog. Afterwards we got onto our exercise. For this week Brian wanted us to be in a group to make a short 7 picture photo story with the theme “The exchange”. I did mine in RMIT connect the kind of exchange we chose was the exchange of information. this is one of the photos that we made (sorry Michaela, but I look decent in this pic!)

 

Mobile Media Photography

Untitled

 

I wasn’t able to attend the Tuesday studio, so instead I spent the time reading Daniel Palmer’s “Mobile Media Photography”  and checking the course guideline about the future assignment.

Palmer talked briefly about the evolution of mobile photography, an event he had predicted “could mark a change in social record-keeping…” but even then he didn’t thought that it’s progress could have gone so far and critical. He observed that mobile phones has changed the way photography behaves.  He noted many other academic’s response to it. Such as Daniel Rubenstein calling the spontaneous photographic practices as “visible speech” because of how quickly the images can be transmitted. Mikko Villi then added by saying those instantly transmitted photographs extends the traditional photography form of communication. Pictorial conversation or ‘visual chit chat’ is now the norm of communicating.

Then Palmer focuses on IPhone, the most popular and one of the most successful camera phone. He talks about the history of IPhone’s features and the emergence of IPhone applications, that affects the aesthetic of camera phone images. He said Instagram, “a hybrid of the Polaroid and the telegram” said Chesher that enables users to connect directly and personally with an audience by sharing their visual experience.

Photographs attract eyeballs, and where there are eyeballs there lies the possibility to make money

Camera phones played a role in the rising ‘citizen journalist’ for reporting world events. Their Raw images are many times used by the media (albeit sometimes unverified for it’s legitimacy) and Palmer believe this would only likely to continue.

Because many people may use iphone over the same area, Kate Shilton describe “participatory sensing” as an emerging form of mass data collection that may, under appropriate conditions, be conceived as a form of self-surveillance-an opportunity for individuals and groups to provide possibilities for community exploration, such it sometimes be called ‘reality mining’ to provide information to benefit the community. For example, the VandalTrak app allows its user to take photographs of illegal graffiti which could be uploaded with a geo-tag for police and other organizations.

Camera phones are no longer only concerned with reproducing the world, but might also enhance and augment our experience of it.

Because of the prevalence of photographers (not professional ones) of exploiting privacy or private pictures being unleashed/ used inappropriately, now There are mistrust of professional photographers working in public spaces like the beach, even though in history photographers are celebrated to work without the explicit permission of their subjects.

Photography has long been involved in configuring the boundaries between private and public space

Palmer’s points sound very interesting and I agree with some of It. Social media and camera phones has thinned the line of “Privacy” and often even questions the existence of it’s own meaning for people who knows it. It’s use and benefits are a double edge sword, because it can benefit anyone, regardless of intention/purpose. This brings back the question, what is photography, and what is mobile media photography? Does photography mentions a specific skill, or an ability?

 

Uses of Photography, First day

Henri Cartier-Bresson

The first day of our media class, Brian introduced himself and immediately we were shown a 20-minute documentary of Henri Cartier-Bresson, a French photographer and the pro-creator of Magnum photos.  The video told us about Cartier-Bresson’s intake on photography. Famously known to create the genre of Street Photography, For Cartier-Bresson, a photographer needs to be quick (quick, quick), to get the decisive moment right. One of the most profound lesson I learned from the French photographer is not to label your photography. Because it limits on what you are capable of doing. Do not focus on what kind of pictures you take, but how you take your pictures.

Other than the incredible documentary, our class were handed with lots of canon DSLRs to start learning how to use them. With a 4-member group, we tried calibrating ourselves with the cameras and took some pretty interesting shots. The fact that it also was a sunny day makes it all the better.

 

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